Panasonic L10 versus Sony RX100 V
The Panasonic Lumix DMC- L10 and the Sony Cyber-shot DSC-RX100 V are two digital cameras that were officially introduced, respectively, in August 2007 and October 2016. The L10 is a DSLR, while the RX100 V is a fixed lens compact. The cameras are based on a Four Thirds (L10) and an one-inch (RX100 V) sensor. The Panasonic has a resolution of 10 megapixel, whereas the Sony provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic L10 vs Sony RX100 V
The side-by-side display below illustrates the physical size and weight of the Panasonic L10 and the Sony RX100 V. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the L10 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 V is considerably smaller (54 percent) than the Panasonic L10. In this context, it is worth noting that neither the L10 nor the RX100 V are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens build in, whereas the L10 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the L10 and their specifications in the Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic L10 (⇒ rgt)||135 mm||96 mm||78 mm||556 g||450||no||2007||599||discont.||check|
|Sony RX100 V (⇒ lft)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Nikon D60 (⇒ lft | rgt)||126 mm||94 mm||64 mm||522 g||500||no||2008||629||discont.||check|
|Nikon D40X (⇒ lft | rgt)||124 mm||94 mm||64 mm||522 g||520||no||2007||729||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||130 mm||94 mm||60 mm||521 g||500||no||2009||699||discont.||check|
|Olympus E-420 (⇒ lft | rgt)||130 mm||91 mm||53 mm||440 g||500||no||2008||599||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||136 mm||92 mm||68 mm||535 g||750||no||2008||699||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||136 mm||92 mm||68 mm||538 g||750||no||2007||799||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2006||699||discont.||check|
|Panasonic G1 (⇒ lft | rgt)||124 mm||84 mm||45 mm||360 g||410||no||2008||599||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||146 mm||87 mm||64 mm||606 g||750||no||2006||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic L10 vs Sony RX100 V
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic L10 features a Four Thirds sensor and the Sony RX100 V an one-inch sensor. The sensor area in the RX100 V is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the L10 has a native 4:3 aspect ratio, while the one in the RX100 V offers a 3:2 aspect.
Despite having a smaller sensor, the RX100 V offers a higher resolution of 20 megapixel, compared with 10 MP of the L10. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.74μm for the L10). However, it should be noted that the RX100 V is much more recent (by 9 years and 1 month) than the L10, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX100 V offers substantially better image quality than the L10 (overall score 15 points higher). The advantage is based on 1.5 bits higher color depth, 1.6 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic L10 (⇒ rgt)||Four Thirds||10.0||3648||2736||no||21.3||10.8||429||55|
|Sony RX100 V (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Nikon D60 (⇒ lft | rgt)||APS-C||10.0||3872||2592||no||22.5||11.4||562||65|
|Nikon D40X (⇒ lft | rgt)||APS-C||10.0||3872||2592||no||22.4||11.4||516||63|
|Olympus E-620 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.3||10.3||536||55|
|Olympus E-420 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.5||10.4||527||56|
|Olympus E-520 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.4||10.4||548||55|
|Olympus E-410 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.1||10.0||494||51|
|Olympus E-510 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.2||10.0||442||52|
|Olympus E-400 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||-||-||-||-|
|Panasonic G1 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||no||21.1||10.3||463||53|
|Panasonic L1 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The RX100 V indeed provides for movie recording, while the L10 does not. The highest resolution format that the RX100 V can use is 4K/30p.
Feature comparison: Panasonic L10 vs Sony RX100 V
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 V has an electronic viewfinder (2359k dots), while the L10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Panasonic L10 and Sony RX100 V in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic L10 (⇒ rgt)||optical||no||2.5||207||swivel||no||4000||3.0||11||no|
|Sony RX100 V (⇒ lft)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Nikon D60 (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||4000||3.0||12||no|
|Nikon D40X (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||4000||3.0||17||no|
|Olympus E-620 (⇒ lft | rgt)||optical||no||2.7||230||swivel||no||4000||4.0||12||YES|
|Olympus E-420 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||no|
|Olympus E-520 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||YES|
|Olympus E-410 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-510 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||12||YES|
|Olympus E-400 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Panasonic G1 (⇒ lft | rgt)||1440||no||3.0||460||swivel||no||4001||3.0||10.5||no|
|Panasonic L1 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
The RX100 V is a current model that online retailers, such as amazon, will have in stock. In contrast, the L10 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the L10 from Panasonic.
Review summary: Panasonic L10 vs Sony RX100 V
So how do things add up? Is there a clear favorite between the Panasonic L10 and the Sony RX100 V? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC- L10:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (450 versus 220) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Sony Cyber-shot DSC-RX100 V:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 207k dots).
- Faster burst: Shoots at higher frequency (24 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the L10 requires a separate lens.
- More compact: Is smaller (102x58mm vs 135x96mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens build in (unlike the L10).
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 9 years and 1 month of technical progress since the L10 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 V is the clear winner of the contest (15 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the L10 and the RX100 V in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic L10 (⇒ rgt)||85/100||Rec||3.5/5||reviewed||4/5||2007||599||discont.||check|
|Sony RX100 V (⇒ lft)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Nikon D60 (⇒ lft | rgt)||80/100||HiRec||4/5||reviewed||4.5/5||2008||629||discont.||check|
|Nikon D40X (⇒ lft | rgt)||79/100||HiRec||4/5||reviewed||4/5||2007||729||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||88/100||72/100 HiRec||4.5/5||reviewed||5/5||2009||699||discont.||check|
|Olympus E-420 (⇒ lft | rgt)||85/100||HiRec||4/5||reviewed||4.5/5||2008||599||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||87/100||HiRec||4.5/5||4/5||4.5/5||2008||699||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||86/100||HiRec||4/5||reviewed||4.5/5||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||89/100||HiRec||3.5/5||reviewed||4.5/5||2007||799||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||85/100||-||4/5||-||4/5||2006||699||discont.||check|
|Panasonic G1 (⇒ lft | rgt)||88/100 HiRec||70/100 HiRec||4/5||4.5/5||4.5/5||2008||599||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||85/100||Rec||-||reviewed||3.5/5||2006||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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