Sony A7R vs A7R II
The Sony Alpha A7R and the Sony Alpha A7R II are two enthusiast cameras that were revealed to the public, respectively, in October 2013 and June 2015. Both the A7R and the A7R II are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The A7R has a resolution of 36.2 megapixels, whereas the A7R II provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7R and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A7R and the Sony A7R II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is somewhat larger (2 percent) than the Sony A7R. Moreover, the A7R II is markedly heavier (34 percent) than the A7R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Sony FE Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|2.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|3.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|4.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|5.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|6.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|7.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|8.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|9.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|10.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|11.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|12.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|13.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|14.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7R was launched at a markedly lower price (by 28 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the A7R II offers a higher resolution of 42.2 megapixels, compared with 36.2 MP of the A7R. This megapixels advantage translates into a 8 percent gain in linear resolution. On the other hand, these sensor specs imply that the A7R II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 4.88μm for the A7R). However, it should be noted that the A7R II is a somewhat more recent model (by 1 year and 7 months) than the A7R, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A7R are 36.8 x 24.6 inches or 93.5 x 62.4 cm for good quality, 29.4 x 19.6 inches or 74.8 x 49.9 cm for very good quality, and 24.5 x 16.4 inches or 62.3 x 41.6 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7R has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|2.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|3.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|4.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|5.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|6.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|7.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|9.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|10.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|11.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|12.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|13.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|14.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R II provides a better video resolution than the A7R. It can shoot movie footage at 4K/30p, while the A7R is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The A7R and the A7R II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2400k dots. The table below summarizes some of the other core capabilities of the Sony A7R and Sony A7R II in connection with corresponding information for a sample of similar cameras.
|1.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|2.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|3.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|4.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|5.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|6.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|7.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||n||Y|
|8.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|9.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|10.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|11.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|12.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|13.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|14.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One feature that differentiates the A7R II and the A7R is in-body image stabilization (IBIS). The A7R II reduces the risk of handshake-induced blur with all attached lenses, while the A7R offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A7R and the A7R II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7R and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|2.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|4.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|5.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|7.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|8.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|9.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|10.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|11.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|12.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Both the A7R and the A7R II have been discontinued, but can regularly be found used on eBay. The A7R was replaced by the Sony A7R II, while the A7R II was followed by the Sony Alpha A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Is there a clear favorite between the Sony A7R and the Sony A7R II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A7R:
- Less heavy: Is lighter (by 160g or 26 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (340 versus 290) on a single battery charge.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2013).
Reasons to prefer the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 36.2MP), which boosts linear resolution by 8%.
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R II is the clear winner of the contest (9 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7R and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the A7R and the A7R II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|2.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|3.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|4.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|5.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|6.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|7.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|8.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|9.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|10.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|11.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|12.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|13.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|14.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony A7R vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7R||Sony A7R II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||October 2013||June 2015|
|Launch Price||USD 2,299||USD 3,199|
|Sensor Specs||Sony A7R||Sony A7R II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||861.6 mm2||861.6 mm2|
|Sensor Diagonal||43.2 mm||43.2 mm|
|Sensor Resolution||36.2 Megapixels||42.2 Megapixels|
|Image Resolution||7360 x 4912 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.88 μm||4.52 μm|
|Pixel Density||4.20 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||95||98|
|DXO Color Depth (bits)||25.6||26.0|
|DXO Dynamic Range (EV)||14.1||13.9|
|DXO Low Light (ISO)||2746||3434|
|Screen Specs||Sony A7R||Sony A7R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1230k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A7R||Sony A7R II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||250 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A7R||Sony A7R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A7R||Sony A7R II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||USB charging|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||465 g (16.4 oz)||625 g (22.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.