Panasonic FZ2500 vs Sony RX100 VI
The Panasonic Lumix DMC-FZ2500 (called Panasonic FZ2000 in some regions) and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were announced, respectively, in September 2016 and June 2018. Both the FZ2500 and the RX100 VI are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2500 and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ2500 and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (58 percent) than the Panasonic FZ2500. Moreover, the RX100 VI is substantially lighter (67 percent) than the FZ2500. In this context, it is worth noting that neither the FZ2500 nor the RX100 VI are weather-sealed.
Concerning battery life, the FZ2500 gets 350 shots out of its DMW-BLC12 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|2.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|3.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|4.||Kodak AZ901||139 mm||104 mm||119 mm||777 g||400||n||Jan 2016||499|
|5.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|6.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|7.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|8.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|9.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|10.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|11.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|12.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|13.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the FZ2500 and the RX100 VI have the same pixel density, as well as the same pixel size. It should, however, be noted that the RX100 VI is a somewhat more recent model (by 1 year and 8 months) than the FZ2500, and its sensor might have benefitted from technological advances during this time.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-FZ2500 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Sony Cyber-shot DSC-RX100 VI offers exactly the same ISO settings.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|5.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|7.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||21.6||11.7||127||60|
|8.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|11.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|12.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|13.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ2500 offers a slightly higher resolution than the one in the RX100 VI (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic FZ2500 and Sony RX100 VI along with similar information for a selection of comparators.
|1.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|2.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
|3.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|4.||Kodak AZ901||202||n||3.0 / 920||swivel||n||1/2000s||5.0||Y||Y|
|5.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|6.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|7.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|8.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|9.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|10.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|11.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0||Y||Y|
|12.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|13.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|14.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ2500 and the RX100 VI have zoom lenses built in. The FZ2500 has a 24-480mm f/2.8-4.5 optic and the RX100 VI offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
The FZ2500 writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2500 and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|2.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|3.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Kodak AZ901||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|8.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|12.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic FZ2500 better than the Sony RX100 VI or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-FZ2500:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.59x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (350 versus 240) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster burst: Shoots at higher frequency (24 vs 12 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (102x58mm vs 138x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 614g or 67 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2500 comes out slightly ahead of the RX100 VI (10 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2500 and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ2500 and the RX100 VI in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|2.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|3.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|4.||Kodak AZ901||..||..||..||..||3.5/5||3/5||Jan 2016||499|
|5.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249|
|6.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|7.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349|
|8.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|9.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|10.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|11.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|12.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|13.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|14.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 800D vs Sony RX100 VI
- Canon SL2 vs Sony RX100 VI
- Canon T5 vs Panasonic FZ2500
- Fujifilm X-T30 II vs Sony RX100 VI
- Leica M10-P vs Sony RX100 VI
- Leica SL vs Panasonic FZ2500
- Nikon D50 vs Panasonic FZ2500
- Nikon D5100 vs Panasonic FZ2500
- Olympus E-450 vs Sony RX100 VI
- Olympus E-M1X vs Sony RX100 VI
- Panasonic FZ200 vs Panasonic FZ2500
- Panasonic FZ2500 vs Panasonic G1
Specifications: Panasonic FZ2500 vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ2500||Sony RX100 VI|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-480mm f/2.8-4.5||24-200mm f/2.8-4.5|
|Launch Date||September 2016||June 2018|
|Launch Price||USD 1,199||USD 1,199|
|Sensor Specs||Panasonic FZ2500||Sony RX100 VI|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|Screen Specs||Panasonic FZ2500||Sony RX100 VI|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ2500||Sony RX100 VI|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||12 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ2500||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic FZ2500||Sony RX100 VI|
|Battery Life (CIPA)||350 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||915 g (32.3 oz)||301 g (10.6 oz)|
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