Canon 7D vs Panasonic LX5
The Canon EOS 7D and the Panasonic Lumix DMC-LX5 are two digital cameras that were revealed to the public, respectively, in September 2009 and July 2010. The 7D is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (7D) and a 1/1.7-inch (LX5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the 7D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (56 percent) than the Canon 7D. It is worth mentioning in this context that the 7D is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the 7D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|2.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|3.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|6.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|7.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|9.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|10.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|11.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|12.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|13.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|14.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX5 was launched at a lower price than the 7D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 4.4. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 17.9MP, the 7D offers a higher resolution than the LX5 (10MP), but the 7D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 2.14μm for the LX5) due to its larger sensor. However, the LX5 is a somewhat more recent model (by 10 months) than the 7D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 7D provides substantially higher image quality than the LX5, with an overall score that is 25 points higher. This advantage is based on 2.4 bits higher color depth, 0.9 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|17.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 7D provides a higher video resolution than the LX5. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 7D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Canon 7D, the Panasonic LX5, and comparable cameras.
|1.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|2.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|3.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|6.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|7.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|9.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|10.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|12.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|13.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|14.||Olympus XZ-1||optional||n||3.0 / 614||fixed||n||1/2000s||2.0/s||Y||Y|
|15.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 7D, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 7D writes its imaging data to Compact Flash cards, while the LX5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|2.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|7.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Olympus XZ-1||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 7D has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 7D and the LX5 have been discontinued, but can regularly be found used on eBay. The 7D was replaced by the Canon 7D Mark II, while the LX5 was followed by the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 7D or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 10MP) with a 37% higher linear resolution.
- Better image quality: Scores substantially higher (25 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in September 2009).
Reasons to prefer the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Comes with an integrated lens, while the 7D requires a separate lens.
- More compact: Is smaller (110x65mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 7D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 7D is the clear winner of the match-up (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 7D or the LX5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|2.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|3.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|6.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|7.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|9.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|10.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|11.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|12.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|13.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|14.||Olympus XZ-1||4/5||..||..||74/100||4.5/5||4.5/5||Jan 2011||499|
|15.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Canon SX50
- Canon 7D vs Fujifilm X100V
- Canon 7D vs Nikon D500
- Canon 7D vs Panasonic G90
- Canon 7D vs Panasonic GX7
- Canon 7D vs Sony A7R III
- Canon G5 X Mark II vs Panasonic LX5
- Canon G9 X vs Panasonic LX5
- Leica S2 vs Panasonic LX5
- Leica X Vario vs Panasonic LX5
- Panasonic LX5 vs Pentax K-3
- Panasonic LX5 vs Sony A7R II
Specifications: Canon 7D vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D||Panasonic LX5|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/2.0-3.3|
|Launch Date||September 2009||July 2010|
|Launch Price||USD 1,699||USD 499|
|Sensor Specs||Canon 7D||Panasonic LX5|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.3 x 14.9 mm||7.85 x 5.89 mm|
|Sensor Area||332.27 mm2||46.2365 mm2|
|Sensor Diagonal||26.8 mm||9.8 mm|
|Sensor Resolution||17.9 Megapixels||10 Megapixels|
|Image Resolution||5184 x 3456 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.31 μm||2.14 μm|
|Pixel Density||5.39 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/60p Video|
|ISO Setting||100 - 6,400 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 12,800 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 4 (Dual)||Venus FHD|
|DXO Sensor Quality (score)||66||41|
|DXO Color Depth (bits)||22.0||19.6|
|DXO Dynamic Range (EV)||11.7||10.8|
|DXO Low Light (ISO)||854||132|
|Screen Specs||Canon 7D||Panasonic LX5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D||Panasonic LX5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 7D||Panasonic LX5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 7D||Panasonic LX5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||400 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||860 g (30.3 oz)||271 g (9.6 oz)|
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