Panasonic LF1 vs Sony RX1R
The Panasonic Lumix DMC-LF1 and the Sony Cyber-shot DSC-RX1R are two digital cameras that were announced, respectively, in April 2013 and June 2013. Both the LF1 and the RX1R are fixed lens compact cameras that are based on a 1/1.7-inch (LF1) and a full frame (RX1R) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Sony Cyber-shot DSC-RX1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LF1 and the Sony RX1R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R is notably larger (15 percent) than the Panasonic LF1. Moreover, the RX1R is substantially heavier (151 percent) than the LF1. In this context, it is worth noting that neither the LF1 nor the RX1R are weather-sealed.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|2.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|5.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|6.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|7.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|8.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295|
|9.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|10.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|11.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|12.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|13.||Pentax MX-1||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499|
|14.||Sony RX1R II||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299|
|15.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|16.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a markedly lower price (by 82 percent) than the RX1R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Sony RX1R a full frame sensor. The sensor area in the RX1R is 1891 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.0. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the RX1R offers a 3:2 aspect.
With 24MP, the RX1R offers a higher resolution than the LF1 (12MP), but the RX1R nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 1.89μm for the LF1) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the RX1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the RX1R offers substantially better image quality than the LF1 (overall score 39 points higher). The advantage is based on 4.2 bits higher color depth, 2 EV in additional dynamic range, and 3.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|8.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|11.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|14.||Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|15.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX1R provides a faster frame rate than the LF1. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX1R relies on live view and the rear LCD for framing. That said, the RX1R can be equipped with an optional viewfinder – the FDA-EV1MK. The adjacent table lists some of the other core features of the Panasonic LF1 and Sony RX1R along with similar information for a selection of comparators.
|1.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|2.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|4.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|5.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|6.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|7.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0||Y||Y|
|8.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|9.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|10.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|11.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|12.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|13.||Pentax MX-1||none||n||3.0 / 920||tilting||n||1/8000s||1.0||Y||Y|
|14.||Sony RX1R II||2360||n||3.0 / 1229||tilting||n||1/4000s||5.0||n||n|
|15.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|16.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
The LF1 is equipped with a zoom lens, while the RX1R comes with a built-in prime. The LF1 has a 28-200mm f/2.0-5.9 optic and the RX1R offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Sony. Both cameras offer the same maximum aperture.
The LF1 writes its imaging data to SDXC cards, while the RX1R uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Sony Cyber-shot DSC-RX1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Pentax MX-1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Sony RX1R II||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the LF1 offers wifi support, while the RX1R does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX1R has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX1R was succeeded by the Sony RX1R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic LF1 and the Sony RX1R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-LF1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (103x62mm vs 113x65mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 290g or 60 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
Advantages of the Sony Cyber-shot DSC-RX1R:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (39 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3.6 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LF1 and the Sony RX1R place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the LF1 and the RX1R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|2.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|5.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|6.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|7.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|8.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295|
|9.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|10.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|11.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|12.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|13.||Pentax MX-1||3/5||..||..||74/100||4/5||4/5||Jan 2013||499|
|14.||Sony RX1R II||5/5||..||..||82/100||..||4.5/5||Oct 2015||3,299|
|15.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|16.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Panasonic LF1
- Canon 2000D vs Sony RX1R
- Canon 90D vs Panasonic LF1
- Canon G9 X vs Panasonic LF1
- Canon M100 vs Sony RX1R
- Canon Rebel vs Sony RX1R
- Leica Q Typ 116 vs Panasonic LF1
- Nikon 1 V2 vs Panasonic LF1
- Nikon D2X vs Sony RX1R
- Olympus E-520 vs Sony RX1R
- Panasonic LF1 vs Panasonic TZ100
- Sony RX1R vs Sony WX800
Specifications: Panasonic LF1 vs Sony RX1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LF1||Sony RX1R|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-200mm f/2.0-5.9||35mm f/2.0|
|Launch Date||April 2013||June 2013|
|Launch Price||USD 499||USD 2,799|
|Sensor Specs||Panasonic LF1||Sony RX1R|
|Sensor Format||1/1.7" Sensor||Full Frame Sensor|
|Sensor Size||7.6 x 5.7 mm||35.8 x 23.9 mm|
|Sensor Area||43.32 mm2||855.62 mm2|
|Sensor Diagonal||9.5 mm||43 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.89 μm||5.97 μm|
|Pixel Density||27.70 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||80 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 12,800 ISO||50 - 102,400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||52||91|
|DXO Color Depth (bits)||20.8||25.0|
|DXO Dynamic Range (EV)||11.6||13.6|
|DXO Low Light (ISO)||211||2537|
|Screen Specs||Panasonic LF1||Sony RX1R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Panasonic LF1||Sony RX1R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic LF1||Sony RX1R|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic LF1||Sony RX1R|
|Battery Life (CIPA)||250 shots per charge||270 shots per charge|
|In-Camera Charging||USB charging||USB charging|
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||192 g (6.8 oz)||482 g (17.0 oz)|
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