Canon 7D II vs Rebel
The Canon EOS 7D Mark II and the Canon EOS Digital Rebel (labelled Canon 300D in some countries) are two digital cameras that were revealed to the public, respectively, in September 2014 and August 2003. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The 7D Mark II has a resolution of 20 megapixels, whereas the Rebel provides 6.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 7D II||Canon Rebel|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Canon EF mount lenses|
|20 MP, APS-C Sensor||6.3 MP, APS-C Sensor|
|1080/60p Video||no Video|
|ISO 100-16000 (100-51200)||ISO 100-1600|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||1.8" LCD, 118k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|670 shots per battery charge||400 shots per battery charge|
|149 x 112 x 78 mm, 910 g||142 x 99 x 72 mm, 649 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Canon EOS Digital Rebel? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D II and the Canon Rebel are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon Rebel is notably smaller (16 percent) than the Canon 7D II. Moreover, the Rebel is markedly lighter (29 percent) than the 7D Mark II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the Rebel does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 7D II»||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon Rebel«||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Rebel was launched at a markedly lower price (by 50 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the Rebel is 2 percent bigger. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a slightly smaller sensor, the Canon 7D II offers a higher resolution of 20 megapixels, compared with 6.3 MP of the Canon Rebel. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.10μm versus 7.38μm for the Rebel). However, it should be noted that the 7D Mark II is much more recent (by 11 years) than the Rebel, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon Rebel are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS Digital Rebel are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 7D Mark II provides substantially higher image quality than the Rebel, with an overall score that is 15 points higher. This advantage is based on 1.4 bits higher color depth, 1 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 7D II»||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon Rebel«||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
Many modern cameras are not only capable of taking still images, but can also record movies. The 7D Mark II indeed provides movie recording capabilities, while the Rebel does not. The highest resolution format that the 7D Mark II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 7D Mark II and the Rebel are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 7D Mark II offers a wider field of view (100%) than the one in the Rebel (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 7D Mark II has a higher magnification (0.63x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Canon Rebel, and comparable cameras.
|Canon 7D II»||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon Rebel«||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
One feature that is present on the 7D Mark II, but is missing on the Rebel is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the Rebel uses Compact Flash cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Rebel only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Canon EOS Digital Rebel and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 7D II»||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon Rebel«||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 50D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
Studio photographers will appreciate that the Canon 7D II (unlike the Rebel) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 7D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the Rebel has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the Rebel was succeeded by the Canon XT. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is the Canon 7D II better than the Canon Rebel or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 6.3MP) with a 78% higher linear resolution.
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.55x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 118k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (670 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 1.1).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 11 years of technical progress since the Rebel launch.
Reasons to prefer the Canon EOS Digital Rebel:
- More compact: Is smaller (142x99mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 261g or 29 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2003).
If the count of relative strengths (bullet points above) is taken as a measure, the 7D Mark II is the clear winner of the match-up (22 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Canon Rebel place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the Rebel in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 7D II»||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon Rebel«||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 77D vs Canon 7D II
- Canon 7D II vs Canon G12
- Canon 7D II vs Fujifilm X-T1
- Canon 7D II vs Nikon D5300
- Canon 7D II vs Nikon P7800
- Canon 7D II vs Panasonic GF5
- Canon 7D II vs Sony NEX-C3
- Canon 7D II vs Sony RX10 III
- Canon 7D II vs Sony RX100 VII
- Canon Rebel vs Canon XC10
- Canon Rebel vs Nikon D3S
- Canon Rebel vs Panasonic S1H
Specifications: Canon 7D II vs Canon Rebel
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Canon Rebel|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||September 2014||August 2003|
|Launch Price||USD 1799||USD 899|
|Sensor Specs||Canon 7D II||Canon Rebel|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.4 x 15.0 mm||22.7 x 15.1 mm|
|Sensor Area||336 mm2||342.77 mm2|
|Sensor Diagonal||27 mm||27.3 mm|
|Sensor Resolution||20 Megapixels||6.3 Megapixels|
|Image Resolution||5472 x 3648 pixels||3072 x 2048 pixels|
|Pixel Pitch||4.10 μm||7.38 μm|
|Pixel Density||5.94 MP/cm2||1.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100-16000 ISO||100-1600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|DXO Sensor Quality (score)||70||55|
|DXO Color Depth (bits)||22.4||21.0|
|DXO Dynamic Range (EV)||11.8||10.8|
|DXO Low Light (ISO)||1082||544|
|Screen Specs||Canon 7D II||Canon Rebel|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||1.8 inch|
|LCD Resolution||1040k dots||118k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D II||Canon Rebel|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||2.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 7D II||Canon Rebel|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 1.1|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Canon Rebel|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||670 shots per charge||400 shots per charge|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
142 x 99 x 72 mm
(5.6 x 3.9 x 2.8 in)
|Camera Weight||910 g (32.1 oz)||649 g (22.9 oz)|
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