Panasonic FZ150 vs Sony H300
The Panasonic Lumix DMC-FZ150 and the Sony Cyber-shot DSC-H300 are two digital cameras that were announced, respectively, in August 2011 and February 2014. Both the FZ150 and the H300 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ150||Sony H300|
|Fixed lens compact camera||Fixed lens compact camera|
|25-600mm f/2.8-5.2||25-875mm f/3.4-6.5|
|12 MP, 1/2.3" Sensor||19.9 MP, 1/2.3" Sensor|
|1080/60p Video||720/30p Video|
|ISO 100-3200 (100-6400)||ISO 80-3200|
|Electronic viewfinder (202k dots)||No viewfinder, LCD framing|
|3.0" LCD, 460k dots||3.0" LCD, 460k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||0.8 shutter flaps per second|
|410 shots per battery charge||350 shots per battery charge|
|124 x 82 x 92 mm, 528 g||128 x 89 x 92 mm, 590 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ150 and the Sony H300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is notably larger (12 percent) than the Panasonic FZ150. Moreover, the H300 is markedly heavier (12 percent) than the FZ150. In this context, it is worth noting that neither the FZ150 nor the H300 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FZ150»||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||-||Panasonic FZ150|
|Sony H300«||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219||Sony H300|
|Canon SX610« »||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249||-||Canon SX610|
|Canon SX60« »||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||-||Canon SX60|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||-||Canon G15|
|Canon SX50« »||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||-||Canon SX50|
|Canon G12« »||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||-||Canon G12|
|Leica V-LUX 4« »||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949||-||Leica V-LUX 4|
|Panasonic ZS70« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ200« »||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ100« »||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX5« »||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||-||Panasonic LX5|
|Sony HX90V« »||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||Sony HX90V|
|Sony HX400V« »||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499||Sony HX400V|
|Sony H400« »||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319||Sony H400|
|Sony H200« »||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249||Sony H200|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The H300 was launched at a markedly lower price (by 56 percent) than the FZ150, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the H300 offers a higher resolution of 19.9 megapixels, compared with 12 MP of the FZ150. This megapixels advantage translates into a 29 percent gain in linear resolution. On the other hand, these sensor specs imply that the H300 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.19μm versus 1.53μm for the FZ150). However, it should be noted that the H300 is much more recent (by 2 years and 5 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony H300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H300 for good quality output (200 dots per inch) amounts to 25.8 x 19.3 inch or 65.4 x 49.1 cm, for very good quality (250 dpi) 20.6 x 15.5 inch or 52.3 x 39.3 cm, and for excellent quality (300 dpi) 17.2 x 12.9 inch or 43.6 x 32.7 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ150»||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Sony H300«||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
|Canon SX610« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Canon SX610|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon G12« »||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Leica V-LUX 4« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 4|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Sony H400« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H400|
|Sony H200« »||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ150 provides a higher video resolution than the H300. It can shoot video footage at 1080/60p, while the Sony is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic FZ150, the Sony H300, and comparable cameras.
|Panasonic FZ150»||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Sony H300«||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
|Canon SX610« »||-||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX610|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon G12« »||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Leica V-LUX 4« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Sony H400« »||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H200« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
Both the FZ150 and the H300 have zoom lenses built in. The FZ150 has a 25-600mm f/2.8-5.2 optic and the H300 offers a 25-875mm f/3.4-6.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The FZ150 offers the faster maximum aperture.
The FZ150 writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ150»||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Sony H300«||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
|Canon SX610« »||-||-||-||-||-||micro||2.0||Y||Y||-||Canon SX610|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon G12« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Leica V-LUX 4« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Sony H400« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H200« »||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
It is notable that the FZ150 has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The H300 is a recent model that features in the current product line-up of Sony. In contrast, the FZ150 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ150 was succeeded by the Panasonic FZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Panasonic FZ150 or the Sony H300 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-FZ150:
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 0.8 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.4).
- More compact: Is smaller (124x82mm vs 128x89mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 62g or 11 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Arguments in favor of the Sony Cyber-shot DSC-H300:
- More detail: Has more megapixels (19.9 vs 12MP), which boosts linear resolution by 29%.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 2 years and 5 months of technical progress since the FZ150 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ150 is the clear winner of the match-up (12 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ150 and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the FZ150 and the H300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic FZ150»||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Sony H300«||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Canon SX610« »||-||-||4/5||-||4/5||Jan 2015||249||-||Canon SX610|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon G12« »||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499||-||Canon G12|
|Leica V-LUX 4« »||-||-||-||-||-||Sep 2012||949||-||Leica V-LUX 4|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ100« »||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Sony H400« »||o||-||3.5/5||-||3.5/5||Feb 2014||319||Sony H400|
|Sony H200« »||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 350D vs Sony H300
- Canon SX540 vs Sony H300
- Canon XTi vs Sony H300
- Hasselblad X1D II vs Sony H300
- Leica C-LUX vs Sony H300
- Leica Digilux 3 vs Sony H300
- Leica M8 vs Sony H300
- Leica S Typ 006 vs Sony H300
- Leica V-LUX 2 vs Panasonic FZ150
- Nikon D5600 vs Sony H300
- Nikon D80 vs Panasonic FZ150
- Panasonic FZ150 vs Panasonic GH1
Specifications: Panasonic FZ150 vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ150||Sony H300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8-5.2||25-875mm f/3.4-6.5|
|Launch Date||August 2011||February 2014|
|Launch Price||USD 499||USD 219|
|Sensor Specs||Panasonic FZ150||Sony H300|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||19.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||5152 x 3864 pixels|
|Pixel Pitch||1.53 μm||1.19 μm|
|Pixel Density||42.74 MP/cm2||70.91 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||100-3200 ISO||80-3200 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|Image Processor||Venus FHD||BIONZ|
|DXO Sensor Quality (score)||40||..|
|DXO Color Depth (bits)||19.4||..|
|DXO Dynamic Range (EV)||10.9||..|
|DXO Low Light (ISO)||132||..|
|Screen Specs||Panasonic FZ150||Sony H300|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ150||Sony H300|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||12 shutter flaps/s||0.8 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic FZ150||Sony H300|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic FZ150||Sony H300|
|Battery Life (CIPA)||410 shots per charge||350 shots per charge|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
128 x 89 x 92 mm
(5.0 x 3.5 x 3.6 in)
|Camera Weight||528 g (18.6 oz)||590 g (20.8 oz)|
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