Canon G7 X Mark III vs Sony HX400V
The Canon PowerShot G7 X Mark III and the Sony Cyber-shot DSC-HX400V are two digital cameras that were announced, respectively, in July 2019 and February 2014. Both the G7X Mark III and the HX400V are fixed lens compact cameras that are based on an one-inch (G7X Mark III) and a 1/2.3-inch (HX400V) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G7 X Mark III||Sony HX400V|
|Fixed lens compact camera||Fixed lens compact camera|
|24-100mm f/1.8-2.8||24-1200mm f/2.8-6.3|
|20 MP, 1" Sensor||20.2 MP, 1/2.3" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (125-25600)||ISO 80-3200 (80-12800)|
|No viewfinder, LCD framing||Electronic viewfinder (210k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 921k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|30 shutter flaps per second||10 shutter flaps per second|
|235 shots per battery charge||300 shots per battery charge|
|105 x 61 x 41 mm, 304 g||130 x 93 x 103 mm, 660 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark III and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G7 X Mark III and the Sony HX400V is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G7X Mark III can be obtained in two different colors (black, silver), while the HX400V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is considerably larger (89 percent) than the Canon G7 X Mark III. Moreover, the HX400V is substantially heavier (117 percent) than the G7X Mark III. In this context, it is worth noting that neither the G7X Mark III nor the HX400V are weather-sealed.
Concerning battery life, the G7X Mark III gets 235 shots out of its NB-13L battery, while the HX400V can take 300 images on a single charge of its NP-BX1 power pack. The power pack in the G7X Mark III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G7 X Mark III»||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749||Canon G7 X Mark III|
|Sony HX400V«||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||-||Canon G5 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Sony RX100 VII« »||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Sony H400« »||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319||Sony H400|
|Sony H300« »||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219||Sony H300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX400V was launched at a markedly lower price (by 33 percent) than the G7X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X Mark III features an one-inch sensor and the Sony HX400V a 1/2.3-inch sensor. The sensor area in the HX400V is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the G7X Mark III has a native 3:2 aspect ratio, while the one in the HX400V offers a 4:3 aspect.
Despite having a smaller sensor, the HX400V offers a slightly higher resolution of 20.2 megapixels, compared with 20 MP of the G7X Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the G7X Mark III). Moreover, it should be noted that the G7X Mark III is much more recent (by 5 years and 4 months) than the HX400V, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot G7 X Mark III has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G7 X Mark III»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G7 X Mark III|
|Sony HX400V«||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Sony RX100 VII« »||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63||Sony RX100 VII|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony HX350« »||1/2.3||19.9||5152||3864||1080/60p||-||-||-||-||Sony HX350|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
|Sony H400« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H400|
|Sony H300« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7X Mark III provides a higher video resolution than the HX400V. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the HX400V has an electronic viewfinder (210k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark III relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark III, the Sony HX400V, and comparable cameras.
|Canon G7 X Mark III»||-||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G7 X Mark III|
|Sony HX400V«||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Sony RX100 VII« »||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony HX350« »||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony H400« »||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H300« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark III has a touchscreen, while the HX400V has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G7X Mark III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the HX400V does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7X Mark III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G7 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G7X Mark III and the HX400V have zoom lenses built in. The G7X Mark III has a 24-100mm f/1.8-2.8 optic and the HX400V offers a 24-1200mm f/2.8-6.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The G7X Mark III offers the faster maximum aperture.
The G7X Mark III writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The G7X Mark III supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark III and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G7 X Mark III»||-||stereo||mono||Y||-||micro||3.1||Y||-||Y||Canon G7 X Mark III|
|Sony HX400V«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Sony RX100 VII« »||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony HX350« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony H400« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H300« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
It is notable that the G7X Mark III has a microphone port, which is missing on the HX400V. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the HX400V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the G7X Mark III and the HX400V are recent models that are part of the current product line-up. The G7X Mark III replaced the earlier Canon G7X Mark II, while the HX400V does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G7 X Mark III or the Sony HX400V – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G7 X Mark III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (105x61mm vs 130x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 356g or 54 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 4 months of technical progress since the HX400V launch.
Reasons to prefer the Sony Cyber-shot DSC-HX400V:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (300 versus 235) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G7X Mark III is the clear winner of the match-up (20 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark III and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G7X Mark III or the HX400V perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G7 X Mark III»||+ +||81/100||4/5||-||-||Jul 2019||749||Canon G7 X Mark III|
|Sony HX400V«||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Sony RX100 VII« »||-||-||4/5||-||5/5||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Sony HX350« »||-||-||-||-||4/5||Dec 2016||449||Sony HX350|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Sony H400« »||o||-||3.5/5||-||3.5/5||Feb 2014||319||Sony H400|
|Sony H300« »||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Canon G7 X Mark III
- Canon 500D vs Canon G7 X Mark III
- Canon 5DS vs Canon G7 X Mark III
- Canon G1 X Mark III vs Sony HX400V
- Canon G7 X Mark III vs Nikon D1X
- Canon G7 X Mark III vs Olympus E-PL8
- Canon G7 X Mark III vs Pentax K-5
- Canon G7 X Mark III vs Ricoh GR
- Canon T5 vs Sony HX400V
- Fujifilm X-E2 vs Sony HX400V
- Fujifilm XF10 vs Sony HX400V
- Leica D-LUX 7 vs Sony HX400V
Specifications: Canon G7 X Mark III vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark III||Sony HX400V|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-100mm f/1.8-2.8||24-1200mm f/2.8-6.3|
|Launch Date||July 2019||February 2014|
|Launch Price||USD 749||USD 499|
|Sensor Specs||Canon G7 X Mark III||Sony HX400V|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||1.18 μm|
|Pixel Density||17.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||80-3200 ISO|
|ISO Boost||125-25600 ISO||80-12800 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|Screen Specs||Canon G7 X Mark III||Sony HX400V|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G7 X Mark III||Sony HX400V|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||30 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G7 X Mark III||Sony HX400V|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon G7 X Mark III||Sony HX400V|
|Battery Life (CIPA)||235 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
105 x 61 x 41 mm
(4.1 x 2.4 x 1.6 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||304 g (10.7 oz)||660 g (23.3 oz)|
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