Panasonic LX15 vs Sony RX10 IV
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Sony Cyber-shot DSC-RX10 IV are two digital cameras that were announced, respectively, in September 2016 and September 2017. Both the LX15 and the RX10 IV are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic LX15||Sony RX10 IV|
|Fixed lens compact camera||Fixed lens compact camera|
|24-72mm f/1.4-2.8||24-600mm f/2.4-4.0|
|20 MP, 1" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 100-12800 (64-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1440k dots|
|Tilting touchscreen||Tilting touchscreen|
|10 shutter flaps per second||24 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Not weather sealed||Weathersealed body|
|260 shots per battery charge||400 shots per battery charge|
|106 x 60 x 42 mm, 310 g||133 x 94 x 145 mm, 1095 g|
Body comparison: Panasonic LX15 vs Sony RX10 IV
The physical size and weight of the Panasonic LX15 and the Sony RX10 IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the LX15 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 IV is considerably larger (97 percent) than the Panasonic LX15. Moreover, the RX10 IV is substantially heavier (253 percent) than the LX15. It is noteworthy in this context that the RX10 IV is splash and dust-proof, while the LX15 does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic LX15»||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Sony RX10 IV«||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699||Sony RX10 IV|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic FZ2000« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2000|
|Panasonic GX80« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic TZ100|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX15 was launched at a markedly lower price (by 59 percent) than the RX10 IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic LX15 vs Sony RX10 IV
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between different aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the LX15 and the RX10 IV have the same pixel density, as well as the same pixel size. It should, however, be noted that the RX10 IV is a somewhat more recent model (by 11 months) than the LX15, and its sensor might have benefitted from technological advances during this time.
The RX10 IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 IV are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600..
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic LX15»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX15|
|Sony RX10 IV«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX10 IV|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X70|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ2000« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2000|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic LX15 vs Sony RX10 IV
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX10 IV has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Sony RX10 IV in connection with corresponding information for a sample of similar cameras.
|Panasonic LX15»||-||n||3.0||1040||tilting||Y||4000||10.0||Y||Y||Panasonic LX15|
|Sony RX10 IV«||2359||Y||3.0||1440||tilting||Y||2000||24.0||Y||Y||Sony RX10 IV|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y||Canon G5 X|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||4000||8.0||Y||n||Fujifilm X70|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n||Fujifilm X-Pro2|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Panasonic TZ200|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ2000« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2000|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Panasonic GX80|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y||Panasonic TZ100|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y||Panasonic LX7|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y||Sony RX10 III|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y||Sony RX10 II|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||3200||10.0||Y||Y||Sony RX10|
One feature that is present on the RX10 IV, but is missing on the LX15 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX10 IV does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the LX15 and the RX10 IV have zoom lenses built in. The LX15 has a 24-72mm f/1.4-2.8 optic and the RX10 IV offers a 24-600mm f/2.4-4.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
The LX15 writes its imaging data to SDXC cards, while the RX10 IV uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Panasonic LX15 vs Sony RX10 IV
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Sony Cyber-shot DSC-RX10 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX15»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Sony RX10 IV«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 IV|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Fujifilm X70« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ200|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ2000« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2000|
|Panasonic GX80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic TZ100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
It is notable that the RX10 IV has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX15 does not feature such a mic input.
Both the LX15 and the RX10 IV are recent models that feature in their makers' current product line-up. The LX15 replaced the earlier Panasonic LX7, while the RX10 IV followed on from the Sony RX10 III.
Review summary: Panasonic LX15 vs Sony RX10 IV
So what is the bottom line? Which of the two cameras – the Panasonic LX15 or the Sony RX10 IV – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.4).
- More compact: Is smaller (106x60mm vs 133x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 785g or 72 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Advantages of the Sony Cyber-shot DSC-RX10 IV:
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (400 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 IV is the clear winner of the contest (13 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the LX15 or the RX10 IV handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic LX15 vs Sony RX10 IV
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Panasonic LX15»||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX15|
|Sony RX10 IV«||Rec||84/100||4.5/5||-||5/5||Sep 2017||1,699||Sony RX10 IV|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Panasonic TZ200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic TZ90|
|Panasonic FZ2000« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2000|
|Panasonic GX80« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Panasonic TZ100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic TZ100|
|Panasonic LX7« »||HiRec||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX10« »||Rec||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Specifications: Panasonic LX15 vs Sony RX10 IV
|Camera Model||Panasonic LX15||Sony RX10 IV|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/1.4-2.8||24-600mm f/2.4-4.0|
|Launch Date||September 2016||September 2017|
|Launch Price||USD 699||USD 1699|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||100-12800 ISO|
|ISO Boost||80-25600 ISO||64-25600 ISO|
|Image Processor||Venus||BIONZ X|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Maximum Shutter Speed||1/4000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||24 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLH7 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||260 shots per charge||400 shots per charge|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
133 x 94 x 145 mm
(5.2 x 3.7 x 5.7 in)
|Camera Weight||310 g (10.9 oz)||1095 g (38.6 oz)|
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