Panasonic LX5 vs ZS100
The Panasonic Lumix DMC-LX5 and the Panasonic Lumix DMC-ZS100 (labelled Panasonic TZ100 in some countries) are two digital cameras that were revealed to the public, respectively, in July 2010 and January 2016. Both the LX5 and the ZS100 are fixed lens compact cameras that are based on a 1/1.7-inch (LX5) and an one-inch (ZS100) sensor. The LX5 has a resolution of 10 megapixels, whereas the ZS100 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX5||Panasonic ZS100|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/2.0-3.3||25-250mm f/2.8-5.9|
|10 MP, 1/1.7" Sensor||20 MP, 1" Sensor|
|720/60p Video||4K/30p Video|
|ISO 80-3200 (80-12800)||ISO 125-12800 (80-25600)|
|Viewfinder optional||Electronic viewfinder (1166k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|2.5 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|400 shots per battery charge||300 shots per battery charge|
|110 x 65 x 43 mm, 271 g||111 x 65 x 44 mm, 312 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Panasonic Lumix DMC-ZS100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LX5 and the Panasonic ZS100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the ZS100 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 and the Panasonic ZS100 are of equal size. However, the ZS100 is markedly heavier (15 percent) than the LX5. In this context, it is worth noting that neither the LX5 nor the ZS100 are weather-sealed.
Concerning battery life, the LX5 gets 400 shots out of its DMW-BCJ13 battery, while the ZS100 can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS100 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic LX5»||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Panasonic ZS100«||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||Panasonic ZS100|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||Canon G12|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||Leica D-LUX 5|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||Olympus XZ-1|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic LX10« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||Panasonic GF2|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX5 was launched at a markedly lower price (by 29 percent) than the ZS100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Panasonic ZS100 an one-inch sensor. The sensor area in the ZS100 is 152 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.7. The sensor in the LX5 has a native 4:3 aspect ratio, while the one in the ZS100 offers a 3:2 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the ZS100 offers a higher resolution than the LX5 (10MP), but the ZS100 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the ZS100 is a much more recent model (by 5 years and 5 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic ZS100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-ZS100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the ZS100 offers substantially better image quality than the LX5 (overall score 29 points higher). The advantage is based on 3.2 bits higher color depth, 1.7 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Panasonic ZS100||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..||Leica D-LUX 5|
|Olympus XZ-1||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic ZS200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic ZS200|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic LX10||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic LX10|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS100 provides a better video resolution than the LX5. It can shoot movie footage at 4K/30p, while the LX5 is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the ZS100 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Panasonic LX5 and Panasonic ZS100 along with similar information for a selection of comparators.
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Panasonic ZS100||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Olympus XZ-1||optional||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic ZS200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic LX10||none||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS100 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX5 and the ZS100 have zoom lenses built in. The LX5 has a 24-90mm f/2.0-3.3 optic and the ZS100 offers a 25-250mm f/2.8-5.9 (focal lengths in full frame equivalent terms). Hence, the LX5 provides a wider angle of view at the short end than the ZS100, but less tele-photo reach at the long end. The LX5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the LX5 and the ZS100 write their files to SDXC cards. The ZS100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Panasonic Lumix DMC-ZS100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Panasonic ZS100||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Olympus XZ-1||Y||mono||none||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic ZS200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic LX10||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the LX5 has a hotshoe, while the ZS100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the LX5 and the ZS100 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the ZS100 was followed by the Panasonic ZS200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Which of the two cameras – the Panasonic LX5 or the Panasonic ZS100 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Less heavy: Is lighter (by 41g or 13 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (400 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in July 2010).
Advantages of the Panasonic Lumix DMC-ZS100:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 5 months of technical progress since the LX5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the ZS100 is the clear winner of the contest (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX5 and the Panasonic ZS100 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX5 and the ZS100 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX410 vs Panasonic ZS100
- Kodak AZ901 vs Panasonic ZS100
- Nikon 1 V3 vs Panasonic ZS100
- Nikon D2X vs Panasonic ZS100
- Nikon D3200 vs Panasonic LX5
- Nikon D3S vs Panasonic LX5
- Olympus E-M1X vs Panasonic ZS100
- Panasonic GX800 vs Panasonic LX5
- Panasonic LX5 vs Sony A3000
- Panasonic LX5 vs YI M1
- Panasonic ZS100 vs Sony A6500
- Panasonic ZS100 vs Sony A850
Specifications: Panasonic LX5 vs Panasonic ZS100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX5||Panasonic ZS100|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/2.0-3.3||25-250mm f/2.8-5.9|
|Launch Date||July 2010||January 2016|
|Launch Price||USD 499||USD 699|
|Sensor Specs||Panasonic LX5||Panasonic ZS100|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.85 x 5.89 mm||13.2 x 8.8 mm|
|Sensor Area||46.2365 mm2||116.16 mm2|
|Sensor Diagonal||9.8 mm||15.9 mm|
|Sensor Resolution||10 Megapixels||20 Megapixels|
|Image Resolution||3648 x 2736 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.14 μm||2.41 μm|
|Pixel Density||21.59 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||80-12800 ISO||80-25600 ISO|
|Image Processor||Venus FHD||Venus|
|DXO Sensor Quality (score)||41||70|
|DXO Color Depth (bits)||19.6||22.8|
|DXO Dynamic Range (EV)||10.8||12.5|
|DXO Low Light (ISO)||132||559|
|Screen Specs||Panasonic LX5||Panasonic ZS100|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic LX5||Panasonic ZS100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic LX5||Panasonic ZS100|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic LX5||Panasonic ZS100|
|Battery Life (CIPA)||400 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
|Camera Weight||271 g (9.6 oz)||312 g (11.0 oz)|
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