Canon 80D versus Nikon D500
The Canon EOS 80D and the Nikon D500 are two enthusiast cameras that were revealed to the public, respectively, in February 2016 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixel, whereas the Nikon provides 20.7 MP.
The side-by-side display below illustrates the physical size and weight of the Canon 80D and the Nikon D500. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 80D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is notably larger (16 percent) than the Canon 80D. Moreover, the D500 is markedly heavier (18 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (80D) and the Nikon Lens Catalog (D500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 80D (⇒ rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Nikon D500 (⇒ lft)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||149 mm||112 mm||78 mm||910 g||670||YES||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Nikon D300S (⇒ lft | rgt)||147 mm||115 mm||81 mm||938 g||950||YES||2009||1,799||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 80D was launched at a markedly lower price (by 40 percent) than the D500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D500 is 9 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (80D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 80D offers a higher resolution of 24 megapixel, compared with 20.7 MP of the Nikon D500. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.75μm versus 4.22μm for the D500). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the D500 has a markedly higher DXO score than the 80D (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 0.8 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 80D (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Nikon D500 (⇒ lft)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.8||13.9||1192||86|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D300S (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a better video resolution than the 80D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 80D and the D500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 80D, the Nikon D500, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 80D (⇒ rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Nikon D500 (⇒ lft)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Nikon D300S (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||7.0||12||no|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
Both the 80D and the D500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D500 replaced the earlier Nikon D300S, while the 80D followed on from the Canon 70D.
So what conclusions can be drawn? Is there a clear favorite between the Canon 80D and the Canon 80D? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 20.7MP) with a 8% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More compact: Is smaller (139x105mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 130g or 15 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
Reasons to prefer the Nikon D500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1040k dots).
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (1240 versus 960) out of a single battery charge.
If the number of relative strengths (bullet points above) is taken as a guide, the D500 comes out slightly ahead of the 80D (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 80D or the D500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 80D (⇒ rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Nikon D500 (⇒ lft)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Nikon D300S (⇒ lft | rgt)||90/100 HiRec||82/100 HiRec||4/5||5/5||4.5/5||2009||1,799||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, kindly get in touch, and I will try to add information on that model to the database.
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