Canon 1Ds Mark II vs Leica D-LUX 5
The Canon EOS-1Ds Mark II and the Leica D-LUX 5 are two digital cameras that were announced, respectively, in September 2004 and September 2010. The 1Ds Mark II is a DSLR, while the D-LUX 5 is a fixed lens compact. The cameras are based on a full frame (1Ds Mark II) and a 1/1.7-inch (D-LUX 5) sensor. The Canon has a resolution of 16.6 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds Mark II||Leica D-LUX 5|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-90mm f/2.0-3.3|
|16.6 MP, Full Frame Sensor||10 MP, 1/1.7" Sensor|
|no Video||720/60p Video|
|ISO 100-1600 (50-3200)||ISO 80-3200 (80-12800)|
|Optical viewfinder||Viewfinder optional|
|2.0" LCD, 230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|4 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1200 shots per battery charge||400 shots per battery charge|
|156 x 158 x 80 mm, 1215 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark II and the Leica D-LUX 5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds Mark II and the Leica D-LUX 5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 5 is considerably smaller (71 percent) than the Canon 1Ds Mark II. It is worth mentioning in this context that the 1Ds Mark II is splash and dust resistant, while the D-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the 1Ds Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1Ds Mark II gets 1200 shots out of its NP-E3 battery, while the D-LUX 5 can take 400 images on a single charge of its BP-DC10 power pack. As can be seen in the images above, the 1Ds Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark II»||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Leica D-LUX 5«||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Leica X1« »||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995||-||Leica X1|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 5 was launched at a lower price than the 1Ds Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark II features a full frame sensor and the Leica D-LUX 5 a 1/1.7-inch sensor. The sensor area in the D-LUX 5 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.4. The sensor in the 1Ds Mark II has a native 3:2 aspect ratio, while the one in the D-LUX 5 offers a 4:3 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 16.6MP, the 1Ds Mark II offers a higher resolution than the D-LUX 5 (10MP), but the 1Ds Mark II nevertheless has larger individual pixels (pixel pitch of 7.21μm versus 2.14μm for the D-LUX 5) due to its larger sensor. However, the D-LUX 5 is a much more recent model (by 6 years) than the 1Ds Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1Ds Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1Ds Mark II for good quality output (200 dots per inch) amounts to 25 x 16.6 inch or 63.4 x 42.3 cm, for very good quality (250 dpi) 20 x 13.3 inch or 50.7 x 33.8 cm, and for excellent quality (300 dpi) 16.6 x 11.1 inch or 42.3 x 28.2 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Canon EOS-1Ds Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Leica D-LUX 5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1Ds Mark II»||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Leica D-LUX 5«||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Leica X1« »||APS-C||12.2||4272||2856||-||-||-||-||-||Leica X1|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D-LUX 5 indeed provides for movie recording, while the 1Ds Mark II does not. The highest resolution format that the D-LUX 5 can use is 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1Ds Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The following table reports on some other key feature differences and similarities of the Canon 1Ds Mark II, the Leica D-LUX 5, and comparable cameras.
|Canon 1Ds Mark II»||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Leica D-LUX 5«||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica X1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||n||Leica X1|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One feature that is present on the 1Ds Mark II, but is missing on the D-LUX 5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1Ds Mark II writes its imaging data to Compact Flash cards, while the D-LUX 5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark II and Leica D-LUX 5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds Mark II»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Leica D-LUX 5«||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica X1« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X1|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
Studio photographers will appreciate that the Canon 1Ds Mark II (unlike the D-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds Mark II and the D-LUX 5 have been discontinued, but can regularly be found used on eBay. The 1Ds Mark II was replaced by the Canon 1Ds Mark III, while the D-LUX 5 was followed by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1Ds Mark II and the Leica D-LUX 5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1Ds Mark II:
- More detail: Offers more megapixels (16.6 vs 10MP) with a 32% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 720/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- Ready to shoot: Comes with an integrated lens, while the 1Ds Mark II requires a separate lens.
- More compact: Is smaller (110x65mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds Mark II).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years of technical progress since the 1Ds Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 1Ds Mark II emerges as the winner of the contest (15 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark II and the Leica D-LUX 5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1Ds Mark II or the D-LUX 5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark II»||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Leica D-LUX 5«||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Leica X1« »||-||+||-||-||4/5||Sep 2009||1,995||-||Leica X1|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Canon 40D
- Canon 1Ds Mark II vs Panasonic GH1
- Canon 1Ds Mark II vs Sony A6400
- Canon 1Ds Mark II vs Sony RX100 V
- Canon M6 vs Leica D-LUX 5
- Leica D-LUX 5 vs Leica S Typ 006
- Leica D-LUX 5 vs Nikon D300S
- Leica D-LUX 5 vs Nikon D7200
- Leica D-LUX 5 vs Panasonic GF2
- Leica D-LUX 5 vs Sony A6100
- Leica D-LUX 5 vs Sony A6400
- Leica D-LUX 5 vs Sony A9
Specifications: Canon 1Ds Mark II vs Leica D-LUX 5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark II||Leica D-LUX 5|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/2.0-3.3|
|Launch Date||September 2004||September 2010|
|Launch Price||USD 7999||USD 699|
|Sensor Specs||Canon 1Ds Mark II||Leica D-LUX 5|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 24.0 mm||7.85 x 5.89 mm|
|Sensor Area||864 mm2||46.2365 mm2|
|Sensor Diagonal||43.3 mm||9.8 mm|
|Sensor Resolution||16.6 Megapixels||10 Megapixels|
|Image Resolution||4992 x 3328 pixels||3648 x 2736 pixels|
|Pixel Pitch||7.21 μm||2.14 μm|
|Pixel Density||1.92 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||720/60p Video|
|ISO Setting||100-1600 ISO||80-3200 ISO|
|ISO Boost||50-3200 ISO||80-12800 ISO|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||23.3||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||1480||..|
|Screen Specs||Canon 1Ds Mark II||Leica D-LUX 5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1Ds Mark II||Leica D-LUX 5|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds Mark II||Leica D-LUX 5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds Mark II||Leica D-LUX 5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||400 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||1215 g (42.9 oz)||271 g (9.6 oz)|
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