Canon M10 vs Sony A99 II
The Canon EOS M10 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in October 2015 and September 2016. The M10 is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. The cameras are based on an APS-C (M10) and a full frame (A99 II) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M10||Sony A99 II|
|Mirrorless system camera||Digital single lens reflex|
|Canon EF-M mount lenses||Sony A mount lenses|
|17.9 MP, APS-C Sensor||42.2 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12800 (100-25600)||ISO 100-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Fully flexible screen (no touchscreen)|
|4.6 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|255 shots per battery charge||490 shots per battery charge|
|108 x 67 x 35 mm, 301 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M10 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon M10 vs Sony A99 II
The side-by-side display below illustrates the physical size and weight of the Canon M10 and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M10 can be obtained in two different colors (black, white), while the A99 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (106 percent) than the Canon M10. Moreover, the A99 II is substantially heavier (182 percent) than the M10. It is noteworthy in this context that the A99 II is splash and dust-proof, while the M10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M10»||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Sony A99 II«||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon T6« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon T6|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A5000« »||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||-||Sony A5000|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M10 was launched at a markedly lower price (by 84 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon M10 vs Sony A99 II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M10 features an APS-C sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A99 II offers a higher resolution than the M10 (17.9MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 4.31μm for the M10) due to its larger sensor. Moreover, the A99 II is a somewhat more recent model (by 11 months) than the M10, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Canon M10 are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS M10 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A99 II offers substantially better image quality than the M10 (overall score 27 points higher). The advantage is based on 3.2 bits higher color depth, 2 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon M10»||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Sony A99 II«||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon T6« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon T6|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon M« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A5000« »||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A99 II provides a better video resolution than the M10. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon M10 vs Sony A99 II
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A99 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M10 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon M10 and Sony A99 II along with similar information for a selection of comparators.
|Canon M10»||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Sony A99 II«||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon T6« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T6|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon M« »||-||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A5000« »||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The M10 has one, while the A99 II does not. While the built-in flash of the M10 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The M10 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M10 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Canon M10 vs Sony A99 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M10 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M10»||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Sony A99 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon T6« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T6|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon M« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A5000« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the A99 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M10 lacks such a headphone port.
Studio photographers will appreciate that the Sony A99 II (unlike the M10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the M10 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M10 was succeeded by the Canon M100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon M10 vs Sony A99 II
So what conclusions can be drawn? Is the Canon M10 better than the Sony A99 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (108x67mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 548g or 65 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2015).
Advantages of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 17.9MP), which boosts linear resolution by 53%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (27 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 4.6 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (490 versus 255) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M10 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M10 or the A99 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon M10 vs Sony A99 II
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M10»||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Sony A99 II«||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon T6« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon T6|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon M« »||+||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A5000« »||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Sony A99 II
- Canon 4000D vs Canon M10
- Canon 6D Mark II vs Canon M10
- Canon 80D vs Canon M10
- Canon M10 vs Nikon D610
- Canon M10 vs Panasonic FZ200
- Canon M10 vs Panasonic GX7
- Fujifilm X-Pro2 vs Sony A99 II
- Panasonic ZS100 vs Sony A99 II
- Sony A6000 vs Sony A99 II
- Sony A7R II vs Sony A99 II
- Sony A900 vs Sony A99 II
Specifications: Canon M10 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M10||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Sony A mount lenses|
|Launch Date||October 2015||September 2016|
|Launch Price||USD 499||USD 3199|
|Sensor Specs||Canon M10||Sony A99 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 24.0 mm|
|Sensor Area||332.27 mm2||861.6 mm2|
|Sensor Diagonal||26.8 mm||43.2 mm|
|Sensor Resolution||17.9 Megapixels||42.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.31 μm||4.52 μm|
|Pixel Density||5.39 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||50-25600 ISO|
|Image Processor||DIGIC 6||BIONZ X|
|DXO Sensor Quality (score)||65||92|
|DXO Color Depth (bits)||22.2||25.4|
|DXO Dynamic Range (EV)||11.4||13.4|
|DXO Low Light (ISO)||753||2317|
|Screen Specs||Canon M10||Sony A99 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M10||Sony A99 II|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||4.6 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||300 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M10||Sony A99 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon M10||Sony A99 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E12 power pack||NP-FM500H power pack|
|Battery Life (CIPA)||255 shots per charge||490 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||301 g (10.6 oz)||849 g (29.9 oz)|
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