Canon G16 vs Nikon D7200
The Canon PowerShot G16 and the Nikon D7200 are two digital cameras that were officially introduced, respectively, in August 2013 and March 2015. The G16 is a fixed lens compact, while the D7200 is a DSLR. The cameras are based on a 1/1.7-inch (G16) and an APS-C (D7200) sensor. The Canon has a resolution of 12 megapixels, whereas the Nikon provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Nikon D7200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G16 and the Nikon D7200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D7200 is considerably larger (76 percent) than the Canon G16. It is noteworthy in this context that the D7200 is splash and dust-proof, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the D7200 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D7200 and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|2.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|5.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|7.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|8.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|9.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|10.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|11.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|12.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|13.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|14.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|15.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|16.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a lower price than the D7200, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Nikon D7200 an APS-C sensor. The sensor area in the D7200 is 774 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.5. The sensor in the G16 has a native 4:3 aspect ratio, while the one in the D7200 offers a 3:2 aspect.
With 24MP, the D7200 offers a higher resolution than the G16 (12MP), but the D7200 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the D7200 is a somewhat more recent model (by 1 year and 6 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D7200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D7200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D7200 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Nikon D7200 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the D7200 offers substantially better image quality than the G16 (overall score 33 points higher). The advantage is based on 3.5 bits higher color depth, 2.9 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|4.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The G16 and the D7200 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon G16 and Nikon D7200 along with similar information for a selection of comparators.
|1.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|2.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|5.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|6.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|7.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|8.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|9.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1||Y||Y|
|10.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|11.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|12.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|13.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|14.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|15.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|16.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
One feature that is present on the D7200, but is missing on the G16 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon G16 and the Nikon D7200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G16 and the D7200 write their files to SDXC cards. The D7200 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Nikon D7200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|12.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|13.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|14.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|15.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|16.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the D7200 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G16 does not feature such a mic input.
The G16 is a recent model that features in the current product line-up of Canon. In contrast, the D7200 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D7200 was succeeded by the Nikon D7500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Which of the two cameras – the Canon G16 or the Nikon D7200 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G16:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Comes with a built-in lens, while the D7200 requires a separate lens.
- More compact: Is smaller (109x76mm vs 136x107mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D7200).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in August 2013).
Advantages of the Nikon D7200:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (33 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (1110 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the D7200 is the clear winner of the contest (19 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Nikon D7200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G16 and the D7200 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|2.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|5.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|6.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|7.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|8.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|9.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499|
|10.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|11.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|12.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|13.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|14.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|15.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|16.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Canon G16
- Canon G16 vs Canon SX70
- Canon G16 vs Canon XT
- Canon G16 vs Leica C-LUX
- Canon G16 vs Leica Q2
- Canon G16 vs Sony A7R III
- Fujifilm X-T4 vs Nikon D7200
- Hasselblad X1D II vs Nikon D7200
- Leica M Typ 240 vs Nikon D7200
- Nikon D100 vs Nikon D7200
- Nikon D7200 vs Panasonic G80
- Nikon D7200 vs Sony NEX-6
Specifications: Canon G16 vs Nikon D7200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G16||Nikon D7200|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||28-140mm f/1.8-2.8||Nikon F mount lenses|
|Launch Date||August 2013||March 2015|
|Launch Price||USD 549||USD 1,199|
|Sensor Specs||Canon G16||Nikon D7200|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.44 x 5.58 mm||23.5 x 15.6 mm|
|Sensor Area||41.5152 mm2||366.6 mm2|
|Sensor Diagonal||9.3 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.87 μm||3.91 μm|
|Pixel Density||28.91 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||80 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 102,400 ISO|
|Image Processor||DIGIC 6||EXPEED 4|
|DXO Sensor Quality (score)||54||87|
|DXO Color Depth (bits)||21.0||24.5|
|DXO Dynamic Range (EV)||11.7||14.6|
|DXO Low Light (ISO)||230||1333|
|Screen Specs||Canon G16||Nikon D7200|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||80%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon G16||Nikon D7200|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||2.2 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G16||Nikon D7200|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon G16||Nikon D7200|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||1110 shots per charge|
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
136 x 107 x 76 mm
(5.4 x 4.2 x 3.0 in)
|Camera Weight||356 g (12.6 oz)||765 g (27.0 oz)|
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