Canon 50D vs SX520
The Canon EOS 50D and the Canon PowerShot SX520 HS are two digital cameras that were announced, respectively, in August 2008 and July 2014. The 50D is a DSLR, while the SX520 is a fixed lens compact. The cameras are based on an APS-C (50D) and a 1/2.3-inch (SX520) sensor. The 50D has a resolution of 15.1 megapixels, whereas the SX520 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 50D||Canon SX520|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-1008mm f/3.4-6|
|15.1 MP, APS-C Sensor||15.9 MP, 1/2.3" Sensor|
|no Video||1080/30p Video|
|ISO 100-3200 (100-12800)||ISO 100-3200|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 920k dots||3.0" LCD, 461k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6.3 shutter flaps per second||1.6 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|800 shots per battery charge||210 shots per battery charge|
|146 x 108 x 74 mm, 822 g||120 x 82 x 92 mm, 441 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Canon PowerShot SX520 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 50D and the Canon SX520 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX520 is considerably smaller (38 percent) than the Canon 50D. It is worth mentioning in this context that the 50D is splash and dust resistant, while the SX520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX520 has a lens built in, whereas the 50D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 50D and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 50D»||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||Canon 50D|
|Canon SX520«||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||Canon SX520|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon SX530« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jan 2015||429||Canon SX530|
|Canon SX700« »||4.4 in||2.6 in||1.4 in||9.5 oz||250||n||Feb 2014||349||Canon SX700|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon T5|
|Canon SX510« »||4.1 in||2.8 in||3.1 in||12.3 oz||250||n||Aug 2013||249||Canon SX510|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon T1i|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||Canon 20D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX520 was launched at a lower price than the 50D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Canon SX520 a 1/2.3-inch sensor. The sensor area in the SX520 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 50D has a native 3:2 aspect ratio, while the one in the SX520 offers a 4:3 aspect.
Technology-wise, the SX520 uses a more advanced image processing engine (DIGIC 4+) than the 50D (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the SX520 offers a slightly higher resolution of 15.9 megapixels, compared with 15.1 MP of the 50D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 4.69μm for the 50D). However, it should be noted that the SX520 is much more recent (by 5 years and 11 months) than the 50D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX520 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Canon PowerShot SX520 HS are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Canon SX520||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX520|
|Canon 90D||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon 90D|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon SX530||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX530|
|Canon SX700||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Canon SX700|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon T5||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SX510||1/2.3||15.9||4608||3456||1080/24p||..||..||..||..||Canon SX510|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon T1i||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The SX520 indeed provides for movie recording, while the 50D does not. The highest resolution format that the SX520 can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 50D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX520 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 50D and Canon SX520 in connection with corresponding information for a sample of similar cameras.
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon SX520||none||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon 90D||optical||Y||3.0||1040||swivel||Y||1/8000s||11.0||Y||n||Canon 90D|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon SX530||none||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX530|
|Canon SX700||none||n||3.0||922||fixed||n||1/3200s||8.5||Y||Y||Canon SX700|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon T5||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SX510||none||n||3.0||461||fixed||n||1/1600s||3.8||Y||Y||Canon SX510|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon T1i||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
One feature that is present on the 50D, but is missing on the SX520 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 50D writes its imaging data to Compact Flash cards, while the SX520 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Canon PowerShot SX520 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon SX520||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon 90D||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon SX530||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX530|
|Canon SX700||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX700|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon T5||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SX510||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon SX510|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon T1i||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
It is notable that the 50D has a hotshoe, while the SX520 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 50D (unlike the SX520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 50D and the SX520 have been discontinued, but can regularly be found used on eBay. The 50D was replaced by the Canon 60D, while the SX520 was followed by the Canon SX530. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is the Canon 50D better than the Canon SX520 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 50D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6.3 vs 1.6 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 210) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Advantages of the Canon PowerShot SX520 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better jpgs: Has a more modern image processing engine (DIGIC 4+ vs DIGIC 4).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Ready to shoot: Comes with an integrated lens, while the 50D requires a separate lens.
- More compact: Is smaller (120x82mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 50D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 11 months of technical progress since the 50D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the 50D is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Canon SX520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 50D or the SX520. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Canon SX520
- Canon 50D vs Canon T100
- Canon 50D vs Fujifilm X100F
- Canon 50D vs Leica S Typ 007
- Canon 50D vs Nikon D5100
- Canon 50D vs Nikon D7200
- Canon 50D vs Olympus TG-6
- Canon G7 X vs Canon SX520
- Canon SX520 vs Olympus E-M5 II
- Canon SX520 vs Panasonic ZS200
- Canon SX520 vs Sony A5100
- Canon SX520 vs Sony A900
Specifications: Canon 50D vs Canon SX520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Canon SX520|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-1008mm f/3.4-6|
|Launch Date||August 2008||July 2014|
|Launch Price||USD 1299||USD 399|
|Sensor Specs||Canon 50D||Canon SX520|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||15.1 Megapixels||15.9 Megapixels|
|Image Resolution||4752 x 3168 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.69 μm||1.33 μm|
|Pixel Density||4.53 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100-3200 ISO||100-3200 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|Image Processor||DIGIC 4||DIGIC 4+|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.8||..|
|DXO Dynamic Range (EV)||11.4||..|
|DXO Low Light (ISO)||696||..|
|Screen Specs||Canon 50D||Canon SX520|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||461k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 50D||Canon SX520|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6.3 shutter flaps/s||1.6 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Canon SX520|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 50D||Canon SX520|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||800 shots per charge||210 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
|Camera Weight||822 g (29.0 oz)||441 g (15.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.