Canon M50 vs Nikon D600
The Canon EOS M50 and the Nikon D600 are two digital cameras that were announced, respectively, in February 2018 and September 2012. The M50 is a mirrorless interchangeable lens camera, while the D600 is a DSLR. The cameras are based on an APS-C (M50) and a full frame (D600) sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M50||Nikon D600|
|Mirrorless system camera||Digital single lens reflex|
|Canon EF-M mount lenses||Nikon F mount lenses|
|24 MP, APS-C Sensor||24.2 MP, Full Frame Sensor|
|4K/24p Video||1080/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-6400 (50-25600)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||5.5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|235 shots per battery charge||900 shots per battery charge|
|116 x 88 x 59 mm, 390 g||141 x 113 x 82 mm, 850 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Nikon D600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M50 and the Nikon D600 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the D600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D600 is considerably larger (56 percent) than the Canon M50. Moreover, the D600 is substantially heavier (118 percent) than the M50. It is noteworthy in this context that the D600 is splash and dust-proof, while the M50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M50»||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Nikon D600«||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849||Canon M6 Mark II|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||-||Canon M6|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-||Canon M3|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M50 was launched at a markedly lower price (by 63 percent) than the D600, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M50 features an APS-C sensor and the Nikon D600 a full frame sensor. The sensor area in the D600 is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.2MP, the D600 offers a higher resolution than the M50 (24MP), but the D600 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.72μm for the M50) due to its larger sensor. However, the M50 is a much more recent model (by 5 years and 5 months) than the D600, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D600 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon M50»||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Nikon D600«||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Canon SL3« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon M6 Mark II« »||APS-C||32.3||6960||4640||4K/30p||-||-||-||-||Canon M6 Mark II|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 provides a higher video resolution than the D600. It can shoot video footage at 4K/24p, while the Nikon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the M50 has an electronic viewfinder (2360k dots), while the D600 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon M50 and Nikon D600 along with similar information for a selection of comparators.
|Canon M50»||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Nikon D600«||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Canon SL3« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n||Canon M6 Mark II|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M50 has a touchscreen, while the D600 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The M50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D600 does not have a selfie-screen.
The Nikon D600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 and the D600 write their files to SDXC cards. The D600 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M50 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Nikon D600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M50»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Nikon D600«||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Canon SL3« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon M6 Mark II|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
It is notable that the M50 offers wifi support, while the D600 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The M50 is a recent model that features in the current product line-up of Canon. In contrast, the D600 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D600 was succeeded by the Nikon D610. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon M50 and the Nikon D600? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M50:
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (116x88mm vs 141x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 460g or 54 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 5 years and 5 months of technical progress since the D600 launch.
Advantages of the Nikon D600:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (900 versus 235) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the M50 is the clear winner of the match-up (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Nikon D600 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the M50 and the D600 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M50»||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Nikon D600«||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Canon SL3« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||-||-||-||-||Aug 2019||849||Canon M6 Mark II|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark II vs Nikon D600
- Canon M50 vs Canon SX620
- Canon M50 vs Fujifilm X-E2
- Canon M50 vs Nikon D7200
- Canon M50 vs Panasonic FZ200
- Canon M50 vs Pentax 645D
- Canon T1i vs Nikon D600
- Nikon D600 vs Olympus E-PL8
- Nikon D600 vs Panasonic FZ150
- Nikon D600 vs Samsung NX1
- Nikon D600 vs Sony A7
- Nikon D600 vs Sony A99 II
Specifications: Canon M50 vs Nikon D600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50||Nikon D600|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Nikon F mount lenses|
|Launch Date||February 2018||September 2012|
|Launch Price||USD 779||USD 2099|
|Sensor Specs||Canon M50||Nikon D600|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 24.0 mm|
|Sensor Area||332.27 mm2||861.6 mm2|
|Sensor Diagonal||26.8 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||24.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||6016 x 4016 pixels|
|Pixel Pitch||3.72 μm||5.97 μm|
|Pixel Density||7.22 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-6400 ISO|
|ISO Boost||100-51200 ISO||50-25600 ISO|
|Image Processor||DIGIC 8||EXPEED 3|
|DXO Sensor Quality (score)||..||94|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.2|
|DXO Low Light (ISO)||..||2980|
|Screen Specs||Canon M50||Nikon D600|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M50||Nikon D600|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||5.5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50||Nikon D600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50||Nikon D600|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||235 shots per charge||900 shots per charge|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
141 x 113 x 82 mm
(5.6 x 4.4 x 3.2 in)
|Camera Weight||390 g (13.8 oz)||850 g (30.0 oz)|
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