Panasonic LX10 versus Sony RX100
The Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) and the Sony Cyber-shot DSC-RX100 are two digital cameras that were revealed to the public, respectively, in September 2016 and June 2012. Both the LX10 and the RX100 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
The physical size and weight of the Panasonic LX10 and the Sony RX100 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the LX10 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 is somewhat smaller (7 percent) than the Panasonic LX10. Moreover, the RX100 is markedly lighter (23 percent) than the LX10. In this context, it is worth noting that neither the LX10 nor the RX100 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic LX10 (⇒ rgt)||106 mm||60 mm||42 mm||310 g||260||no||2016||699||latest||check|
|Sony RX100 (⇒ lft)||102 mm||58 mm||36 mm||240 g||330||no||2012||649||discont.||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon T5i (⇒ lft | rgt)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Panasonic FZ2500 (⇒ lft | rgt)||138 mm||102 mm||135 mm||915 g||350||no||2016||1,199||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Panasonic ZS100 (⇒ lft | rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||latest||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 was somewhat cheaper (by 7 percent) than the LX10 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the LX10 and the RX100 have the same pixel density, as well as the same pixel size. It should, however, be noted that the LX10 is much more recent (by 4 years and 3 months) than the RX100, and its sensor will have benefitted from technological advances during this time.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic LX10 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 (⇒ lft)||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Panasonic FZ2500 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic GX85 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic ZS100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX10 provides a higher video resolution than the RX100. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The LX10 and the RX100 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the Panasonic LX10 and Sony RX100 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic LX10 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Sony RX100 (⇒ lft)||no||no||3.0||1229||fixed||no||2000||10.0||YES||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Panasonic FZ2500 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||YES|
|Panasonic GX85 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Panasonic ZS100 (⇒ lft | rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the LX10 and the RX100 have zoom lenses build in. The LX10 has a 24-72mm f/1.4-2.8 optic and the RX100 offers a 28-100mm f/1.8-4.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Sony, but less tele-photo reach at the long end. The LX10 offers the faster maximum aperture.
The LX10 is a current model that online retailers, such as amazon, will have in stock. In contrast, the RX100 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 was succeeded by the Sony RX100 II.
So how do things add up? Is there a clear favorite between the Panasonic LX10 and the Panasonic LX10? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-LX10:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/1.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More modern: Reflects 4 years and 3 months of technical progress since the RX100 launch.
Arguments in favor of the Sony Cyber-shot DSC-RX100:
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 70g or 23 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (330 versus 260) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in June 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the LX10 emerges as the winner of the contest (8 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the LX10 or the RX100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic LX10 (⇒ rgt)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Sony RX100 (⇒ lft)||HiRec||78/100 Silver||4/5||5/5||5/5||2012||649||discont.||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Panasonic FZ2500 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Panasonic GX85 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Panasonic ZS100 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, please send me an email, and I will try to update the database with the necessary infos.
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