Canon M6 Mark II vs Sony ZV-E1

The Canon EOS M6 Mark II and the Sony ZV-E1 are two digital cameras that were officially introduced, respectively, in August 2019 and March 2023. Both the M6 Mark II and the ZV-E1 are mirrorless interchangeable lens cameras that are based on an APS-C (M6 Mark II) and a full frame (ZV-E1) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon M6 Mark II		Sony ZV-E1
Mirrorless system camera		Mirrorless system camera
Canon EF-M mount lenses		Sony E mount lenses
32.3 MP – APS-C sensor		12 MP – Full Frame sensor
4K/30p Video		4K/60p Video
ISO 100-25,600 (100 - 51,200)		ISO 80-102,400 (40 - 409,600)
Viewfinder optional		No viewfinder, LCD framing
3.0" LCD – 1040k dots		3.0" LCD – 1037k dots
Tilting touchscreen		Swivel touchscreen
14 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
305 shots per battery charge		570 shots per battery charge
120 x 70 x 49 mm, 408 g		121 x 72 x 54 mm, 483 g

Check M6 Mark II offers at
ebay.com
Check ZV-E1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Sony ZV-E1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon M6 Mark II and the Sony ZV-E1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The ZV-E1 can be obtained in two different colors (black, white), while the M6 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E1 is somewhat larger (4 percent) than the Canon M6 Mark II. Moreover, the ZV-E1 is markedly heavier (18 percent) than the M6 Mark II. It is noteworthy in this context that the ZV-E1 is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the ZV-E1 can take 570 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
2.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	2,199	amazon.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
5.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
6.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
7.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
8.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
9.		Canon M200	108 mm	67 mm	35 mm	299 g	315	n	Sep 2019	549	ebay.com
10.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
11.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
12.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
13.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
14.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
15.		Sony A7C R	124 mm	71 mm	63 mm	520 g	520	Y	Aug 2023	2,999	amazon.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
17.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M6 Mark II was launched at a markedly lower price (by 61 percent) than the ZV-E1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon M6 Mark II features an APS-C sensor and the Sony ZV-E1 a full frame sensor. The sensor area in the ZV-E1 is 151 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Canon M6 Mark II offers a higher resolution of 32.3 megapixels, compared with 12 MP of the Sony ZV-E1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.23μm versus 8.40μm for the ZV-E1). Moreover, it should be noted that the ZV-E1 is much more recent (by 3 years and 7 months) than the M6 Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon M6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M6 Mark II for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Sony ZV-E1 are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony ZV-E1 are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.

In terms of underlying technology, the M6 Mark II is build around a CMOS sensor, while the ZV-E1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
2.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
5.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
6.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
7.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
8.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
9.		Canon M200	APS-C	24.0	6000	4000	4k/25p	24.0	13.5	1836	82
10.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
11.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
12.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
13.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
14.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
15.		Sony A7C R	Full Frame	60.2	9504	6336	4K/60p	25.4	14.7	3227	96
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZV-E1 provides a faster frame rate than the M6 Mark II. It can shoot movie footage at 4K/60p, while the Canon is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The M6 Mark II and the ZV-E1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The table below summarizes some of the other core capabilities of the Canon M6 Mark II and Sony ZV-E1 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
2.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
5.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
6.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
7.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
8.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
9.		Canon M200	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
10.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
12.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
15.		Sony A7C R	2360	n	3.0 / 1037	swivel	Y	1/4000s	8.0/s	n	Y
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The M6 Mark II has one, while the ZV-E1 does not. While the built-in flash of the M6 Mark II is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M6 Mark II and the ZV-E1 write their files to SDXC cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Sony ZV-E1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Canon M200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
11.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
12.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
13.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Sony A7C R	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the ZV-E1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.

The ZV-E1 is a recent model that features in the current product line-up of Sony. In contrast, the M6 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M6 Mark II from Canon. Further information on the features and operation of the M6 Mark II and ZV-E1 can be found, respectively, in the Canon M6 Mark II Manual (free pdf) or the online Sony ZV-E1 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Canon M6 Mark II and the Sony ZV-E1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS M6 Mark II:

• More detail: Offers more megapixels (32.3 vs 12MP) with a 64% higher linear resolution.
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Less heavy: Is lighter (by 75g or 16 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2019).

Reasons to prefer the Sony ZV-E1:

• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (570 versus 305) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More modern: Reflects 3 years and 7 months of technical progress since the M6 Mark II launch.

If the count of individual advantages (bullet points above) is taken as a guide, the ZV-E1 is the clear winner of the contest (13 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon M6 Mark II and the Sony ZV-E1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M6 Mark II or the ZV-E1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
2.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	2,199	amazon.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
5.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
6.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
7.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
8.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
9.		Canon M200	..	+	3/5	79/100	4/5	4/5	Sep 2019	549	ebay.com
10.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
11.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
12.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
13.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
14.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
15.		Sony A7C R	4/5	..	4/5	88/100	..	4/5	Aug 2023	2,999	amazon.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
17.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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