Canon M6 Mark II vs R7
The Canon EOS M6 Mark II and the Canon EOS R7 are two digital cameras that were officially introduced, respectively, in August 2019 and May 2022. Both the M6 Mark II and the R7 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 32.3 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Canon EOS R7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon M6 Mark II and the Canon R7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R7 is notably larger (41 percent) than the Canon M6 Mark II. Moreover, the R7 is substantially heavier (50 percent) than the M6 Mark II. It is noteworthy in this context that the R7 is splash and dust-proof, while the M6 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the R7 can take 660 images on a single charge of its Canon LP-E6NH power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | US$ 849 | ebay.com | |
2. | Canon R7 | 132 mm | 90 mm | 92 mm | 612 g | 660 | Y | May 2022 | US$ 1 499 | amazon.com | |
3. | Canon 90D | 141 mm | 105 mm | 77 mm | 701 g | 1300 | Y | Aug 2019 | US$ 1 199 | amazon.com | |
4. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | US$ 899 | ebay.com | |
5. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | US$ 679 | ebay.com | |
6. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | US$ 979 | ebay.com | |
7. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | US$ 779 | ebay.com | |
8. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | US$ 779 | ebay.com | |
9. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | US$ 599 | ebay.com | |
10. | Canon M200 | 108 mm | 67 mm | 35 mm | 299 g | 315 | n | Sep 2019 | US$ 549 | ebay.com | |
11. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
12. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | US$ 599 | amazon.com | |
13. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | US$ 449 | amazon.com | |
14. | Canon T100 | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | US$ 399 | amazon.com | |
15. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | US$ 1 699 | amazon.com | |
16. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
17. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | US$ 2 499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M6 Mark II was launched at a markedly lower price (by 43 percent) than the R7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the R7 is 2 percent smaller. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the R7 uses a more advanced image processing engine (DIGIC X) than the M6 Mark II (DIGIC 8), with benefits for noise reduction, color accuracy, and processing speed.
Even though the M6 Mark II has a slightly larger sensor, both cameras offer the same resolution of 32.3 megapixels. This implies that the M6 Mark II has a lower pixel density and larger individual pixels (with a pixel pitch of 3.23μm versus 3.20μm for the R7), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the R7 is much more recent (by 2 years and 8 months) than the M6 Mark II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS R7 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
2. | Canon R7 | APS-C | 32.3 | 6960 | 4640 | 4k/60p | 24.1 | 13.8 | 2092 | 84 | |
3. | Canon 90D | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
4. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
5. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
6. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
7. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
8. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
9. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
10. | Canon M200 | APS-C | 24.0 | 6000 | 4000 | 4k/25p | 24.0 | 13.5 | 1836 | 82 | |
11. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
12. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
13. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
14. | Canon T100 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
15. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
16. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
17. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R7 provides a faster frame rate than the M6 Mark II. It can shoot movie footage at 4k/60p, while the M6 Mark II is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the R7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 Mark II relies on live view and the rear LCD for framing. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The adjacent table lists some of the other core features of the Canon M6 Mark II and Canon R7 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
2. | Canon R7 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
3. | Canon 90D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 11.0/s | Y | n | |
4. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
5. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
6. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
7. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
8. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
9. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
10. | Canon M200 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
11. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
12. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
13. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
14. | Canon T100 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
15. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
16. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
17. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The M6 Mark II has one, while the R7 does not. While the built-in flash of the M6 Mark II is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M6 Mark II and the Canon R7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M6 Mark II and the R7 write their files to SDXC cards. The R7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M6 Mark II only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Canon EOS R7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Canon R7 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Canon 90D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
4. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
5. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
7. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
8. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Canon M200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
12. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
13. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Canon T100 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
16. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
17. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.
The R7 is a recent model that features in the current product line-up of Canon. In contrast, the M6 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M6 Mark II from Canon. Further information on the features and operation of the M6 Mark II and R7 can be found, respectively, in the Canon M6 Mark II Manual (free pdf) or the online Canon R7 Manual.
Review summary
So what conclusions can be drawn? Is the Canon M6 Mark II better than the Canon R7 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS M6 Mark II:
- More compact: Is smaller (120x70mm vs 132x90mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 204g or 33 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2019).
Advantages of the Canon EOS R7:
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC 8).
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (660 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 8 months of technical progress since the M6 Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the R7 is the clear winner of the contest (13 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M6 Mark II and the Canon R7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M6 Mark II or the R7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | US$ 849 | ebay.com | |
2. | Canon R7 | 4.5/5 | + | 5/5 | 87/100 | 4.5/5 | 4.5/5 | May 2022 | US$ 1 499 | amazon.com | |
3. | Canon 90D | 4/5 | + | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Aug 2019 | US$ 1 199 | amazon.com | |
4. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | US$ 899 | ebay.com | |
5. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | US$ 679 | ebay.com | |
6. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | US$ 979 | ebay.com | |
7. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | US$ 779 | ebay.com | |
8. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | US$ 779 | ebay.com | |
9. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | US$ 599 | ebay.com | |
10. | Canon M200 | .. | + | 3/5 | 79/100 | 4/5 | 4/5 | Sep 2019 | US$ 549 | ebay.com | |
11. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
12. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | US$ 599 | amazon.com | |
13. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | US$ 449 | amazon.com | |
14. | Canon T100 | .. | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | US$ 399 | amazon.com | |
15. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | US$ 1 699 | amazon.com | |
16. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
17. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | US$ 2 499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M6 Mark II vs Canon SX400
- Canon M6 Mark II vs Kodak S-1
- Canon M6 Mark II vs Leica CL
- Canon M6 Mark II vs Leica Q2
- Canon M6 Mark II vs Olympus E-520
- Canon M6 Mark II vs Panasonic GM1
- Canon R5 C vs Canon R7
- Canon R7 vs Canon T6i
- Canon R7 vs Leica M-E Typ 240
- Canon R7 vs Nikon D3300
- Canon R7 vs Olympus E-PL10
- Canon R7 vs Sony A7R IVA
Specifications: Canon M6 Mark II vs Canon R7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M6 Mark II | Canon R7 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Canon EF-M mount lenses | Canon RF mount lenses |
Launch Date | August 2019 | May 2022 |
Launch Price | USD 849 | USD 1,499 |
Sensor Specs | Canon M6 Mark II | Canon R7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 22.5 x 15.0 mm | 22.3 x 14.8 mm |
Sensor Area | 337.5 mm2 | 330.04 mm2 |
Sensor Diagonal | 27 mm | 26.8 mm |
Crop Factor | 1.6x | 1.6x |
Sensor Resolution | 32.3 Megapixels | 32.3 Megapixels |
Image Resolution | 6960 x 4640 pixels | 6960 x 4640 pixels |
Pixel Pitch | 3.23 μm | 3.20 μm |
Pixel Density | 9.57 MP/cm2 | 9.78 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4k/60p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 32,000 ISO |
ISO Boost | 100 - 51,200 ISO | 100 - 51,200 ISO |
Image Processor | DIGIC 8 | DIGIC X |
Screen Specs | Canon M6 Mark II | Canon R7 |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.72x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1620k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M6 Mark II | Canon R7 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 14 shutter flaps/s | 15 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-II | Dual UHS-II |
Connectivity Specs | Canon M6 Mark II | Canon R7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon M6 Mark II | Canon R7 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E17 | Canon LP-E6NH |
Battery Life (CIPA) | 305 shots per charge | 660 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
120 x 70 x 49 mm (4.7 x 2.8 x 1.9 in) |
132 x 90 x 92 mm (5.2 x 3.5 x 3.6 in) |
Camera Weight | 408 g (14.4 oz) | 612 g (21.6 oz) |
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