Panasonic S1 vs Sony A7R
The Panasonic Lumix DC-S1 and the Sony Alpha A7R are two enthusiast cameras that were officially introduced, respectively, in February 2019 and October 2013. Both the S1 and the A7R are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic S1||Sony A7R|
|Mirrorless system camera||Mirrorless system camera|
|Leica L mount lenses||Sony E mount lenses|
|24 MP, Full Frame Sensor||36.2 MP, Full Frame Sensor|
|4K/60p Video||1080/60p Video|
|ISO 100-51200 (50-204800)||ISO 100-25600 (50-51200)|
|Electronic viewfinder (5760k dots)||Electronic viewfinder (2400k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 1230k dots|
|Fully flexible touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||4 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||340 shots per battery charge|
|149 x 110 x 97 mm, 1017 g||127 x 94 x 48 mm, 465 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic S1 and the Sony A7R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (27 percent) than the Panasonic S1. Moreover, the A7R is substantially lighter (54 percent) than the S1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the S1 gets 400 shots out of its DMW-BLJ31 battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic S1»||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Sony A7R«||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic S1H« »||5.9 in||4.5 in||4.3 in||37.1 oz||400||Y||May 2019||3,999||Panasonic S1H|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7R was somewhat cheaper (by 8 percent) than the S1 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7R is 2 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the A7R offers a higher resolution than the S1 (24MP), but the A7R has smaller individual pixels (pixel pitch of 4.88μm versus 5.94μm for the S1). Yet, the S1 is a much more recent model (by 5 years and 3 months) than the A7R, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inch or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inch or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inch or 62.3 x 41.6 cm. The corresponding values for the Panasonic S1 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
Unlike the A7R, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-S1 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic S1»||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Sony A7R«||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a higher video resolution than the A7R. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the A7R (5760k vs 2400k dots). The table below summarizes some of the other core capabilities of the Panasonic S1 and Sony A7R in connection with corresponding information for a sample of similar cameras.
|Panasonic S1»||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Sony A7R«||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One feature that is present on the S1, but is missing on the A7R is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The S1 writes its imaging data to SDHC or XQD cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7R only has one slot. The S1 supports UHS-II cards (on both slots), while the A7R can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic S1»||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Sony A7R«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
Studio photographers will appreciate that the Panasonic S1 (unlike the A7R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R was succeeded by the Sony A7R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic S1 or the Sony A7R – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-S1:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2400k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Can take more shots (400 versus 340) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 3 months of technical progress since the A7R launch.
Advantages of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
- More compact: Is smaller (127x94mm vs 149x110mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 552g or 54 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the S1 is the clear winner of the match-up (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic S1 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S1 or the A7R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic S1»||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Sony A7R«||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 80D vs Panasonic S1
- Canon SX410 vs Panasonic S1
- Canon SX620 vs Panasonic S1
- Canon T5 vs Sony A7R II
- Fujifilm X-T2 vs Sony A7R
- Leica T vs Panasonic S1
- Olympus E-30 vs Sony A7R IV
- Olympus E-PL9 vs Sony A7R IV
- Panasonic FZ300 vs Panasonic S1
- Panasonic LF1 vs Sony A7R II
- Panasonic LX10 vs Sony A7R IV
- Sony A7R IV vs Sony RX100 V
Specifications: Panasonic S1 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic S1||Sony A7R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses||Sony E mount lenses|
|Launch Date||February 2019||October 2013|
|Launch Price||USD 2499||USD 2299|
|Sensor Specs||Panasonic S1||Sony A7R|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.6 x 23.8 mm||35.9 x 24.0 mm|
|Sensor Area||847.28 mm2||861.6 mm2|
|Sensor Diagonal||42.8 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||36.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7360 x 4912 pixels|
|Pixel Pitch||5.94 μm||4.88 μm|
|Pixel Density||2.83 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||50-204800 ISO||50-51200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||95||95|
|DXO Color Depth (bits)||25.2||25.6|
|DXO Dynamic Range (EV)||14.5||14.1|
|DXO Low Light (ISO)||3333||2746|
|Screen Specs||Panasonic S1||Sony A7R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||1230k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic S1||Sony A7R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||9 shutter flaps/s||4 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||250 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic S1||Sony A7R|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic S1||Sony A7R|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||USB charging|
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||1017 g (35.9 oz)||465 g (16.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.