Canon 5D vs 5D Mark II
The Canon EOS 5D and the Canon EOS 5D Mark II are two professional cameras that were revealed to the public, respectively, in August 2005 and September 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The 5D has a resolution of 12.7 megapixels, whereas the 5D Mark II provides 21 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D||Canon 5D Mark II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Canon EF mount lenses|
|12.7 MP, Full Frame Sensor||21 MP, Full Frame Sensor|
|no Video||1080/30p Video|
|ISO 100-1600 (50-3200)||ISO 100-6400 (50-25600)|
|Optical viewfinder||Optical viewfinder|
|2.5" LCD, 230k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||3.9 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||850 shots per battery charge|
|152 x 113 x 75 mm, 895 g||152 x 114 x 75 mm, 850 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D and the Canon EOS 5D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D and the Canon 5D Mark II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D and the Canon 5D Mark II are of equal size. However, the 5D Mark II is markedly lighter (5 percent) than the 5D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5D»||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||Canon 5D|
|Canon 5D Mark II«||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 50D« »||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||Canon 50D|
|Canon 1D Mark II N« »||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||Canon 1D Mark II N|
|Nikon D700« »||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999||Nikon D700|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 5D was somewhat cheaper (by 6 percent) than the 5D Mark II at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the 5D Mark II uses a more advanced image processing engine (DIGIC 4) than the 5D (DIGIC 2), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the 5D Mark II offers a higher resolution of 21 megapixels, compared with 12.7 MP of the 5D. This megapixels advantage translates into a 29 percent gain in linear resolution. On the other hand, these sensor specs imply that the 5D Mark II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 6.41μm versus 8.25μm for the 5D). However, it should be noted that the 5D Mark II is much more recent (by 3 years and 1 month) than the 5D, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Canon 5D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark II for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inch or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inch or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inch or 47.5 x 31.7 cm. The corresponding values for the Canon 5D are 21.8 x 14.6 inch or 55.5 x 37 cm for good quality, 17.5 x 11.6 inch or 44.4 x 29.6 cm for very good quality, and 14.6 x 9.7 inch or 37 x 24.7 cm for excellent quality prints.
The Canon EOS 5D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Canon EOS 5D Mark II are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 50-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the 5D Mark II has a markedly higher DXO score than the 5D (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.8 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66||Canon 1D Mark II N|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
Many modern cameras cannot only take still pictures, but also record videos. The 5D Mark II indeed provides for movie recording, while the 5D does not. The highest resolution format that the 5D Mark II can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 5D and the 5D Mark II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same magnification (0.71x), but the one in the 5D Mark II has a wider field of view (98%) than the finder in the 5D (96%), so that a larger proportion of the captured image is visible. The table below summarizes some of the other core capabilities of the Canon 5D and Canon 5D Mark II in connection with corresponding information for a sample of similar cameras.
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
Concerning the storage of imaging data, both the 5D and the 5D Mark II write their files to Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D and Canon EOS 5D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 1D Mark II N||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II N|
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 5D and the 5D Mark II have been discontinued, but can regularly be found used on eBay. The 5D was replaced by the Canon 5D Mark II, while the 5D Mark II was followed by the Canon 5D Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is there a clear favorite between the Canon 5D and the Canon 5D Mark II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 5D:
- More heavily discounted: Has been available for much longer (launched in August 2005).
Reasons to prefer the Canon EOS 5D Mark II:
- More detail: Has more megapixels (21 vs 12.7MP), which boosts linear resolution by 29%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC 4 vs DIGIC 2).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More complete view: Has a viewfinder with a larger field of view (98% vs 96%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (3.9 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (850 versus 400) out of a single battery charge.
- More modern: Reflects 3 years and 1 month of technical progress since the 5D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark II is the clear winner of the contest (13 : 1 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D and the Canon 5D Mark II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D or the 5D Mark II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 400D vs Canon 5D
- Canon 5D Mark II vs Fujifilm X-T100
- Canon 5D Mark III vs Canon 60D
- Canon 5D Mark III vs Panasonic GH5
- Canon 5D Mark III vs Panasonic TZ95
- Canon 5D Mark IV vs Leica C-LUX
- Canon 5D Mark IV vs Sony NEX-5N
- Canon 5D vs Canon SX510
- Canon 5D vs Nikon D5600
- Canon 5D vs Sony A58
- Canon 5D vs Sony RX10 II
- Canon 5D vs Sony RX100 V
Specifications: Canon 5D vs Canon 5D Mark II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D||Canon 5D Mark II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||August 2005||September 2008|
|Launch Price||USD 3299||USD 3499|
|Sensor Specs||Canon 5D||Canon 5D Mark II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||36.0 x 24.0 mm|
|Sensor Area||864 mm2||864 mm2|
|Sensor Diagonal||43.3 mm||43.3 mm|
|Sensor Resolution||12.7 Megapixels||21 Megapixels|
|Image Resolution||4368 x 2912 pixels||5616 x 3744 pixels|
|Pixel Pitch||8.25 μm||6.41 μm|
|Pixel Density||1.47 MP/cm2||2.43 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100-1600 ISO||100-6400 ISO|
|ISO Boost||50-3200 ISO||50-25600 ISO|
|Image Processor||DIGIC 2||DIGIC 4|
|DXO Sensor Quality (score)||71||79|
|DXO Color Depth (bits)||22.9||23.7|
|DXO Dynamic Range (EV)||11.1||11.9|
|DXO Low Light (ISO)||1368||1815|
|Screen Specs||Canon 5D||Canon 5D Mark II|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||96%||98%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D||Canon 5D Mark II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||3.9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D||Canon 5D Mark II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D||Canon 5D Mark II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||850 shots per charge|
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
152 x 114 x 75 mm
(6.0 x 4.5 x 3.0 in)
|Camera Weight||895 g (31.6 oz)||850 g (30.0 oz)|
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