Canon G1 X vs Sony A7S II
The Canon PowerShot G1 X and the Sony Alpha 7S II are two digital cameras that were revealed to the public, respectively, in January 2012 and September 2015. The G1X is a fixed lens compact, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and a full frame (A7S II) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X||Sony A7S II|
|Fixed lens compact camera||Mirrorless system camera|
|28-112mm f/2.8-5.8||Sony E mount lenses|
|14.2 MP, 1.5" Sensor||12 MP, Full Frame Sensor|
|1080/24p Video||4K/30p Video|
|ISO 100-12800||ISO 100-102400 (50-409600)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|1.9 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|250 shots per battery charge||370 shots per battery charge|
|117 x 81 x 65 mm, 534 g||127 x 96 x 60 mm, 627 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X and the Sony A7S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably larger (29 percent) than the Canon G1 X. It is noteworthy in this context that the A7S II is splash and dust-proof, while the G1X does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the A7S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the G1X gets 250 shots out of its NB-10L battery, while the A7S II can take 370 images on a single charge of its NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G1 X»||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Sony A7S II«||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||-||Canon S120|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon T3|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Sony A7R IV« »||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X was launched at a lower price than the A7S II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 223 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.0. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the Canon G1 X offers a higher resolution of 14.2 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.30μm versus 8.40μm for the A7S II). Moreover, it should be noted that the A7S II is much more recent (by 3 years and 8 months) than the G1X, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon G1 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X for good quality output (200 dots per inch) amounts to 21.8 x 16.3 inch or 55.3 x 41.5 cm, for very good quality (250 dpi) 17.4 x 13.1 inch or 44.2 x 33.2 cm, and for excellent quality (300 dpi) 14.5 x 10.9 inch or 36.8 x 27.6 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inch or 53.8 x 36 cm for good quality, 17 x 11.3 inch or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inch or 35.9 x 24 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7S II offers substantially better image quality than the G1X (overall score 25 points higher). The advantage is based on 1.9 bits higher color depth, 2.5 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G1 X»||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Sony A7S II«||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120« »||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Sony A7R IV« »||Full Frame||60.2||9504||6336||4K/30p||-||-||-||-||Sony A7R IV|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7S II provides a better video resolution than the G1X. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon G1 X and Sony A7S II along with similar information for a selection of comparators.
|Canon G1 X»||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Sony A7S II«||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120« »||-||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Sony A7R IV« »||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R IV|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
One difference between the cameras concerns the presence of an on-board flash. The G1X has one, while the A7S II does not. While the built-in flash of the G1X is not very powerful, it can at times be useful as a fill-in light.The G1X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7S II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G1X writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The A7S II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1X cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Sony A7S II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Sony A7R IV« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R IV|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
It is notable that the A7S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1X does not offer wifi capability.
The A7S II is a recent model that features in the current product line-up of Sony. In contrast, the G1X has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1X was succeeded by the Canon G1X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon G1 X and the Sony A7S II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X:
- More detail: Offers more megapixels (14.2 vs 12MP) with a 7% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A7S II requires a separate lens.
- More compact: Is smaller (117x81mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Advantages of the Sony Alpha 7S II:
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 1.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (370 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 8 months of technical progress since the G1X launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7S II is the clear winner of the contest (19 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G1X and the A7S II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X»||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Sony A7S II«||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon S120« »||+ +||-||4.5/5||o||4.5/5||Aug 2013||449||-||Canon S120|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T3« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon T3|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Sony A7R IV« »||+||-||-||-||5/5||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Canon G1 X Mark III
- Canon 760D vs Sony A7S II
- Canon 90D vs Sony A7S II
- Canon G1 X Mark III vs Nikon D40X
- Canon G1 X Mark III vs Nikon D5
- Canon G1 X Mark III vs Olympus E-420
- Canon G1 X vs Canon T1i
- Canon G1 X vs Canon T6i
- Canon G1 X vs Hasselblad X1D
- Nikon D1H vs Sony A7S II
- Panasonic FZ80 vs Sony A7S II
- Sony A7S II vs Sony RX1R II
Specifications: Canon G1 X vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Sony A7S II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Sony E mount lenses|
|Launch Date||January 2012||September 2015|
|Launch Price||USD 799||USD 2999|
|Sensor Specs||Canon G1 X||Sony A7S II|
|Sensor Format||1.5" Sensor||Full Frame Sensor|
|Sensor Size||18.7 x 14.0 mm||35.6 x 23.8 mm|
|Sensor Area||261.8 mm2||847.28 mm2|
|Sensor Diagonal||23.4 mm||42.8 mm|
|Sensor Resolution||14.2 Megapixels||12 Megapixels|
|Image Resolution||4352 x 3264 pixels||4240 x 2832 pixels|
|Pixel Pitch||4.30 μm||8.40 μm|
|Pixel Density||5.43 MP/cm2||1.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-409600 ISO|
|Image Processor||DIGIC 5||BIONZ X|
|DXO Sensor Quality (score)||60||85|
|DXO Color Depth (bits)||21.7||23.6|
|DXO Dynamic Range (EV)||10.8||13.3|
|DXO Low Light (ISO)||644||2993|
|Screen Specs||Canon G1 X||Sony A7S II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||74%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Tilting screen|
|Shooting Specs||Canon G1 X||Sony A7S II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||1.9 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon G1 X||Sony A7S II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon G1 X||Sony A7S II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||534 g (18.8 oz)||627 g (22.1 oz)|
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