Olympus E-3 vs E-520
The Olympus E-3 and the Olympus E-520 are two digital cameras that were revealed to the public, respectively, in October 2007 and May 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 10 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-3 and the Olympus E-520 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is notably smaller (24 percent) than the Olympus E-3. Moreover, the E-520 is substantially lighter (39 percent) than the E-3. It is worth mentioning in this context that the E-3 is splash and dust resistant, while the E-520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|2.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|3.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|4.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|5.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|6.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|7.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|8.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|9.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|10.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|11.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-520 was launched at a markedly lower price (by 59 percent) than the E-3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 10 megapixels. This similarity in sensor specs implies that both the E-3 and the E-520 have the same pixel density, as well as the same pixel size. It should, however, be noted that the E-520 is a somewhat more recent model (by 6 months) than the E-3, and its sensor might have benefitted from technological advances during this time.
The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|2.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|4.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|5.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|6.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|7.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|8.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|9.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|10.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|11.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
Beyond body and sensor, cameras can and do differ across a range of features. The E-3 and the E-520 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-3 offers a wider field of view (100%) than the one in the E-520 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-3 has a higher magnification (0.58x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-3, the Olympus E-520, and comparable cameras.
|1.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0||Y||Y|
|2.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|3.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|4.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0||Y||Y|
|5.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|6.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|7.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0||Y||Y|
|8.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|9.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|10.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|11.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0||n||n|
One feature that is present on the E-3, but is missing on the E-520 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-520 does not have a selfie-screen.
Concerning the storage of imaging data, both the E-3 and the E-520 write their files to Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|5.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Olympus E-3 (unlike the E-520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-3 and the E-520 have been discontinued, but can regularly be found used on eBay. The E-3 was replaced by the Olympus E-5, while the E-520 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So how do things add up? Is the Olympus E-3 better than the Olympus E-520 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus E-3:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in October 2007).
Arguments in favor of the Olympus E-520:
- Larger screen: Has a bigger rear LCD (2.7" vs 2.5") for image review and settings control.
- More compact: Is smaller (136x92mm vs 142x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 341g or 39 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Was introduced somewhat (6 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-3 is the clear winner of the match-up (10 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-3 and the Olympus E-520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-3 or the E-520 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|2.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|3.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|4.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|5.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|6.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|7.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|8.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|9.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|10.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|11.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 100D vs Olympus E-520
- Canon 2000D vs Olympus E-520
- Canon G1 X Mark II vs Olympus E-3
- Fujifilm GFX 100 vs Olympus E-520
- Leica D-LUX 5 vs Olympus E-520
- Nikon 1 V1 vs Olympus E-3
- Nikon D5600 vs Olympus E-3
- Nikon D810 vs Olympus E-3
- Olympus E-3 vs Pentax K-1 II
- Olympus E-3 vs Sony RX100 IV
- Olympus E-520 vs Sony NEX-F3
- Olympus E-520 vs Sony RX100 VII
Specifications: Olympus E-3 vs Olympus E-520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-3||Olympus E-520|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Four Thirds lenses|
|Launch Date||October 2007||May 2008|
|Launch Price||USD 1,699||USD 699|
|Sensor Specs||Olympus E-3||Olympus E-520|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||10 Megapixels|
|Image Resolution||3648 x 2736 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.74 μm||4.74 μm|
|Pixel Density||4.44 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 3,200 ISO||100 - 1,600 ISO|
|Image Processor||TruePic III||TruePic III|
|DXO Sensor Quality (score)||56||55|
|DXO Color Depth (bits)||21.6||21.4|
|DXO Dynamic Range (EV)||10.5||10.4|
|DXO Low Light (ISO)||571||548|
|Screen Specs||Olympus E-3||Olympus E-520|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||2.7inch|
|LCD Resolution||230k dots||215k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Olympus E-3||Olympus E-520|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||3.5 shutter flaps/s|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or XD cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-3||Olympus E-520|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-3||Olympus E-520|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||750 shots per charge|
142 x 116 x 75 mm
(5.6 x 4.6 x 3.0 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||876 g (30.9 oz)||535 g (18.9 oz)|
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