Canon G16 vs R6 Mark II

The Canon PowerShot G16 and the Canon EOS R6 Mark II are two digital cameras that were revealed to the public, respectively, in August 2013 and November 2022. The G16 is a fixed lens compact, while the R6 Mark II is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (G16) and a full frame (R6 Mark II) sensor. The G16 has a resolution of 12 megapixels, whereas the R6 Mark II provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G16		Canon R6 Mark II
Fixed lens compact camera		Mirrorless system camera
28-140mm f/1.8-2.8		Canon RF mount lenses
12 MP – 1/1.7" sensor		24 MP – Full Frame sensor
1080/60p Video		4k/60p Video
ISO 80-12,800		ISO 100-102,400 (100 - 204,800)
Optical viewfinder		Electronic viewfinder (3690k dots)
3.0" LCD – 922k dots		3.0" LCD – 1620k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
2.2 shutter flaps per second		12 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
360 shots per battery charge		450 shots per battery charge
109 x 76 x 40 mm, 356 g		138 x 98 x 88 mm, 670 g

Check G16 offers at
ebay.com
Check R6 Mark II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Canon EOS R6 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon G16 and the Canon R6 Mark II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R6 Mark II is considerably larger (63 percent) than the Canon G16. It is noteworthy in this context that the R6 Mark II is splash and dust-proof, while the G16 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the R6 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the G16 gets 360 shots out of its Canon NB-10L battery, while the R6 Mark II can take 450 images on a single charge of its Canon LP-E6NH power pack. The power pack in the R6 Mark II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
2.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	2,499	amazon.com
3.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
4.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
5.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	799	ebay.com
6.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	499	ebay.com
7.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
8.		Canon M	109 mm	66 mm	32 mm	298 g	230	n	Jul 2012	599	ebay.com
9.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
10.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	5,999	amazon.com
11.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
12.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
13.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
14.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	599	ebay.com
15.		Nikon P7800	119 mm	78 mm	50 mm	399 g	350	n	Sep 2013	549	ebay.com
16.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
17.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G16 was launched at a lower price than the R6 Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Canon R6 Mark II a full frame sensor. The sensor area in the R6 Mark II is 1943 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.0. The sensor in the G16 has a native 4:3 aspect ratio, while the one in the R6 Mark II offers a 3:2 aspect.

Technology-wise, the R6 Mark II uses a more advanced image processing engine (DIGIC X) than the G16 (DIGIC 6), with benefits for noise reduction, color accuracy, and processing speed.

With 24MP, the R6 Mark II offers a higher resolution than the G16 (12MP), but the R6 Mark II nevertheless has larger individual pixels (pixel pitch of 5.98μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the R6 Mark II is a much more recent model (by 9 years and 2 months) than the G16, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon R6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Canon EOS R6 Mark II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 100-204800.

In terms of underlying technology, the G16 is build around a BSI-CMOS sensor, while the R6 Mark II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
2.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
3.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
4.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
5.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
6.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
7.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
8.		Canon M	APS-C	17.9	5184	3456	1080/30p	22.1	11.2	827	65
9.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
10.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
11.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
12.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
13.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
14.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
15.		Nikon P7800	1/1.7	12.0	4000	3000	1080/30p	21.2	11.7	200	54
16.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
17.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 Mark II provides a better video resolution than the G16. It can shoot movie footage at 4k/60p, while the G16 is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the R6 Mark II has an electronic viewfinder (3690k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G16 and Canon R6 Mark II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
2.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
3.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
4.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
5.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
6.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
7.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
8.		Canon M	none	n	3.0 / 1040	fixed	Y	1/4000s	4.3/s	n	n
9.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
10.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
11.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
12.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
13.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
14.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
15.		Nikon P7800	921	n	3.0 / 921	swivel	n	1/4000s	8.0/s	Y	Y
16.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
17.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G16 has one, while the R6 Mark II does not. While the built-in flash of the G16 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon G16 and the Canon R6 Mark II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G16 and the R6 Mark II write their files to SDXC cards. The R6 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot. The R6 Mark II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G16 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Canon EOS R6 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
2.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
4.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Canon M	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
10.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
12.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
13.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
14.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Nikon P7800	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-

It is notable that the R6 Mark II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G16 does not feature such a mic input.

The R6 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the G16 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the G16 from Canon. Further information on the features and operation of the G16 and R6 Mark II can be found, respectively, in the Canon G16 Manual (free pdf) or the online Canon R6 Mark II Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon G16 or the Canon R6 Mark II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon PowerShot G16:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Ready to shoot: Has a lens built-in, whereas the R6 Mark II requires a separate lens.
• More compact: Is smaller (109x76mm vs 138x98mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the R6 Mark II).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in August 2013).

Advantages of the Canon EOS R6 Mark II:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC 6).
• Better video: Provides higher definition movie capture (4k/60p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 2.2 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (450 versus 360) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 9 years and 2 months of technical progress since the G16 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the R6 Mark II is the clear winner of the contest (27 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G16 and the Canon R6 Mark II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G16 and the R6 Mark II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
2.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	2,499	amazon.com
3.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
4.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
5.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	799	ebay.com
6.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	499	ebay.com
7.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
8.		Canon M	3/5	+	..	..	4/5	4/5	Jul 2012	599	ebay.com
9.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
10.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	5,999	amazon.com
11.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
12.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
13.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
14.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	599	ebay.com
15.		Nikon P7800	3/5	..	..	..	4/5	4.5/5	Sep 2013	549	ebay.com
16.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
17.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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