Canon G1 X Mark II vs Fujifilm GFX 50R
The Canon PowerShot G1 X Mark II and the Fujifilm GFX 50R are two digital cameras that were revealed to the public, respectively, in February 2014 and September 2018. The G1X Mark II is a fixed lens compact, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and a medium format (GFX 50R) sensor. The Canon has a resolution of 13 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X Mark II and the Fujifilm GFX 50R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (82 percent) than the Canon G1 X Mark II. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the G1X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||ebay.com|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|5.||Canon XC10||125 mm||102 mm||122 mm||1040 g||370||n||Apr 2015||2,499||ebay.com|
|6.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|7.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|8.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449||ebay.com|
|9.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|10.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|11.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|12.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|13.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|14.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||amazon.com|
|15.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|16.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699||ebay.com|
|17.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X Mark II was launched at a lower price than the GFX 50R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 454 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50R offers a higher resolution than the G1X Mark II (13MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.49μm for the G1X Mark II) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 4 years and 7 months) than the G1X Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inches or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inches or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inches or 35.2 x 26.4 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|9.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|13.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|14.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||25.7||14.5||3234||99|
|15.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|16.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|17.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The table below summarizes some of the other core capabilities of the Canon G1 X Mark II and Fujifilm GFX 50R in connection with corresponding information for a sample of similar cameras.
|1.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|2.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon XC10||none||n||3.0 / 1030||tilting||Y||1/2000s||3.8/s||n||Y|
|6.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|7.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|8.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|9.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|10.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|11.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|12.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|13.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|14.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|15.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|16.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|17.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G1X Mark II has one, while the GFX 50R does not. While the built-in flash of the G1X Mark II is not very powerful, it can at times be useful as a fill-in light.The G1X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G1 X Mark II and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark II and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1X Mark II only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the G1X Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon XC10||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|13.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|15.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|16.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GFX 50R has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the G1X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the G1X Mark II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G1X Mark II was succeeded by the Canon G1 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon G1 X Mark II better than the Fujifilm GFX 50R or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G1 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.2 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GFX 50R requires a separate lens.
- More compact: Is smaller (116x74mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 13MP), which boosts linear resolution by 98%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 240) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 7 months of technical progress since the G1X Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (21 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X Mark II or the GFX 50R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799||ebay.com|
|2.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|5.||Canon XC10||..||..||..||80/100||..||..||Apr 2015||2,499||ebay.com|
|6.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|7.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|8.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449||ebay.com|
|9.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|10.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|11.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|12.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|13.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|14.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750||amazon.com|
|15.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|16.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699||ebay.com|
|17.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark II vs Nikon D2Xs
- Canon G1 X Mark II vs Nikon D5000
- Canon G1 X Mark II vs Olympus E-PL1
- Canon G1 X Mark II vs Panasonic FZ80
- Canon G1 X Mark II vs Panasonic G9
- Canon G1 X Mark II vs Sony NEX-7
- Fujifilm GFX 50R vs Kodak S-1
- Fujifilm GFX 50R vs Leica M10-P
- Fujifilm GFX 50R vs Leica Q2
- Fujifilm GFX 50R vs Nikon D3
- Fujifilm GFX 50R vs Panasonic TS7
- Fujifilm GFX 50R vs Samsung NX30
Specifications: Canon G1 X Mark II vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Fujifilm GFX 50R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/2.0-3.9||Fujifilm G mount lenses|
|Launch Date||February 2014||September 2018|
|Launch Price||USD 799||USD 4,499|
|Sensor Specs||Canon G1 X Mark II||Fujifilm GFX 50R|
|Sensor Format||1.5" Sensor||Medium Format Sensor|
|Sensor Size||18.7 x 14.0 mm||44.0 x 33.0 mm|
|Sensor Area||261.8 mm2||1452 mm2|
|Sensor Diagonal||23.4 mm||55 mm|
|Sensor Resolution||13 Megapixels||51.1 Megapixels|
|Image Resolution||4160 x 3120 pixels||8256 x 6192 pixels|
|Pixel Pitch||4.49 μm||5.33 μm|
|Pixel Density||4.96 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 6||X Processor Pro|
|DXO Sensor Quality (score)||58||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||581||..|
|Screen Specs||Canon G1 X Mark II||Fujifilm GFX 50R|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon G1 X Mark II||Fujifilm GFX 50R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5.2 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon G1 X Mark II||Fujifilm GFX 50R|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon G1 X Mark II||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||240 shots per charge||400 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||553 g (19.5 oz)||775 g (27.3 oz)|
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