Canon G5 X Mark II vs T1i
The Canon PowerShot G5 X Mark II and the Canon EOS Rebel T1i (labelled Canon 500D in some countries) are two digital cameras that were revealed to the public, respectively, in July 2019 and March 2009. The G5X Mark II is a fixed lens compact, while the T1i is a DSLR. The cameras are based on an one-inch (G5X Mark II) and an APS-C (T1i) sensor. The G5X Mark II has a resolution of 20 megapixels, whereas the T1i provides 15.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G5 X Mark II||Canon T1i|
|Fixed lens compact camera||Digital single lens reflex|
|24-120mm f/1.8-2.8||Canon EF mount lenses|
|20 MP, 1" Sensor||15.1 MP, APS-C Sensor|
|4K/30p Video||1080/20p Video|
|ISO 125-12800 (125-25600)||ISO 100-6400 (100-12800)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|30 shutter flaps per second||3.4 shutter flaps per second|
|230 shots per battery charge||400 shots per battery charge|
|111 x 61 x 46 mm, 340 g||129 x 98 x 62 mm, 520 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Canon EOS Rebel T1i? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G5 X Mark II and the Canon T1i. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T1i is considerably larger (87 percent) than the Canon G5 X Mark II. In this context, it is worth noting that neither the G5X Mark II nor the T1i are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the T1i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T1i and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the T1i can take 400 images on a single charge of its LP-E5 power pack. The power pack in the G5X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon G5 X Mark II»||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon T1i«||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||-||Canon T1i|
|Canon G7 X Mark III« »||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||Canon G7 X Mark III|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon G5 X« »||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||-||Canon G5 X|
|Canon T5« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||-||Canon T5|
|Canon T4i« »||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||-||Canon T3i|
|Canon T2i« »||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||-||Canon T2i|
|Canon XSi« »||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||-||Canon XSi|
|Leica C-LUX« »||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ200« »||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||Panasonic TZ200|
|Sony A6400« »||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Canon T1i an APS-C sensor. The sensor area in the T1i is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the G5X Mark II uses a more advanced image processing engine (DIGIC 8) than the T1i (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the Canon G5 X Mark II offers a higher resolution of 20 megapixels, compared with 15.1 MP of the Canon T1i. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.69μm for the T1i). However, it should be noted that the G5X Mark II is much more recent (by 10 years and 3 months) than the T1i, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G5 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon T1i are 23.8 x 15.8 inch or 60.4 x 40.2 cm for good quality, 19 x 12.7 inch or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inch or 40.2 x 26.8 cm for excellent quality prints.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Canon EOS Rebel T1i are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G5 X Mark II»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon T1i«||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon G7 X Mark III« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G7 X Mark III|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Sony A6400« »||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5X Mark II provides a higher video resolution than the T1i. It can shoot video footage at 4K/30p, while the T1i is limited to 1080/20p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5X Mark II has an electronic viewfinder (2360k dots), while the T1i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G5 X Mark II and Canon T1i in connection with corresponding information for a sample of similar cameras.
|Canon G5 X Mark II»||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon T1i«||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon G7 X Mark III« »||-||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G7 X Mark III|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Sony A6400« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5X Mark II has a touchscreen, while the T1i has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the T1i does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G5X Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G5X Mark II writes its imaging data to SDXC cards, while the T1i uses SDHC cards. The G5X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T1i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Canon EOS Rebel T1i and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G5 X Mark II»||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon T1i«||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon G7 X Mark III« »||-||stereo||mono||Y||-||micro||3.1||Y||-||Y||Canon G7 X Mark III|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ200|
|Sony A6400« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
It is notable that the G5X Mark II offers wifi support, while the T1i does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G5X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the T1i has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the T1i was succeeded by the Canon T2i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is the Canon G5 X Mark II better than the Canon T1i or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon PowerShot G5 X Mark II:
- More detail: Offers more megapixels (20 vs 15.1MP) with a 15% higher linear resolution.
- Better jpgs: Has a more modern image processing engine (DIGIC 8 vs DIGIC 4).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/20p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 3.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the T1i requires a separate lens.
- More compact: Is smaller (111x61mm vs 129x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the T1i).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 10 years and 3 months of technical progress since the T1i launch.
Advantages of the Canon EOS Rebel T1i:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (400 versus 230) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in March 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the G5X Mark II is the clear winner of the match-up (20 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Canon T1i place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G5X Mark II or the T1i. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G5 X Mark II»||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon T1i«||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon G7 X Mark III« »||+ +||81/100||4/5||-||-||Jul 2019||749||Canon G7 X Mark III|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||+ +||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||+||82/100||4.5/5||4.5/5||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Sony A6400« »||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Canon T1i
- Canon D30 vs Canon T1i
- Canon G5 X Mark II vs Canon SX420
- Canon G5 X Mark II vs Nikon D5600
- Canon G5 X Mark II vs Olympus E-PL2
- Canon G5 X Mark II vs Sony A6500
- Canon T1i vs Canon XTi
- Canon T1i vs Leica TL
- Canon T1i vs Nikon D7500
- Canon T1i vs Olympus E-M5
- Canon T1i vs Sony A99 II
- Canon T1i vs Sony HX350
Specifications: Canon G5 X Mark II vs Canon T1i
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Canon T1i|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-120mm f/1.8-2.8||Canon EF mount lenses|
|Launch Date||July 2019||March 2009|
|Launch Price||USD 899||USD 799|
|Sensor Specs||Canon G5 X Mark II||Canon T1i|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||22.3 x 14.9 mm|
|Sensor Area||116.16 mm2||332.27 mm2|
|Sensor Diagonal||15.9 mm||26.8 mm|
|Sensor Resolution||20 Megapixels||15.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||4752 x 3168 pixels|
|Pixel Pitch||2.41 μm||4.69 μm|
|Pixel Density||17.18 MP/cm2||4.53 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/20p Video|
|ISO Setting||125-12800 ISO||100-6400 ISO|
|ISO Boost||125-25600 ISO||100-12800 ISO|
|Image Processor||DIGIC 8||DIGIC 4|
|DXO Sensor Quality (score)||..||63|
|DXO Color Depth (bits)||..||21.7|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||663|
|Screen Specs||Canon G5 X Mark II||Canon T1i|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G5 X Mark II||Canon T1i|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||30 shutter flaps/s||3.4 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G5 X Mark II||Canon T1i|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G5 X Mark II||Canon T1i|
|Battery Life (CIPA)||230 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
|Camera Weight||340 g (12.0 oz)||520 g (18.3 oz)|
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