Canon 100D vs 7D Mark II
The Canon EOS 100D (called Canon SL1 in some regions) and the Canon EOS 7D Mark II are two digital cameras that were officially introduced, respectively, in March 2013 and September 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The 100D has a resolution of 17.9 megapixels, whereas the 7D Mark II provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 100D||Canon 7D II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Canon EF mount lenses|
|17.9 MP, APS-C Sensor||20 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12800 (100-25600)||ISO 100-16000 (100-51200)|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|4.9 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|380 shots per battery charge||670 shots per battery charge|
|117 x 91 x 69 mm, 407 g||149 x 112 x 78 mm, 910 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 100D and the Canon EOS 7D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 100D and the Canon 7D II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The 100D can be obtained in two different colors (black, white), while the 7D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 7D II is considerably larger (57 percent) than the Canon 100D. Moreover, the 7D Mark II is substantially heavier (124 percent) than the 100D. It is noteworthy in this context that the 7D Mark II is splash and dust-proof, while the 100D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 100D»||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Canon 7D II«||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon 200D|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon 600D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 100D was launched at a markedly lower price (by 69 percent) than the 7D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 7D Mark II is 1 percent bigger. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 20MP, the 7D Mark II offers a higher resolution than the 100D (17.9MP), but the 7D Mark II has smaller individual pixels (pixel pitch of 4.10μm versus 4.31μm for the 100D). Yet, the 7D Mark II is a somewhat more recent model (by 1 year and 5 months) than the 100D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon 100D are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Canon EOS 7D Mark II are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 7D Mark II has a markedly higher DXO score than the 100D (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.6 bits higher color depth, 0.5 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 100D»||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Canon 7D II«||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon M« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon 600D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 7D Mark II provides a faster frame rate than the 100D. It can shoot movie footage at 1080/60p, while the 100D is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 100D and the 7D Mark II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 7D Mark II offers a wider field of view (100%) than the one in the 100D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 7D Mark II has a higher magnification (0.63x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 100D and Canon 7D II in connection with corresponding information for a sample of similar cameras.
|Canon 100D»||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Canon 7D II«||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon M« »||-||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Canon 600D« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon 600D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 100D has a touchscreen, while the 7D Mark II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 100D writes its imaging data to SDXC cards, while the 7D Mark II uses Compact Flash or SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 100D only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Canon EOS 7D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 100D»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Canon 7D II«||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon M« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon 600D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
It is notable that the 7D Mark II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 100D lacks such a headphone port.
Studio photographers will appreciate that the Canon 7D II (unlike the 100D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 7D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the 100D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Which of the two cameras – the Canon 100D or the Canon 7D II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 100D:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (117x91mm vs 149x112mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 503g or 55 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in March 2013).
Advantages of the Canon EOS 7D Mark II:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (1 year and 5 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 7D Mark II is the clear winner of the contest (18 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 100D and the Canon 7D II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 100D or the 7D Mark II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 100D»||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Canon 7D II«||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 4000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 200D« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon 650D« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon M« »||+||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Canon 600D« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon 600D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 100D vs Hasselblad X1D II
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- Canon 100D vs Panasonic GF1
- Canon 100D vs Sony A77
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- Canon 7D II vs Sigma fp
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Specifications: Canon 100D vs Canon 7D II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 100D||Canon 7D II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||March 2013||September 2014|
|Launch Price||USD 549||USD 1799|
|Sensor Specs||Canon 100D||Canon 7D II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||22.4 x 15.0 mm|
|Sensor Area||332.27 mm2||336 mm2|
|Sensor Diagonal||26.8 mm||27 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||4.10 μm|
|Pixel Density||5.39 MP/cm2||5.94 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||100-16000 ISO|
|ISO Boost||100-25600 ISO||100-51200 ISO|
|Image Processor||DIGIC 5||DIGIC 6 (Dual)|
|DXO Sensor Quality (score)||63||70|
|DXO Color Depth (bits)||21.8||22.4|
|DXO Dynamic Range (EV)||11.3||11.8|
|DXO Low Light (ISO)||843||1082|
|Screen Specs||Canon 100D||Canon 7D II|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 100D||Canon 7D II|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||4.9 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 100D||Canon 7D II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon 100D||Canon 7D II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||670 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
|Camera Weight||407 g (14.4 oz)||910 g (32.1 oz)|
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