Canon 40D vs Fujifilm GFX 100 II

The Canon EOS 40D and the Fujifilm GFX 100 II are two digital cameras that were announced, respectively, in August 2007 and September 2023. The 40D is a DSLR, while the GFX 100 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (40D) and a medium format (GFX 100 II) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 40D		Fujifilm GFX 100 II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
10.1 MP – APS-C sensor		101.8 MP – Medium Format sensor
no Video		8K/30p Video
ISO 100-1,600 (100 - 3,200)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (9440k dots)
3.0" LCD – 230k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
6.5 shutter flaps per second		8 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
750 shots per battery charge		540 shots per battery charge
146 x 108 x 74 mm, 822 g		152 x 117 x 99 mm, 1030 g

Check 40D offers at
ebay.com
Check GFX 100 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Fujifilm GFX 100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon 40D and the Fujifilm GFX 100 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 II is notably larger (13 percent) than the Canon 40D. Moreover, the GFX 100 II is markedly heavier (25 percent) than the 40D. It is noteworthy in this context that the GFX 100 II is splash and dust-proof, while the 40D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 40D gets 750 shots out of its Canon BP-511A battery, while the GFX 100 II can take 540 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 100 II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 40D	146 mm	108 mm	74 mm	822 g	750	n	Aug 2007	US$ 1 299	ebay.com
2.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
3.		Canon 10D	150 mm	107 mm	75 mm	850 g	500	n	Feb 2003	US$ 1 999	ebay.com
4.		Canon 20D	144 mm	106 mm	72 mm	770 g	700	n	Aug 2004	US$ 1 499	ebay.com
5.		Canon 30D	144 mm	106 mm	74 mm	785 g	750	n	Feb 2006	US$ 1 399	ebay.com
6.		Canon 50D	146 mm	108 mm	74 mm	822 g	800	Y	Aug 2008	US$ 1 299	ebay.com
7.		Canon 60D	145 mm	106 mm	79 mm	755 g	1100	Y	Aug 2010	US$ 1 399	ebay.com
8.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	US$ 449	ebay.com
9.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	US$ 449	ebay.com
10.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	US$ 799	ebay.com
11.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	US$ 799	ebay.com
12.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
13.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
14.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
15.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
16.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
17.		Nikon D90	132 mm	103 mm	77 mm	703 g	850	n	Aug 2008	US$ 1 299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 40D was launched at a markedly lower price (by 83 percent) than the GFX 100 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Fujifilm GFX 100 II a medium format sensor. The sensor area in the GFX 100 II is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the GFX 100 II offers a 4:3 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the 40D (10.1MP), but the GFX 100 II has smaller individual pixels (pixel pitch of 3.76μm versus 5.73μm for the 40D). Yet, the GFX 100 II is a much more recent model (by 16 years) than the 40D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The GFX 100 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the 40D, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Fujifilm GFX 100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the 40D is build around a CMOS sensor, while the GFX 100 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 40D	APS-C	10.1	3888	2592	none	22.1	11.3	703	64
2.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
3.		Canon 10D	APS-C	6.3	3072	2048	none	21.1	10.9	571	57
4.		Canon 20D	APS-C	8.2	3504	2336	none	21.9	11.0	721	62
5.		Canon 30D	APS-C	8.2	3504	2336	none	21.5	10.8	736	59
6.		Canon 50D	APS-C	15.1	4752	3168	none	21.8	11.4	696	63
7.		Canon 60D	APS-C	17.9	5184	3456	1080/30p	22.2	11.5	813	66
8.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
9.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
10.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
11.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
12.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
13.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
14.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
15.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
16.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
17.		Nikon D90	APS-C	12.2	4288	2848	720/24p	22.7	12.5	977	73
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The GFX 100 II indeed provides for movie recording, while the 40D does not. The highest resolution format that the GFX 100 II can use is 8K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100 II has an electronic viewfinder (9440k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100 II offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100 II has a higher magnification (1.27x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 40D and Fujifilm GFX 100 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 40D	optical	Y	3.0 / 230	fixed	n	1/8000s	6.5/s	Y	n
2.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
3.		Canon 10D	optical	Y	1.8 / 118	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon 20D	optical	Y	1.8 / 118	fixed	n	1/8000s	5.0/s	Y	n
5.		Canon 30D	optical	Y	2.5 / 230	fixed	n	1/8000s	5.0/s	Y	n
6.		Canon 50D	optical	Y	3.0 / 920	fixed	n	1/8000s	6.3/s	Y	n
7.		Canon 60D	optical	Y	3.0 / 1040	swivel	n	1/8000s	5.3/s	Y	n
8.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
11.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
12.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
13.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
14.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
15.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
16.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
17.		Nikon D90	optical	Y	3.0 / 920	fixed	n	1/4000s	4.5/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 40D has one, while the GFX 100 II does not. While the built-in flash of the 40D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 40D writes its imaging data to Compact Flash cards, while the GFX 100 II uses CFexpress (type B) or SDXC cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 40D only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Fujifilm GFX 100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 40D	Y	- / -	-	-	-	2.0	-	-	-
2.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon 10D	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 20D	Y	- / -	-	-	-	1.1	-	-	-
5.		Canon 30D	Y	- / -	-	-	-	2.0	-	-	-
6.		Canon 50D	Y	- / -	-	-	mini	2.0	-	-	-
7.		Canon 60D	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
10.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
11.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
12.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
13.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
14.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
15.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
17.		Nikon D90	Y	mono / mono	-	-	mini	2.0	-	-	-

It is notable that the GFX 100 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 40D does not provide wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 100 II is a recent model that features in the current product line-up of Fujifilm. In contrast, the 40D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 40D was succeeded by the Canon 50D. Further information on the features and operation of the 40D and GFX 100 II can be found, respectively, in the Canon 40D Manual (free pdf) or the online Fujifilm GFX 100 II Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon 40D and the Fujifilm GFX 100 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Canon EOS 40D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More compact: Is smaller (146x108mm vs 152x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 208g or 20 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (750 versus 540) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2007).

Reasons to prefer the Fujifilm GFX 100 II:

• More detail: Has more megapixels (101.8 vs 10.1MP), which boosts linear resolution by 212%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 8K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.59x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 16 years of technical progress since the 40D launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the contest (28 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 40D and the Fujifilm GFX 100 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 40D or the GFX 100 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 40D	..	+ +	..	+ +	4.5/5	4.5/5	Aug 2007	US$ 1 299	ebay.com
2.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
3.		Canon 10D	..	..	..	+ +	..	..	Feb 2003	US$ 1 999	ebay.com
4.		Canon 20D	..	..	..	+ +	..	..	Aug 2004	US$ 1 499	ebay.com
5.		Canon 30D	..	+ +	..	+ +	o	..	Feb 2006	US$ 1 399	ebay.com
6.		Canon 50D	..	+ +	..	+ +	4.5/5	4.5/5	Aug 2008	US$ 1 299	ebay.com
7.		Canon 60D	5/5	+	..	79/100	4/5	4.5/5	Aug 2010	US$ 1 399	ebay.com
8.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	US$ 449	ebay.com
9.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	US$ 449	ebay.com
10.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	US$ 799	ebay.com
11.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	US$ 799	ebay.com
12.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
13.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
14.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
15.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
16.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
17.		Nikon D90	..	+ +	..	+ +	4/5	4.5/5	Aug 2008	US$ 1 299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check 40D offers at
ebay.com
Check GFX 100 II price at
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