Panasonic LX7 vs Sony H300

The Panasonic Lumix DMC-LX7 and the Sony Cyber-shot DSC-H300 are two digital cameras that were revealed to the public, respectively, in July 2012 and February 2014. Both the LX7 and the H300 are fixed lens compact cameras that are based on a 1/1.7-inch (LX7) and a 1/2.3-inch (H300) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 19.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX7		Sony H300
Fixed lens compact camera		Fixed lens compact camera
24-90mm f/1.4-2.3		25-875mm f/3.4-6.5
10 MP – 1/1.7" sensor		19.9 MP – 1/2.3" sensor
1080/60p Video		720/30p Video
ISO 80-6,400 (80 - 12,800)		ISO 80-3,200
Viewfinder optional		No viewfinder, LCD framing
3.0" LCD – 920k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
11 shutter flaps per second		0.8 shutter flaps per second
330 shots per battery charge		350 shots per battery charge
111 x 68 x 46 mm, 298 g		128 x 89 x 92 mm, 590 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic LX7 and the Sony H300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the H300 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is considerably larger (51 percent) than the Panasonic LX7. Moreover, the H300 is substantially heavier (98 percent) than the LX7. In this context, it is worth noting that neither the LX7 nor the H300 are weather-sealed.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
2.		Sony H300	128 mm	89 mm	92 mm	590 g	350	n	Feb 2014	US$ 219	ebay.com
3.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	US$ 499	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	US$ 549	ebay.com
5.		Canon SX610	105 mm	61 mm	27 mm	191 g	270	n	Jan 2015	US$ 249	ebay.com
6.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	US$ 599	ebay.com
7.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	US$ 599	ebay.com
8.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
12.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	US$ 499	ebay.com
13.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
14.		Sony H200	123 mm	83 mm	87 mm	530 g	240	n	Jan 2013	US$ 249	ebay.com
15.		Sony H400	130 mm	95 mm	122 mm	628 g	300	n	Feb 2014	US$ 319	ebay.com
16.		Sony HX90V	102 mm	58 mm	36 mm	245 g	360	n	Apr 2015	US$ 429	ebay.com
17.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H300 was launched at a markedly lower price (by 56 percent) than the LX7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the H300 offers a higher resolution of 19.9 megapixels, compared with 10 MP of the LX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.19μm versus 2.05μm for the LX7). However, it should be noted that the H300 is a somewhat more recent model (by 1 year and 6 months) than the LX7, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the H300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony H300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H300 for good quality output (200 dots per inch) amounts to 25.8 x 19.3 inches or 65.4 x 49.1 cm, for very good quality (250 dpi) 20.6 x 15.5 inches or 52.3 x 39.3 cm, and for excellent quality (300 dpi) 17.2 x 12.9 inches or 43.6 x 32.7 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).

In terms of underlying technology, the LX7 is build around a CMOS sensor, while the H300 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
2.		Sony H300	1/2.3	19.9	5152	3864	720/30p	20.1	11.4	630	45
3.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Canon SX610	1/2.3	20.2	5184	3888	1080/30p	20.2	11.6	712	47
6.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
7.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
8.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
9.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
13.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
14.		Sony H200	1/2.3	15.2	5184	2930	720/30p	19.9	11.2	529	44
15.		Sony H400	1/2.3	19.9	5152	3864	720/30p	20.1	11.4	630	45
16.		Sony HX90V	1/2.3	18.0	4896	3672	1080/60p	20.2	11.6	738	47
17.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX7 provides a higher video resolution than the H300. It can shoot video footage at 1080/60p, while the Sony is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The LX7 and the H300 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Panasonic LX7 and Sony H300 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
2.		Sony H300	none	n	3.0 / 460	fixed	n	1/1500s	0.8/s	Y	Y
3.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Canon SX610	none	n	3.0 / 922	fixed	n	1/2000s	2.5/s	Y	Y
6.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
7.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
8.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
9.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
10.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
11.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
12.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
13.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
14.		Sony H200	none	n	3.0 / 460	fixed	n	1/1500s	0.8/s	Y	Y
15.		Sony H400	210	n	3.0 / 460	fixed	n	1/2000s	0.7/s	Y	Y
16.		Sony HX90V	638	n	3.0 / 921	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the LX7 and the H300 have zoom lenses built in. The LX7 has a 24-90mm f/1.4-2.3 optic and the H300 offers a 25-875mm f/3.4-6.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Sony, but less tele-photo reach at the long end. The LX7 offers the faster maximum aperture.

The LX7 writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony H300	-	mono / mono	-	-	micro	2.0	Y	-	-
3.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Canon SX610	-	- / -	-	-	micro	2.0	Y	Y	-
6.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
8.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
14.		Sony H200	-	mono / mono	-	-	-	2.0	-	-	-
15.		Sony H400	-	mono / mono	-	-	micro	2.0	Y	-	-
16.		Sony HX90V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the LX7 has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the LX7 and the H300 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the H300 does not have a direct successor. Further information on the features and operation of the LX7 and H300 can be found, respectively, in the Panasonic LX7 Manual (free pdf) or the online Sony H300 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Panasonic LX7 and the Sony H300? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-LX7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
• Faster burst: Shoots at higher frequency (11 vs 0.8 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.4).
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• More compact: Is smaller (111x68mm vs 128x89mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 292g or 49 percent) and hence easier to carry around.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been on the market for longer (launched in July 2012).

Reasons to prefer the Sony Cyber-shot DSC-H300:

• More detail: Has more megapixels (19.9 vs 10MP), which boosts linear resolution by 41%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
• More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the LX7 is the clear winner of the match-up (18 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX7 and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX7 and the H300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
2.		Sony H300	..	+	..	..	4.5/5	4/5	Feb 2014	US$ 219	ebay.com
3.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	US$ 499	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
5.		Canon SX610	..	..	..	..	4/5	4/5	Jan 2015	US$ 249	ebay.com
6.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
7.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	US$ 599	ebay.com
8.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
12.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	US$ 499	ebay.com
13.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
14.		Sony H200	..	..	..	..	3.5/5	3.5/5	Jan 2013	US$ 249	ebay.com
15.		Sony H400	..	o	..	..	3.5/5	3.5/5	Feb 2014	US$ 319	ebay.com
16.		Sony HX90V	4/5	+ +	..	..	4/5	4.5/5	Apr 2015	US$ 429	ebay.com
17.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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