Canon 60D vs Panasonic FZ1000 II
The Canon EOS 60D and the Panasonic Lumix DC-FZ1000 II are two digital cameras that were officially introduced, respectively, in August 2010 and February 2019. The 60D is a DSLR, while the FZ1000 II is a fixed lens compact. The cameras are based on an APS-C (60D) and an one-inch (FZ1000 II) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 60D and the Panasonic Lumix DC-FZ1000 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 60D and the Panasonic FZ1000 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 II is notably smaller (14 percent) than the Canon 60D. It is worth mentioning in this context that the 60D is splash and dust resistant, while the FZ1000 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 II has a lens built in, whereas the 60D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 60D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 60D gets 1100 shots out of its LP-E6 battery, while the FZ1000 II can take 350 images on a single charge of its DMW-BLC12 power pack. The power pack in the FZ1000 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|2.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|6.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|7.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|8.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|11.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|12.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|13.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|14.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|15.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|17.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ1000 II was launched at a lower price than the 60D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 60D features an APS-C sensor and the Panasonic FZ1000 II an one-inch sensor. The sensor area in the FZ1000 II is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ1000 II offers a higher resolution of 20 megapixels, compared with 17.9 MP of the 60D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the 60D). However, it should be noted that the FZ1000 II is much more recent (by 8 years and 5 months) than the 60D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ1000 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ1000 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon 60D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS 60D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DC-FZ1000 II are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|14.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ1000 II provides a better video resolution than the 60D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 II has an electronic viewfinder (2360k dots), while the 60D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ1000 II offers a wider field of view (100%) than the one in the 60D (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ1000 II has a higher magnification (0.70x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 60D, the Panasonic FZ1000 II, and comparable cameras.
|1.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|2.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|7.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|8.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3||Y||n|
|11.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5||Y||n|
|12.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|13.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|14.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|15.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|16.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|17.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
One feature that is present on the 60D, but is missing on the FZ1000 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 60D and the FZ1000 II write their files to SDXC cards. The FZ1000 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 60D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 60D and Panasonic Lumix DC-FZ1000 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|17.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the FZ1000 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 60D does not provide wifi capability.
Studio photographers will appreciate that the Canon 60D (unlike the FZ1000 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ1000 II is a recent model that features in the current product line-up of Panasonic. In contrast, the 60D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 60D was succeeded by the Canon 70D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 60D or the Panasonic FZ1000 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 60D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1100 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2010).
Arguments in favor of the Panasonic Lumix DC-FZ1000 II:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (12 vs 5.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 60D requires a separate lens.
- More compact: Is smaller (136x97mm vs 145x106mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 8 years and 5 months of technical progress since the 60D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ1000 II is the clear winner of the contest (19 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 60D and the Panasonic FZ1000 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 60D or the FZ1000 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|2.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|6.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|7.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|8.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|11.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|12.||Leica C-LUX||..||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|13.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|14.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|15.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|17.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Panasonic FZ1000 II
- Canon 5D Mark III vs Panasonic FZ1000 II
- Canon 60D vs Canon G16
- Canon 60D vs Olympus E-M1
- Canon 60D vs Panasonic FZ80
- Canon 60D vs Ricoh WG-6
- Canon 60D vs Sony A1
- Canon 60D vs Sony NEX-7
- Leica Q Typ 116 vs Panasonic FZ1000 II
- Leica S-E Typ 006 vs Panasonic FZ1000 II
- Leica TL2 vs Panasonic FZ1000 II
- Panasonic FZ1000 II vs Panasonic LX5
Specifications: Canon 60D vs Panasonic FZ1000 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 60D||Panasonic FZ1000 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-400mm f/2.8-4.0|
|Launch Date||August 2010||February 2019|
|Launch Price||USD 1,399||USD 899|
|Sensor Specs||Canon 60D||Panasonic FZ1000 II|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.2||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||813||..|
|Screen Specs||Canon 60D||Panasonic FZ1000 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 60D||Panasonic FZ1000 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||5.3 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 60D||Panasonic FZ1000 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 60D||Panasonic FZ1000 II|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1100 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
145 x 106 x 79 mm
(5.7 x 4.2 x 3.1 in)
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
|Camera Weight||755 g (26.6 oz)||810 g (28.6 oz)|
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