Canon 1D Mark III vs R5
The Canon EOS-1D Mark III and the Canon EOS R5 are two digital cameras that were officially introduced, respectively, in February 2007 and July 2020. The 1D Mark III is a DSLR, while the R5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a full frame (R5) sensor. The 1D Mark III has a resolution of 10.1 megapixels, whereas the R5 provides 44.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Canon EOS R5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark III and the Canon R5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R5 is considerably smaller (45 percent) than the Canon 1D Mark III. Moreover, the R5 is substantially lighter (36 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the R5 can take 320 images on a single charge of its LP-E6NH power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R5, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The power pack in the R5 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||ebay.com|
|2.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|4.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|5.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||ebay.com|
|6.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|7.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||ebay.com|
|8.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||ebay.com|
|9.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||ebay.com|
|10.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||ebay.com|
|11.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|12.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||ebay.com|
|13.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||ebay.com|
|14.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The R5 was launched at a somewhat lower price (by 13 percent) than the 1D Mark III, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Canon R5 a full frame sensor. The sensor area in the R5 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the R5 uses a more advanced image processing engine (DIGIC X) than the 1D Mark III (DIGIC III), with benefits for noise reduction, color accuracy, and processing speed.
With 44.8MP, the R5 offers a higher resolution than the 1D Mark III (10.1MP), but the R5 has smaller individual pixels (pixel pitch of 4.39μm versus 7.21μm for the 1D Mark III). Yet, the R5 is a much more recent model (by 13 years and 4 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Canon EOS R5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the R5 offers substantially better image quality than the 1D Mark III (overall score 24 points higher). The advantage is based on 2.6 bits higher color depth, 2.9 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|2.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|4.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|5.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|6.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|7.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|8.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|9.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|10.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|11.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|12.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|14.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
Many modern cameras cannot only take still pictures, but also record videos. The R5 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the R5 can use is 8K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the R5 has an electronic viewfinder (5760k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R5 has a higher magnification than the one of the 1D Mark III (0.76x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark III and Canon R5 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0/s||n||n|
|2.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|3.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|5.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|6.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|7.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|8.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5/s||n||n|
|9.||Canon 1D Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||8.3/s||n||n|
|10.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|11.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|12.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|13.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||n||n|
|14.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R5 has a touchscreen, while the 1D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The R5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the R5 uses CFexpress (type B) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R5 supports UHS-II cards (on both slots), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Canon EOS R5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|5.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|6.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|8.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|9.||Canon 1D Mark II||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|11.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|12.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the R5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The R5 is a recent model that features in the current product line-up of Canon. In contrast, the 1D Mark III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV. Further information on the features and operation of the 1D Mark III and R5 can be found, respectively, in the Canon 1D Mark III Manual (free pdf) or the online Canon R5 Manual.
So what is the bottom line? Which of the two cameras – the Canon 1D Mark III or the Canon R5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark III:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 320) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Canon EOS R5:
- More detail: Has more megapixels (44.8 vs 10.1MP), which boosts linear resolution by 111%.
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC III).
- Broader imaging potential: Can capture not only stills but also 8K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 417g or 36 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 13 years and 4 months of technical progress since the 1D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the R5 is the clear winner of the contest (29 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Canon R5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark III or the R5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499||ebay.com|
|2.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|3.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|4.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|5.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999||ebay.com|
|6.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|7.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999||ebay.com|
|8.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999||ebay.com|
|9.||Canon 1D Mark II||..||..||..||+ +||..||..||Jan 2004||4,499||ebay.com|
|10.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999||ebay.com|
|11.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|12.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999||ebay.com|
|13.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699||ebay.com|
|14.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|17.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark III vs Fujifilm X-T2
- Canon 1D Mark III vs Kodak S-1
- Canon 1D Mark III vs Leica SL
- Canon 1D Mark III vs Leica T
- Canon 1D Mark III vs Sony A6500
- Canon 1D Mark III vs Sony HX95
- Canon 600D vs Canon R5
- Canon R5 vs Nikon 1 J4
- Canon R5 vs Nikon D5000
- Canon R5 vs Pentax K-1
- Canon R5 vs Pentax K-S1
- Canon R5 vs Sony RX1R II
Specifications: Canon 1D Mark III vs Canon R5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Canon R5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Canon RF mount lenses|
|Launch Date||February 2007||July 2020|
|Launch Price||USD 4,499||USD 3,899|
|Sensor Specs||Canon 1D Mark III||Canon R5|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.1 x 18.7 mm||36.0 x 24.0 mm|
|Sensor Area||525.47 mm2||864 mm2|
|Sensor Diagonal||33.8 mm||43.3 mm|
|Sensor Resolution||10.1 Megapixels||44.8 Megapixels|
|Image Resolution||3888 x 2592 pixels||8192 x 5464 pixels|
|Pixel Pitch||7.21 μm||4.39 μm|
|Pixel Density||1.92 MP/cm2||5.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||8K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 6,400 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC III||DIGIC X|
|DXO Sensor Quality (score)||71||95|
|DXO Color Depth (bits)||22.7||25.3|
|DXO Dynamic Range (EV)||11.7||14.6|
|DXO Low Light (ISO)||1078||3042|
|Screen Specs||Canon 1D Mark III||Canon R5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||2100k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark III||Canon R5|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||300 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||CFexB or SDXC cards|
|Single or Dual Card Slots||Dual card slots||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon 1D Mark III||Canon R5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark III||Canon R5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2200 shots per charge||320 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
|Camera Weight||1155 g (40.7 oz)||738 g (26.0 oz)|
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