Pentax K-3 vs Sony RX10
The Pentax K-3 and the Sony Cyber-shot DSC-RX10 are two enthusiast cameras that were officially introduced in October 2013. The K-3 is a DSLR, while the RX10 is a fixed lens compact. The cameras are based on an APS-C (K-3) and an one-inch (RX10) sensor. The Pentax has a resolution of 24.1 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-3 and the Sony Cyber-shot DSC-RX10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Pentax K-3 and the Sony RX10. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The K-3 can be obtained in two different colors (black, silver), while the RX10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 is notably smaller (13 percent) than the Pentax K-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 has a lens built in, whereas the K-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the K-3 gets 560 shots out of its D-LI90 battery, while the RX10 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|2.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|5.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|6.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|7.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|8.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|9.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749|
|10.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|11.||Pentax K-S1||121 mm||93 mm||70 mm||558 g||410||n||Aug 2014||749|
|12.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|13.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|14.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|15.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Pentax K-3 features an APS-C sensor and the Sony RX10 an one-inch sensor. The sensor area in the RX10 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the K-3 offers a higher resolution than the RX10 (20MP), but the K-3 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 2.41μm for the RX10) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Sony RX10 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Pentax K-3 has a native sensitivity range from ISO 100 to ISO 51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the K-3 provides substantially higher image quality than the RX10, with an overall score that is 11 points higher. This advantage is based on 0.8 bits higher color depth, 0.8 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|10.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|13.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|15.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX10 provides a faster frame rate than the K-3. It can shoot movie footage at 1080/60p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX10 has an electronic viewfinder (1440k dots), while the K-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the RX10 has a higher magnification than the one of the K-3 (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Pentax K-3 and Sony RX10 in connection with corresponding information for a sample of similar cameras.
|1.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|2.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|5.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|6.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|7.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|8.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0||Y||Y|
|9.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4||Y||Y|
|10.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|11.||Pentax K-S1||optical||n||3.0 / 921||fixed||n||1/6000s||5.4||Y||Y|
|12.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|13.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|14.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|15.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
The Pentax K-3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The K-3 writes its imaging data to SDXC cards, while the RX10 uses SDXC or Memory Stick PRO Duo cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX10 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-3 and Sony Cyber-shot DSC-RX10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|2.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|6.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|7.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|8.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|11.||Pentax K-S1||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|12.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
|13.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the RX10 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the K-3 does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-3 (unlike the RX10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the K-3 and the RX10 have been discontinued, but can regularly be found used on eBay. The K-3 was replaced by the Pentax K-3 II, while the RX10 was followed by the Sony RX10 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Pentax and Sony websites.
So how do things add up? Is the Pentax K-3 better than the Sony RX10 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Pentax K-3:
- More detail: Offers more megapixels (24.1 vs 20MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (560 versus 420) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
Reasons to prefer the Sony Cyber-shot DSC-RX10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1037k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the K-3 requires a separate lens.
- More compact: Is smaller (129x88mm vs 131x100mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
If the count of relative strengths (bullet points above) is taken as a measure, the K-3 emerges as the winner of the contest (14 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Pentax K-3 and the Sony RX10 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the K-3 or the RX10. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|2.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|5.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|6.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|7.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|8.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|9.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749|
|10.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|11.||Pentax K-S1||4/5||..||..||..||4.5/5||4/5||Aug 2014||749|
|12.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|13.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|14.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|15.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Fujifilm X-H1 vs Pentax K-3
- Hasselblad X1D II vs Sony RX10
- Leica SL vs Sony RX10
- Nikon 1 V3 vs Pentax K-3
- Nikon D5000 vs Pentax K-3
- Nikon D5100 vs Sony RX10
- Nikon D5200 vs Sony RX10
- Olympus E-M5 III vs Pentax K-3
- Panasonic GF6 vs Pentax K-3
- Pentax K-3 vs Sony A5100
- Sony NEX-5R vs Sony RX10
- Sony RX10 vs Sony RX10 II
Specifications: Pentax K-3 vs Sony RX10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Pentax K-3||Sony RX10|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Pentax K mount lenses||24-200mm f/2.8|
|Launch Date||October 2013||October 2013|
|Launch Price||USD 1,299||USD 1,299|
|Sensor Specs||Pentax K-3||Sony RX10|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24.1 Megapixels||20 Megapixels|
|Image Resolution||6016 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.90 μm||2.41 μm|
|Pixel Density||6.56 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100 - 51,200 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||PRIME III||BIONZ X|
|DXO Sensor Quality (score)||80||69|
|DXO Color Depth (bits)||23.7||22.9|
|DXO Dynamic Range (EV)||13.4||12.6|
|DXO Low Light (ISO)||1216||474|
|Screen Specs||Pentax K-3||Sony RX10|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Pentax K-3||Sony RX10|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/3200s|
|Continuous Shooting||8.3 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Pentax K-3||Sony RX10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Pentax K-3||Sony RX10|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||560 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||800 g (28.2 oz)||813 g (28.7 oz)|
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