Olympus XZ-1 vs Panasonic FZ330
The Olympus XZ-1 and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public, respectively, in January 2011 and July 2015. Both the XZ-1 and the FZ330 are fixed lens compact cameras that are based on a 1/1.7-inch (XZ-1) and a 1/2.3-inch (FZ330) sensor. The Olympus has a resolution of 10.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus XZ-1||Panasonic FZ330|
|Fixed lens compact camera||Fixed lens compact camera|
|28-112mm f/1.8-2.5||25-600mm f/2.8|
|10.1 MP, 1/1.7" Sensor||12 MP, 1/2.3" Sensor|
|720/30p Video||4K/30p Video|
|ISO 100-6400||ISO 100-6400|
|Viewfinder optional||Electronic viewfinder (1440k dots)|
|3.0" LCD, 614k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|2 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Not weather sealed||Weathersealed body|
|320 shots per battery charge||380 shots per battery charge|
|111 x 65 x 42 mm, 275 g||132 x 92 x 117 mm, 691 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus XZ-1 and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus XZ-1 and the Panasonic FZ330 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The XZ-1 can be obtained in two different colors (black, white), while the FZ330 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is considerably larger (68 percent) than the Olympus XZ-1. Moreover, the FZ330 is substantially heavier (151 percent) than the XZ-1. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the XZ-1 does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus XZ-1»||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||Olympus XZ-1|
|Panasonic FZ330«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ330|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||Olympus TG-5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||Olympus XZ-2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||Olympus E-PM1|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||Olympus E-PL1|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XZ-1 was launched at a somewhat lower price (by 17 percent) than the FZ330, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus XZ-1 features a 1/1.7-inch sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the FZ330 offers a higher resolution of 12 megapixels, compared with 10.1 MP of the XZ-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 2.13μm for the XZ-1). However, it should be noted that the FZ330 is much more recent (by 4 years and 6 months) than the XZ-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ330 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ330 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Olympus XZ-1 are 18.3 x 13.8 inch or 46.5 x 35 cm for good quality, 14.7 x 11 inch or 37.2 x 28 cm for very good quality, and 12.2 x 9.2 inch or 31 x 23.3 cm for excellent quality prints.
The Olympus XZ-1 has a native sensitivity range from ISO 100 to ISO 6400. The Panasonic Lumix DMC-FZ330 offers exactly the same ISO settings.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the FZ330 has a markedly higher DXO score than the XZ-1 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 0.6 EV in additional dynamic range, and 0.3 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus XZ-1||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic FZ330||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Olympus TG-5||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-5|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus XZ-2||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ330 provides a better video resolution than the XZ-1. It can shoot movie footage at 4K/30p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ330 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XZ-1 relies on live view and the rear LCD for framing. That said, the XZ-1 can be equipped with an optional viewfinder – the VF-2. The adjacent table lists some of the other core features of the Olympus XZ-1 and Panasonic FZ330 along with similar information for a selection of comparators.
|Olympus XZ-1||optional||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic FZ330||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Olympus TG-5||none||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus XZ-2||optional||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1||optional||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Olympus E-PL1||optional||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the XZ-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XZ-1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus XZ-1 and the Panasonic FZ330 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the XZ-1 and the FZ330 have zoom lenses built in. The XZ-1 has a 28-112mm f/1.8-2.5 optic and the FZ330 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Olympus. The XZ-1 offers the faster maximum aperture.
Concerning the storage of imaging data, both the XZ-1 and the FZ330 write their files to SDXC cards. The FZ330 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XZ-1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus XZ-1 and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus XZ-1||Y||mono||none||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic FZ330||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Olympus TG-5||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus XZ-2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Olympus E-PL1||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the XZ-1 does not offer wifi capability.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the XZ-1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XZ-1 was succeeded by the Olympus XZ-2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Which of the two cameras – the Olympus XZ-1 or the Panasonic FZ330 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus XZ-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (111x65mm vs 132x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 416g or 60 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2011).
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- More detail: Has more megapixels (12 vs 10.1MP), which boosts linear resolution by 9%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (380 versus 320) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 6 months of technical progress since the XZ-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ330 is the clear winner of the contest (21 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus XZ-1 and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the XZ-1 or the FZ330 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Panasonic FZ330
- Canon 1D X vs Olympus XZ-1
- Canon 70D vs Panasonic FZ330
- Canon SX50 vs Panasonic FZ330
- Leica S2 vs Panasonic FZ330
- Nikon D3S vs Panasonic FZ330
- Nikon D7000 vs Panasonic FZ330
- Olympus E-M1 II vs Panasonic FZ330
- Olympus E-PM2 vs Olympus XZ-1
- Olympus XZ-1 vs Panasonic FT7
- Olympus XZ-1 vs Sony RX100 VII
- Panasonic FZ330 vs Sony NEX-5N
Specifications: Olympus XZ-1 vs Panasonic FZ330
|Camera Model||Olympus XZ-1||Panasonic FZ330|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-112mm f/1.8-2.5||25-600mm f/2.8|
|Launch Date||January 2011||July 2015|
|Launch Price||USD 499||USD 599|
|Sensor Specs||Olympus XZ-1||Panasonic FZ330|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.85 x 5.89 mm||6.17 x 4.55 mm|
|Sensor Area||46.2365 mm2||28.0735 mm2|
|Sensor Diagonal||9.8 mm||7.7 mm|
|Sensor Resolution||10.1 Megapixels||12 Megapixels|
|Image Resolution||3664 x 2752 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.13 μm||1.53 μm|
|Pixel Density||21.81 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-6400 ISO|
|Image Processor||TruePic V||Venus|
|DXO Sensor Quality (score)||34||38|
|DXO Color Depth (bits)||18.8||19.3|
|DXO Dynamic Range (EV)||10.4||11.0|
|DXO Low Light (ISO)||117||97|
|Screen Specs||Olympus XZ-1||Panasonic FZ330|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||614k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus XZ-1||Panasonic FZ330|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||2 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Olympus XZ-1||Panasonic FZ330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus XZ-1||Panasonic FZ330|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||380 shots per charge|
111 x 65 x 42 mm
(4.4 x 2.6 x 1.7 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||275 g (9.7 oz)||691 g (24.4 oz)|