Canon G1 X vs Sony A3000
The Canon PowerShot G1 X and the Sony Alpha A3000 are two digital cameras that were revealed to the public, respectively, in January 2012 and August 2013. The G1X is a fixed lens compact, while the A3000 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and an APS-C (A3000) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X||Sony A3000|
|Fixed lens compact camera||Mirrorless system camera|
|28-112mm f/2.8-5.8||Sony E mount lenses|
|14.2 MP, 1.5" Sensor||19.8 MP, APS-C Sensor|
|1080/24p Video||1080/60i Video|
|ISO 100-12800||ISO 100-16000|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 230k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|1.9 shutter flaps per second||2.5 shutter flaps per second|
|250 shots per battery charge||470 shots per battery charge|
|117 x 81 x 65 mm, 534 g||128 x 91 x 85 mm, 411 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Sony Alpha A3000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X and the Sony A3000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A3000 is notably larger (23 percent) than the Canon G1 X. In this context, it is worth noting that neither the G1X nor the A3000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the A3000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A3000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the G1X gets 250 shots out of its NB-10L battery, while the A3000 can take 470 images on a single charge of its NP-FW50 power pack. The power pack in the A3000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G1 X»||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Sony A3000«||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||-||Canon S120|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon T3|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Sony A3000 an APS-C sensor. The sensor area in the A3000 is 36 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the A3000 offers a 3:2 aspect.
With 19.8MP, the A3000 offers a higher resolution than the G1X (14.2MP), but the A3000 has marginally smaller individual pixels (pixel pitch of 4.25μm versus 4.30μm for the G1X). Yet, the A3000 is a somewhat more recent model (by 1 year and 7 months) than the G1X, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A3000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A3000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inch or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inch or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inch or 46.2 x 30.8 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inch or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inch or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inch or 36.8 x 27.6 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A3000 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A3000 offers substantially better image quality than the G1X (overall score 18 points higher). The advantage is based on 2 bits higher color depth, 2 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G1 X»||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Sony A3000«||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120« »||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Sony A6400« »||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A3000 provides a faster frame rate than the G1X. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A3000 has an electronic viewfinder (202k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon G1 X and Sony A3000 along with similar information for a selection of comparators.
|Canon G1 X»||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Sony A3000«||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120« »||-||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Sony A6400« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
The G1X writes its imaging data to SDXC cards, while the A3000 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Sony Alpha A3000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Sony A3000«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Sony A6400« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
Both the G1X and the A3000 have been discontinued, but can regularly be found used on eBay. The G1X was replaced by the Canon G1X Mark II, while the A3000 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon G1 X or the Sony A3000 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G1 X:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A3000 requires a separate lens.
- More compact: Is smaller (117x81mm vs 128x91mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Arguments in favor of the Sony Alpha A3000:
- More detail: Has more megapixels (19.8 vs 14.2MP), which boosts linear resolution by 20%.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (2.5 vs 1.9 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (470 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A3000 is the clear winner of the contest (11 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Sony A3000 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G1X and the A3000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X»||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Sony A3000«||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon S120« »||+ +||-||4.5/5||o||4.5/5||Aug 2013||449||-||Canon S120|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T3« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon T3|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Sony A6400« »||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony RX1R« »||-||-||4/5||o||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark II vs Fujifilm X-E2
- Canon G1 X Mark II vs Nikon D40X
- Canon G1 X Mark III vs Canon T7
- Canon G1 X Mark III vs Nikon D610
- Canon G1 X vs Fujifilm GFX 50R
- Canon G1 X vs Leica X-U Typ 113
- Canon G1 X vs Panasonic FZ200
- Fujifilm GFX 100 vs Sony A3000
- Panasonic FZ82 vs Sony A3000
- Panasonic G95 vs Sony A3000
- Panasonic GH4 vs Sony A3000
- Sony A3000 vs Sony A77
Specifications: Canon G1 X vs Sony A3000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Sony A3000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Sony E mount lenses|
|Launch Date||January 2012||August 2013|
|Launch Price||USD 799||USD 329|
|Sensor Specs||Canon G1 X||Sony A3000|
|Sensor Format||1.5" Sensor||APS-C Sensor|
|Sensor Size||18.7 x 14.0 mm||23.2 x 15.4 mm|
|Sensor Area||261.8 mm2||357.28 mm2|
|Sensor Diagonal||23.4 mm||27.8 mm|
|Sensor Resolution||14.2 Megapixels||19.8 Megapixels|
|Image Resolution||4352 x 3264 pixels||5456 x 3632 pixels|
|Pixel Pitch||4.30 μm||4.25 μm|
|Pixel Density||5.43 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||100-12800 ISO||100-16000 ISO|
|Image Processor||DIGIC 5||BIONZ|
|DXO Sensor Quality (score)||60||78|
|DXO Color Depth (bits)||21.7||23.7|
|DXO Dynamic Range (EV)||10.8||12.8|
|DXO Low Light (ISO)||644||1068|
|Screen Specs||Canon G1 X||Sony A3000|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||74%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||230k dots|
|LCD Attachment||Fixed screen|
|Shooting Specs||Canon G1 X||Sony A3000|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||1.9 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon G1 X||Sony A3000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon G1 X||Sony A3000|
|Battery Life (CIPA)||250 shots per charge||470 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
128 x 91 x 85 mm
(5.0 x 3.6 x 3.3 in)
|Camera Weight||534 g (18.8 oz)||411 g (14.5 oz)|
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