Panasonic LX15 vs Pentax K-3
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Pentax K-3 are two digital cameras that were announced, respectively, in September 2016 and October 2013. The LX15 is a fixed lens compact, while the K-3 is a DSLR. The cameras are based on an one-inch (LX15) and an APS-C (K-3) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX15 and the Pentax K-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX15 and the Pentax K-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 is considerably larger (106 percent) than the Panasonic LX15. It is noteworthy in this context that the K-3 is splash and dust-proof, while the LX15 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the K-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the LX15 gets 260 shots out of its DMW-BLH7 battery, while the K-3 can take 560 images on a single charge of its D-LI90 power pack. The power pack in the LX15 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|2.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|6.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|7.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|8.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|9.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|10.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|11.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|12.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|13.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|14.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|15.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|16.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|17.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX15 was launched at a lower price than the K-3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Pentax K-3 an APS-C sensor. The sensor area in the K-3 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24.1MP, the K-3 offers a higher resolution than the LX15 (20MP), but the K-3 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 2.41μm for the LX15) due to its larger sensor. However, the LX15 is a much more recent model (by 2 years and 11 months) than the K-3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax K-3 are ISO 100 to ISO 51200 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|10.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|14.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|15.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|17.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a higher video resolution than the K-3. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic LX15 and Pentax K-3 along with similar information for a selection of comparators.
|1.||Panasonic LX15||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|2.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|7.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|8.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|9.||Panasonic FZ2000||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|10.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|11.||Panasonic TZ100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|12.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|13.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|14.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|15.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|16.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|17.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX15 has a touchscreen, while the K-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 and the Pentax K-3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the LX15 and the K-3 write their files to SDXC cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX15 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Pentax K-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX15||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic FZ2000||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|10.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic TZ100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|14.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|15.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the LX15 offers wifi support, while the K-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-3 (unlike the LX15) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the K-3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-3 was succeeded by the Pentax K-3 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what conclusions can be drawn? Is the Panasonic LX15 better than the Pentax K-3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-LX15:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-3 requires a separate lens.
- More compact: Is smaller (106x60mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-3).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 11 months of technical progress since the K-3 launch.
Arguments in favor of the Pentax K-3:
- More detail: Has more megapixels (24.1 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (560 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the K-3 is the clear winner of the contest (20 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX15 and the Pentax K-3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the LX15 or the K-3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX15||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|2.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|6.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|7.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|8.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|9.||Panasonic FZ2000||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|10.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|11.||Panasonic TZ100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|12.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|13.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|14.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|15.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|16.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|17.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Fujifilm X-T10 vs Pentax K-3
- Nikon 1 J5 vs Pentax K-3
- Nikon D5300 vs Pentax K-3
- Nikon D5600 vs Panasonic LX15
- Nikon Df vs Pentax K-3
- Nikon W300 vs Panasonic LX15
- Panasonic FZ150 vs Pentax K-3
- Panasonic L10 vs Panasonic LX15
- Panasonic LX15 vs Panasonic TZ90
- Panasonic LX15 vs Sony NEX-3N
- Panasonic LX15 vs Sony NEX-5T
- Panasonic ZS100 vs Pentax K-3
Specifications: Panasonic LX15 vs Pentax K-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX15||Pentax K-3|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-72mm f/1.4-2.8||Pentax K mount lenses|
|Launch Date||September 2016||October 2013|
|Launch Price||USD 699||USD 1,299|
|Sensor Specs||Panasonic LX15||Pentax K-3|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||6016 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.90 μm|
|Pixel Density||17.18 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||PRIME III|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1216|
|Screen Specs||Panasonic LX15||Pentax K-3|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic LX15||Pentax K-3|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||8.3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic LX15||Pentax K-3|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic LX15||Pentax K-3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||260 shots per charge||560 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||310 g (10.9 oz)||800 g (28.2 oz)|
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