Canon M6 Mark II vs Sony A77 II
The Canon EOS M6 Mark II and the Sony Alpha SLT-A77 II are two digital cameras that were announced, respectively, in August 2019 and May 2014. The M6 Mark II is a mirrorless interchangeable lens camera, while the A77 II is a DSLR. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 32.3 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M6 Mark II||Sony A77 II|
|Mirrorless system camera||Digital single lens reflex|
|Canon EF-M mount lenses||Sony A mount lenses|
|32.3 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (50-51200)|
|Viewfinder optional||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Fully flexible screen (no touchscreen)|
|14 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|305 shots per battery charge||480 shots per battery charge|
|120 x 70 x 49 mm, 408 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M6 Mark II and the Sony A77 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is considerably larger (77 percent) than the Canon M6 Mark II. Moreover, the A77 II is substantially heavier (59 percent) than the M6 Mark II. It is noteworthy in this context that the A77 II is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M6 Mark II gets 305 shots out of its LP-E17 battery, while the A77 II can take 480 images on a single charge of its NP-FM500H power pack. The power pack in the M6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M6 Mark II»||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849||Canon M6 Mark II|
|Sony A77 II«||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Canon T8i« »||5.2 in||4.1 in||3.0 in||18.2 oz||800||n||Feb 2020||749||Canon T8i|
|Canon M200« »||4.3 in||2.6 in||1.4 in||10.5 oz||315||n||Sep 2019||549||Canon M200|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon T100« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon T100|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||Canon M6|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||Canon M3|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||Nikon D7100|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||Sony A68|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M6 Mark II was launched at a markedly lower price (by 29 percent) than the A77 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A77 II is 9 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M6 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon M6 Mark II offers a higher resolution of 32.3 megapixels, compared with 24 MP of the Sony A77 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.23μm versus 3.91μm for the A77 II). However, it should be noted that the M6 Mark II is much more recent (by 5 years and 3 months) than the A77 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon M6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M6 Mark II for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inch or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inch or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inch or 58.9 x 39.3 cm. The corresponding values for the Sony A77 II are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The M6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon M6 Mark II|
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Sony A77 II|
|Canon T8i||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon T8i|
|Canon M200||APS-C||24.0||6000||4000||4k/25p||..||..||..||..||Canon M200|
|Canon SL3||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon SL3|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G5 X Mark II|
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Canon T7||APS-C||24.0||6000||4000||1080/30p||..||..||..||..||Canon T7|
|Canon T100||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon M6||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon M6|
|Canon M5||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon M3||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Sony A68||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the M6 Mark II provides a higher video resolution than the A77 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A77 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The following table reports on some other key feature differences and similarities of the Canon M6 Mark II, the Sony A77 II, and comparable cameras.
|Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n||Canon M6 Mark II|
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Canon T8i||optical||n||3.0||1040||swivel||Y||1/4000s||7.5||Y||n||Canon T8i|
|Canon M200||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M200|
|Canon SL3||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon T7||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon T100||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon M6||optional||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M5||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon M3||optional||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Sony A68||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M6 Mark II has a touchscreen, while the A77 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M6 Mark II writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The M6 Mark II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A77 II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon M6 Mark II|
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Canon T8i||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon T8i|
|Canon M200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Canon M200|
|Canon SL3||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon T7||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon T100||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon M6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M5||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon M3||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Sony A68||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
Studio photographers will appreciate that the Sony A77 II (unlike the M6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M6 Mark II and the A77 II are recent models that are part of the current product line-up. The A77 II replaced the earlier Sony A77, while the M6 Mark II followed on from the Canon M6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon M6 Mark II better than the Sony A77 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M6 Mark II:
- More detail: Offers more megapixels (32.3 vs 24MP) with a 16% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (14 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (120x70mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 239g or 37 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 5 years and 3 months of technical progress since the A77 II launch.
Reasons to prefer the Sony Alpha SLT-A77 II:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (480 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in May 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the M6 Mark II emerges as the winner of the contest (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M6 Mark II and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M6 Mark II or the A77 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Canon M6 Mark II
- Canon 550D vs Sony A77 II
- Canon 5DS R vs Sony A77 II
- Canon 6D vs Sony A77 II
- Canon M6 Mark II vs Contax N Digital
- Canon M6 Mark II vs Leica X1
- Canon M6 Mark II vs Sony RX10 IV
- Canon R vs Sony A77 II
- Nikon D1X vs Sony A77 II
- Nikon D4S vs Sony A77 II
- Panasonic G80 vs Sony A77 II
- Sony A77 II vs Sony A850
Specifications: Canon M6 Mark II vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M6 Mark II||Sony A77 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Sony A mount lenses|
|Launch Date||August 2019||May 2014|
|Launch Price||USD 849||USD 1199|
|Sensor Specs||Canon M6 Mark II||Sony A77 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.5 x 15.0 mm||23.5 x 15.6 mm|
|Sensor Area||337.5 mm2||366.6 mm2|
|Sensor Diagonal||27 mm||28.2 mm|
|Sensor Resolution||32.3 Megapixels||24 Megapixels|
|Image Resolution||6960 x 4640 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.23 μm||3.91 μm|
|Pixel Density||9.57 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||50-51200 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|Screen Specs||Canon M6 Mark II||Sony A77 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M6 Mark II||Sony A77 II|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||14 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon M6 Mark II||Sony A77 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M6 Mark II||Sony A77 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||305 shots per charge||480 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
120 x 70 x 49 mm
(4.7 x 2.8 x 1.9 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||408 g (14.4 oz)||647 g (22.8 oz)|
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