Canon 5D vs Panasonic S1R
The Canon EOS 5D and the Panasonic Lumix DC-S1R are two digital cameras that were officially introduced, respectively, in August 2005 and February 2019. The 5D is a DSLR, while the S1R is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 12.7 megapixels, whereas the Panasonic provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D||Panasonic S1R|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Leica L mount lenses|
|12.7 MP, Full Frame Sensor||46.7 MP, Full Frame Sensor|
|no Video||4K/60p Video|
|ISO 100-1600 (50-3200)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (5760k dots)|
|2.5" LCD, 230k dots||3.2" LCD, 2100k dots|
|Fixed screen (not touch-sensitive)||Fully flexible touchscreen|
|3 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||380 shots per battery charge|
|152 x 113 x 75 mm, 895 g||149 x 110 x 97 mm, 1016 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D and the Panasonic S1R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is somewhat smaller (5 percent) than the Canon 5D. However, the S1R is markedly heavier (14 percent) than the 5D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 5D gets 400 shots out of its BP-511A battery, while the S1R can take 380 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1R can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D»||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||Canon 5D|
|Panasonic S1R«||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||Canon 1D Mark II N|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||Canon 1Ds Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||Canon 1Ds|
|Leica SL2« »||5.7 in||4.2 in||1.7 in||33.6 oz||370||Y||Nov 2019||5,999||Leica SL2|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||Nikon D700|
|Panasonic S1« »||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1H« »||5.9 in||4.5 in||4.3 in||37.1 oz||400||Y||May 2019||3,999||Panasonic S1H|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 5D was launched at a somewhat lower price (by 11 percent) than the S1R, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the S1R offers a higher resolution of 46.7 megapixels, compared with 12.7 MP of the 5D. This megapixels advantage translates into a 92 percent gain in linear resolution. On the other hand, these sensor specs imply that the S1R has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.30μm versus 8.25μm for the 5D). However, it should be noted that the S1R is much more recent (by 13 years and 5 months) than the 5D, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inch or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inch or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inch or 70.8 x 47.3 cm. The corresponding values for the Canon 5D are 21.8 x 14.6 inch or 55.5 x 37 cm for good quality, 17.5 x 11.6 inch or 44.4 x 29.6 cm for very good quality, and 14.6 x 9.7 inch or 37 x 24.7 cm for excellent quality prints.
Unlike the 5D, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 5D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S1R offers substantially better image quality than the 5D (overall score 29 points higher). The advantage is based on 3.5 bits higher color depth, 3 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63||Canon 1Ds|
|Leica SL2||Full Frame||46.7||8368||5584||4K/60p||..||..||..||..||Leica SL2|
|Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
|Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||..||..||..||..||Panasonic S1H|
Many modern cameras are not only capable of taking still images, but can also record movies. The S1R indeed provides for movie recording, while the 5D does not. The highest resolution format that the S1R can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the S1R has an electronic viewfinder (5760k dots), while the 5D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1R offers a wider field of view (100%) than the one in the 5D (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1R has a higher magnification (0.78x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D, the Panasonic S1R, and comparable cameras.
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Panasonic S1R||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Leica SL2||5760||Y||3.2||2100||fixed||Y||1/8000s||10.0||n||Y||Leica SL2|
|Nikon Z7||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Panasonic S1||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1H||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The S1R has a touchscreen, while the 5D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D writes its imaging data to Compact Flash cards, while the S1R uses SDHC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the 5D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Panasonic S1R||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark II N||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II N|
|Canon 1Ds Mark II||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds||Y||none||none||-||-||none||FW||-||-||-||Canon 1Ds|
|Leica SL2||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Leica SL2|
|Nikon Z7||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
|Panasonic S1||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1H||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
It is notable that the S1R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the 5D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D was succeeded by the Canon 5D Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 5D and the Panasonic S1R? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 121g or 12 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2005).
Reasons to prefer the Panasonic Lumix DC-S1R:
- More detail: Has more megapixels (46.7 vs 12.7MP), which boosts linear resolution by 92%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 13 years and 5 months of technical progress since the 5D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the S1R is the clear winner of the contest (25 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 5D and the S1R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Canon 5D Mark IV
- Canon 5D Mark II vs Fujifilm X-E2
- Canon 5D Mark III vs Canon SX620
- Canon 5D Mark III vs Panasonic GX850
- Canon 5D Mark III vs Sony A7R IV
- Canon 5D Mark IV vs Canon T3
- Canon 5D Mark IV vs Fujifilm GFX 100
- Canon 5D Mark IV vs Leica S2
- Canon 5D vs Olympus E-30
- Canon 5D vs Panasonic G7
- Leica D-LUX 7 vs Panasonic S1R
- Leica TL2 vs Panasonic S1R
Specifications: Canon 5D vs Panasonic S1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D||Panasonic S1R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Leica L mount lenses|
|Launch Date||August 2005||February 2019|
|Launch Price||USD 3299||USD 3699|
|Sensor Specs||Canon 5D||Panasonic S1R|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||36.0 x 24.0 mm|
|Sensor Area||864 mm2||864 mm2|
|Sensor Diagonal||43.3 mm||43.3 mm|
|Sensor Resolution||12.7 Megapixels||46.7 Megapixels|
|Image Resolution||4368 x 2912 pixels||8368 x 5584 pixels|
|Pixel Pitch||8.25 μm||4.30 μm|
|Pixel Density||1.47 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||50-3200 ISO||50-51200 ISO|
|Image Processor||DIGIC 2||Venus|
|DXO Sensor Quality (score)||71||100|
|DXO Color Depth (bits)||22.9||26.4|
|DXO Dynamic Range (EV)||11.1||14.1|
|DXO Low Light (ISO)||1368||3525|
|Screen Specs||Canon 5D||Panasonic S1R|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.2 inch|
|LCD Resolution||230k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D||Panasonic S1R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||400 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 5D||Panasonic S1R|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5D||Panasonic S1R|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||895 g (31.6 oz)||1016 g (35.8 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.