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Panasonic LX15 versus Canon G7 X Mark II

The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Canon PowerShot G7 X Mark II are two digital cameras that were officially introduced, respectively, in September 2016 and February 2016. Both the LX15 and the G7X Mark II are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic LX15 and the Canon G7 X Mark II. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the LX15 – represents 100 percent across all the size and weight measures).

Panasonic LX15 vs Canon G7 X Mark II front
LX15 versus G7X Mark II top view
LX15 and G7X Mark II rear side
Body view (LX15 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G7 X Mark II is somewhat larger (2 percent) than the Panasonic LX15. Moreover, the G7X Mark II is slightly heavier (3 percent) than the LX15. In this context, it is worth noting that neither the LX15 nor the G7X Mark II are weather-sealed.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic LX15 (⇒ rgt) 106 mm 60 mm 42 mm 310 g 260 no 2016 699 latest check
Canon G7 X Mark II (⇒ lft) 106 mm 61 mm 42 mm 319 g 265 no 2016 699 latest check
Canon G9 X Mark II (⇒ lft | rgt) 98 mm 58 mm 31 mm 206 g 235 no 2017 529 latest check
Canon M6 (⇒ lft | rgt) 112 mm 68 mm 45 mm 390 g 295 no 2017 779 latest check
Canon G9 X (⇒ lft | rgt) 98 mm 58 mm 31 mm 209 g 220 no 2015 529discont. check
Canon M3 (⇒ lft | rgt) 111 mm 68 mm 44 mm 366 g 250 no 2015 679discont. check
Canon G5 X (⇒ lft | rgt) 112 mm 76 mm 44 mm 353 g 210 no 2015 799 latest check
Canon G7 X (⇒ lft | rgt) 103 mm 60 mm 40 mm 304 g 210 no 2014 699discont. check
Fujifilm X100F (⇒ lft | rgt) 127 mm 75 mm 52 mm 469 g 390 no 2017 1,299 latest check
Fujifilm X70 (⇒ lft | rgt) 113 mm 64 mm 44 mm 340 g 330 no 2016 799 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic TZ100 (⇒ lft | rgt) 111 mm 65 mm 44 mm 312 g 300 no 2016 699 latest check
Panasonic FZ2000 (⇒ lft | rgt) 138 mm 102 mm 135 mm 915 g 350 no 2016 1,199 latest check
Panasonic GX80 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Panasonic LX15 and Canon G7 X Mark II sensor measures
Sensor size

The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the LX15 and the G7X Mark II have the same pixel density, as well as the same pixel size. It should, however, be noted that the LX15 is a somewhat more recent model (by 7 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time.

LX15 versus G7X Mark II MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic LX15 (⇒ rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Canon G7 X Mark II (⇒ lft) 1-inch 20.0 5472 3648 1080/60p - - - -
Canon G9 X Mark II (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 21.9 12.5 522 65
Canon M6 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Canon G9 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 21.5 12.3 495 63
Canon M3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/30p 22.8 11.8 1169 72
Canon G5 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p - - - -
Canon G7 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 23.0 12.7 556 71
Fujifilm X100F (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X70 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic TZ100 (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.5 559 70
Panasonic FZ2000 (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Panasonic GX80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX15 provides a higher video resolution than the G7X Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The LX15 and the G7X Mark II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Canon G7 X Mark II in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic LX15 (⇒ rgt) no no 3.0 1040 tilting YES 4000 10.0 12.1 YES
Canon G7 X Mark II (⇒ lft) no no 3.0 1040 tilting YES 2000 8.0 7 no
Canon G9 X Mark II (⇒ lft | rgt) no no 3.0 1040 fixed YES 2000 8.2 6 no
Canon M6 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 9.0 5 no
Canon G9 X (⇒ lft | rgt) no no 3.0 1040 fixed YES 2000 6.0 6 no
Canon M3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 4.2 5 no
Canon G5 X (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 2000 5.9 7 no
Canon G7 X (⇒ lft | rgt) no no 3.0 1040 tilting YES 2000 6.5 7 no
Fujifilm X100F (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 8.0 4.6 no
Fujifilm X70 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 8.0 7.9 no
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic TZ100 (⇒ lft | rgt) 1166 no 3.0 1040 fixed YES 2000 10.0 YES YES
Panasonic FZ2000 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 12.0 13.2 no
Panasonic GX80 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES

Both the LX15 and the G7X Mark II have zoom lenses build in. The LX15 has a 24-72mm f/1.4-2.8 optic and the G7X Mark II offers a 24-100mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Canon provide the same view at the wide-angle end, but the Canon has more tele-photo reach at the long end. The LX15 offers the faster maximum aperture.

Both the LX15 and the G7X Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G7X Mark II replaced the earlier Canon G7 X, while the LX15 followed on from the Panasonic LX7.

Summary

So what is the bottom line? Which of the two cameras – the Panasonic LX15 or the Canon G7 X Mark II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


Reasons to prefer the Panasonic Lumix DMC-LX15:

  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Faster shutter: Has a higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
  • Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/1.8).
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Is somewhat more recent (announced 7 months after the G7X Mark II).

Advantages of the Canon PowerShot G7 X Mark II:

  • More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
  • More heavily discounted: Has been on the market for longer (launched in September 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the LX15 is the clear winner of the match-up (6 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

LX15 06:02 G7X Mark II

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX15 or the G7X Mark II handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic LX15 (⇒ rgt) HiRec 81/100 Silver 4/5 4.5/5 4.5/5 2016 699 latest check
Canon G7 X Mark II (⇒ lft) HiRec 81/100 Silver 4.5/5 4/5 4.5/5 2016 699 latest check
Canon G9 X Mark II (⇒ lft | rgt) .. .. 4.5/5 4.5/5 4.5/5 2017 529 latest check
Canon M6 (⇒ lft | rgt) - 80/100 Silver 4/5 4.5/5 4/5 2017 779 latest check
Canon G9 X (⇒ lft | rgt) HiRec - 4.5/5 4/5 4.5/5 2015 529discont. check
Canon M3 (⇒ lft | rgt) reviewed 75/100 4.5/5 4.5/5 4/5 2015 679discont. check
Canon G5 X (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4/5 4.5/5 2015 799 latest check
Canon G7 X (⇒ lft | rgt) HiRec 77/100 Silver 4.5/5 3.5/5 4.5/5 2014 699discont. check
Fujifilm X100F (⇒ lft | rgt) Rec 83/100 Gold 4.5/5 .. 4.5/5 2017 1,299 latest check
Fujifilm X70 (⇒ lft | rgt) - 76/100 4.5/5 4/5 4.5/5 2016 799 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic TZ100 (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4/5 4.5/5 2016 699 latest check
Panasonic FZ2000 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic GX80 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check

The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to add information on that model to the database.

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