Canon G7 X Mark II vs Pentax 645Z
The Canon PowerShot G7 X Mark II and the Pentax 645Z are two digital cameras that were announced, respectively, in February 2016 and April 2014. The G7X Mark II is a fixed lens compact, while the 645Z is a DSLR. The cameras are based on an one-inch (G7X Mark II) and a medium format (645Z) sensor. The Canon has a resolution of 20 megapixels, whereas the Pentax provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G7 X Mark II and the Pentax 645Z is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is considerably larger (182 percent) than the Canon G7 X Mark II. It is noteworthy in this context that the 645Z is splash and dust-proof, while the G7X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the 645Z is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the 645Z can take 650 images on a single charge of its D-LI90 power pack. The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|2.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|7.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|8.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|9.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|10.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|11.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|12.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|13.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a lower price than the 645Z, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 1139 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 0.79. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the 645Z offers a 4:3 aspect.
With 51.1MP, the 645Z offers a higher resolution than the G7X Mark II (20MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 2.41μm for the G7X Mark II) due to its larger sensor. However, the G7X Mark II is a somewhat more recent model (by 1 year and 10 months) than the 645Z, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the 645Z has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax 645Z implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 645Z for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon G7 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|2.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|7.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|9.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|10.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|11.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|13.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7X Mark II provides a higher frame rate than the 645Z. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 645Z has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G7 X Mark II and Pentax 645Z in connection with corresponding information for a sample of similar cameras.
|1.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|2.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0/s||n||n|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|7.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|8.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|9.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|10.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3/s||n||n|
|11.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|12.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|13.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1/s||n||n|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G7X Mark II has one, while the 645Z does not. While the built-in flash of the G7X Mark II is not very powerful, it can at times be useful as a fill-in light.The G7X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 645Z does not have a selfie-screen.
The Canon G7 X Mark II and the Pentax 645Z both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G7X Mark II and the 645Z write their files to SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7X Mark II only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|10.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|11.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|12.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G7X Mark II offers wifi support, while the 645Z does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax 645Z (unlike the G7X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 645Z is a recent model that features in the current product line-up of Pentax. In contrast, the G7X Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7X Mark II was succeeded by the Canon G7 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what conclusions can be drawn? Is the Canon G7 X Mark II better than the Pentax 645Z or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G7 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the 645Z requires a separate lens.
- More compact: Is smaller (106x61mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 645Z).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 10 months after the 645Z).
Reasons to prefer the Pentax 645Z:
- More detail: Has more megapixels (51.1 vs 20MP), which boosts linear resolution by 57%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (650 versus 265) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in April 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the 645Z is the clear winner of the contest (19 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark II or the 645Z. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|2.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|6.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|7.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|8.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|9.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|10.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|11.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|12.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|13.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X vs Canon G7 X Mark II
- Canon 70D vs Canon G7 X Mark II
- Canon G7 X Mark II vs Canon SL3
- Canon G7 X Mark II vs Contax N Digital
- Canon G7 X Mark II vs Nikon D40
- Canon G7 X Mark II vs Olympus E-M5
- Canon G7 X vs Pentax 645Z
- Canon SX620 vs Pentax 645Z
- Leica C-LUX vs Pentax 645Z
- Olympus E-3 vs Pentax 645Z
- Pentax 645Z vs Pentax K-3 II
- Pentax 645Z vs Sony A58
Specifications: Canon G7 X Mark II vs Pentax 645Z
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Pentax 645Z|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-100mm f/1.8-2.8||Pentax 645 mount lenses|
|Launch Date||February 2016||April 2014|
|Launch Price||USD 699||USD 8,499|
|Sensor Specs||Canon G7 X Mark II||Pentax 645Z|
|Sensor Format||1" Sensor||Medium Format Sensor|
|Sensor Size||13.2 x 8.8 mm||43.8 x 32.8 mm|
|Sensor Area||116.16 mm2||1436.64 mm2|
|Sensor Diagonal||15.9 mm||54.7 mm|
|Sensor Resolution||20 Megapixels||51.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||8256 x 6192 pixels|
|Pixel Pitch||2.41 μm||5.30 μm|
|Pixel Density||17.18 MP/cm2||3.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||125 - 12,800 ISO||100 - 204,800 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 7||PRIME III|
|DXO Sensor Quality (score)||..||101|
|DXO Color Depth (bits)||..||26.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||4505|
|Screen Specs||Canon G7 X Mark II||Pentax 645Z|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G7 X Mark II||Pentax 645Z|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G7 X Mark II||Pentax 645Z|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G7 X Mark II||Pentax 645Z|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||265 shots per charge||650 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
156 x 117 x 123 mm
(6.1 x 4.6 x 4.8 in)
|Camera Weight||319 g (11.3 oz)||1550 g (54.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.