Panasonic FZ300 vs Canon SX50
The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Canon PowerShot SX50 HS are two digital cameras that were officially introduced, respectively, in July 2015 and September 2012. Both the FZ300 and the SX50 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ300 and the Canon PowerShot SX50 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic FZ300 and the Canon SX50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX50 is notably smaller (12 percent) than the Panasonic FZ300. Moreover, the SX50 is markedly lighter (14 percent) than the FZ300. It is worth mentioning in this context that the FZ300 is splash and dust resistant, while the SX50 does not feature any corresponding weather-sealing.
Concerning battery life, the FZ300 gets 380 shots out of its Panasonic DMW-BLC12 battery, while the SX50 can take 315 images on a single charge of its Canon NB-10L power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ300 | 132 mm | 92 mm | 117 mm | 691 g | 380 | Y | Jul 2015 | 599 | amazon.com | |
2. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
3. | Canon G3 X | 123 mm | 77 mm | 105 mm | 733 g | 300 | Y | Jun 2015 | 999 | ebay.com | |
4. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
5. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
6. | Canon SX1 | 128 mm | 88 mm | 88 mm | 615 g | .. | n | Sep 2008 | 599 | ebay.com | |
7. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
8. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
9. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
10. | Kodak AZ901 | 139 mm | 104 mm | 119 mm | 777 g | 400 | n | Jan 2016 | 499 | amazon.com | |
11. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
12. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
13. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
14. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
15. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX50 was launched at a markedly lower price (by 28 percent) than the FZ300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 12 megapixels. This similarity in sensor specs implies that both the FZ300 and the SX50 have the same pixel density, as well as the same pixel size. It should, however, be noted that the FZ300 is much more recent (by 2 years and 9 months) than the SX50, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-FZ300 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Canon PowerShot SX50 HS are ISO 80 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the SX50 has a markedly higher DXO score than the FZ300 (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 0.2 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ300 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 19.3 | 11.0 | 97 | 38 | |
2. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
3. | Canon G3 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 521 | 63 | |
4. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
5. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
6. | Canon SX1 | 1/2.3 | 10.0 | 3648 | 2736 | 1080/30p | 19.0 | 10.3 | 144 | 35 | |
7. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
8. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
9. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
10. | Kodak AZ901 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.3 | 11.7 | 806 | 48 | |
11. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
12. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
13. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
14. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
15. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ300 provides a higher video resolution than the SX50. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ300 offers a substantially higher resolution than the one in the SX50 (1440k vs 202k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ300 and Canon SX50 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ300 | 1440 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
2. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
3. | Canon G3 X | optional | n | 3.2 / 1620 | tilting | Y | 1/2000s | 5.9/s | Y | Y | |
4. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
5. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
6. | Canon SX1 | 202 | n | 2.8 / 230 | swivel | n | 1/3200s | 4.0/s | Y | Y | |
7. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
8. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
9. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
10. | Kodak AZ901 | 202 | n | 3.0 / 920 | swivel | n | 1/2000s | 5.0/s | Y | Y | |
11. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
12. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
13. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
14. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
15. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ300 has a touchscreen, while the SX50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ300 and the SX50 have zoom lenses built in. The FZ300 has a 25-600mm f/2.8-2.8 optic and the SX50 offers a 24-1200mm f/3.4-6.5 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The FZ300 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ300 and the SX50 write their files to SDXC cards. The FZ300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ300 and Canon PowerShot SX50 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
2. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G3 X | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
4. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon SX1 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
7. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
8. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Kodak AZ901 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the FZ300 has a microphone port, which is missing on the SX50. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX50 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the SX50 was succeeded by the Canon SX60. Further information on the features and operation of the FZ300 and SX50 can be found, respectively, in the Panasonic FZ300 Manual (free pdf) or the online Canon SX50 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Panasonic FZ300 and the Canon SX50? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.4).
- Longer lasting: Can take more shots (380 versus 315) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 9 months of technical progress since the SX50 launch.
Reasons to prefer the Canon PowerShot SX50 HS:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (123x87mm vs 132x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 96g or 14 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ300 and the Canon SX50 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ300 or the SX50. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ300 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2015 | 599 | amazon.com | |
2. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
3. | Canon G3 X | 3.5/5 | + | .. | .. | 4.5/5 | 4/5 | Jun 2015 | 999 | ebay.com | |
4. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
5. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
6. | Canon SX1 | .. | + + | .. | + | .. | 3.5/5 | Sep 2008 | 599 | ebay.com | |
7. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
8. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
9. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
10. | Kodak AZ901 | .. | .. | .. | .. | 3.5/5 | 3/5 | Jan 2016 | 499 | amazon.com | |
11. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
12. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
13. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
14. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
15. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 700D vs Canon SX50
- Canon SX50 vs Canon SX510
- Canon SX50 vs Olympus E-M10 II
- Canon SX50 vs Panasonic ZS100
- Canon SX50 vs Sony A7R II
- Canon SX50 vs Sony WX800
- Canon SX620 vs Panasonic FZ300
- Fujifilm X100 vs Panasonic FZ300
- Fujifilm X30 vs Panasonic FZ300
- Nikon D70s vs Panasonic FZ300
- Panasonic FZ300 vs Sony A7 IV
- Panasonic FZ300 vs Sony A7R II
Specifications: Panasonic FZ300 vs Canon SX50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FZ300 | Canon SX50 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 25-600mm f/2.8 | 24-1200mm f/3.4-6.5 |
Launch Date | July 2015 | September 2012 |
Launch Price | USD 599 | USD 429 |
Sensor Specs | Panasonic FZ300 | Canon SX50 |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | 1/2.3" Sensor |
Sensor Size | 6.17 x 4.55 mm | 6.17 x 4.55 mm |
Sensor Area | 28.0735 mm2 | 28.0735 mm2 |
Sensor Diagonal | 7.7 mm | 7.7 mm |
Crop Factor | 5.6x | 5.6x |
Sensor Resolution | 12 Megapixels | 12 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4000 x 3000 pixels |
Pixel Pitch | 1.53 μm | 1.53 μm |
Pixel Density | 42.74 MP/cm2 | 42.74 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/24p Video |
ISO Setting | 100 - 6,400 ISO | 80 - 6,400 ISO |
Image Processor | Venus | DIGIC 5 |
DXO Sensor Quality (score) | 38 | 47 |
DXO Color Depth (bits) | 19.3 | 20.3 |
DXO Dynamic Range (EV) | 11.0 | 11.2 |
DXO Low Light (ISO) | 97 | 179 |
Screen Specs | Panasonic FZ300 | Canon SX50 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 1440k dots | 202k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 461k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic FZ300 | Canon SX50 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 2.2 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Panasonic FZ300 | Canon SX50 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Panasonic FZ300 | Canon SX50 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Panasonic DMW-BLC12 | Canon NB-10L |
Battery Life (CIPA) | 380 shots per charge | 315 shots per charge |
Body Dimensions |
132 x 92 x 117 mm (5.2 x 3.6 x 4.6 in) |
123 x 87 x 106 mm (4.8 x 3.4 x 4.2 in) |
Camera Weight | 691 g (24.4 oz) | 595 g (21.0 oz) |
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