Canon 1000D vs Sony NEX-F3
The Canon EOS 1000D (called Canon XS in some regions) and the Sony Alpha NEX-F3 are two digital cameras that were revealed to the public, respectively, in June 2008 and May 2012. The 1000D is a DSLR, while the NEX-F3 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 10.1 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1000D and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1000D and the Sony NEX-F3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the 1000D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is considerably smaller (37 percent) than the Canon 1000D. Moreover, the NEX-F3 is substantially lighter (37 percent) than the 1000D. In this context, it is worth noting that neither the 1000D nor the NEX-F3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1000D) and the Sony E-Mount Lens Catalog (NEX-F3). Mirrorless cameras, such as the NEX-F3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 1000D||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|2.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|3.||Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|4.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|5.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|6.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|7.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399|
|8.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|9.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399|
|10.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|12.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|13.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 1000D was launched at a somewhat lower price (by 25 percent) than the NEX-F3, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-F3 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (1000D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the NEX-F3 offers a higher resolution than the 1000D (10.1MP), but the NEX-F3 has smaller individual pixels (pixel pitch of 4.78μm versus 5.71μm for the 1000D). Yet, the NEX-F3 is a much more recent model (by 3 years and 11 months) than the 1000D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-F3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-F3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon 1000D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 1000D has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-1600. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|12.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The NEX-F3 indeed provides for movie recording, while the 1000D does not. The highest resolution format that the NEX-F3 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1000D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-F3 relies on live view and the rear LCD for framing. That said, the NEX-F3 can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Canon 1000D and Sony NEX-F3 in connection with corresponding information for a sample of similar cameras.
The 1000D writes its imaging data to SDHC cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1000D and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
Both the 1000D and the NEX-F3 have been discontinued, but can regularly be found used on eBay. The 1000D was replaced by the Canon 1100D, while the NEX-F3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 1000D and the Sony NEX-F3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 1000D:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2008).
Reasons to prefer the Sony Alpha NEX-F3:
- More detail: Has more megapixels (16 vs 10.1MP), which boosts linear resolution by 26%.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 126x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 188g or 37 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 3 years and 11 months of technical progress since the 1000D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-F3 is the clear winner of the contest (11 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1000D and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1000D and the NEX-F3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1000D||..||82/100||+ +||3.5/5||4.5/5||Jun 2008||449|
|2.||Sony NEX-F3||4/5||..||74/100||4.5/5||4.5/5||May 2012||599|
|3.||Canon 1300D||4/5||o||73/100||4/5||4/5||Mar 2016||449|
|4.||Canon 1200D||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|5.||Canon SX50||3/5||+ +||72/100||4.5/5||4.5/5||Sep 2012||429|
|6.||Canon 1100D||..||80/100||69/100||4/5||4.5/5||Feb 2011||449|
|7.||Canon SX20||..||+ +||73/100||..||4/5||Aug 2009||399|
|8.||Canon 500D||..||+ +||74/100||4.5/5||4.5/5||Mar 2009||799|
|9.||Canon SX10||..||+ +||..||..||4/5||Sep 2008||399|
|10.||Canon 450D||..||+ +||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Canon 40D||..||+ +||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|12.||Olympus E-450||..||..||..||4/5||4/5||Mar 2009||499|
|13.||Sony A5100||4.5/5||+||..||4.5/5||5/5||Aug 2014||549|
|14.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5N||3/5||+ +||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 1000D vs Sony NEX-F3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1000D||Sony NEX-F3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2008||May 2012|
|Launch Price||USD 449||USD 599|
|Sensor Specs||Canon 1000D||Sony NEX-F3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.2 x 14.8 mm||23.4 x 15.6 mm|
|Sensor Area||328.56 mm2||365.04 mm2|
|Sensor Diagonal||26.7 mm||28.1 mm|
|Sensor Resolution||10.1 Megapixels||16 Megapixels|
|Image Resolution||3888 x 2592 pixels||4912 x 3264 pixels|
|Pixel Pitch||5.71 μm||4.78 μm|
|Pixel Density||3.07 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 800 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 1,600 ISO||no Enhancement|
|Image Processor||DIGIC 3||BIONZ|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||22.7|
|DXO Dynamic Range (EV)||..||12.3|
|DXO Low Light (ISO)||..||1114|
|Screen Specs||Canon 1000D||Sony NEX-F3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1000D||Sony NEX-F3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1000D||Sony NEX-F3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1000D||Sony NEX-F3|
|Battery Life (CIPA)||500 shots per charge||470 shots per charge|
126 x 98 x 65 mm
(5.0 x 3.9 x 2.6 in)
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
|Camera Weight||502 g (17.7 oz)||314 g (11.1 oz)|
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