Nikon D5600 vs Panasonic FZ2000
The Nikon D5600 and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were revealed to the public, respectively, in November 2016 and September 2016. The D5600 is a DSLR, while the FZ2000 is a fixed lens compact. The cameras are based on an APS-C (D5600) and an one-inch (FZ2000) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5600 and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5600 and the Panasonic FZ2000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5600 can be obtained in two different colors (black, red), while the FZ2000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is notably larger (17 percent) than the Nikon D5600. In this context, it is worth noting that neither the D5600 nor the FZ2000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the D5600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5600 and their specifications in the Nikon Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|2.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|6.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|7.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|8.||Nikon D5500||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899|
|9.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|10.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|11.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|12.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|13.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|14.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|15.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5600 features an APS-C sensor and the Panasonic FZ2000 an one-inch sensor. The sensor area in the FZ2000 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the D5600 offers a higher resolution than the FZ2000 (20MP), but the D5600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the FZ2000) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D5600 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2000 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Nikon D5600 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|15.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2000 provides a better video resolution than the D5600. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), while the D5600 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2000 offers a wider field of view (100%) than the one in the D5600 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2000 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D5600 and Panasonic FZ2000 along with similar information for a selection of comparators.
|1.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic FZ2000||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|6.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|7.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|8.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|9.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|10.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|11.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|12.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
|13.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|14.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|15.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5600 and the Panasonic FZ2000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5600 and the FZ2000 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5600 and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic FZ2000||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|7.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|8.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
Both the D5600 and the FZ2000 are recent models that are part of the current product line-up. The FZ2000 replaced the earlier Panasonic FZ1000, while the D5600 followed on from the Nikon D5500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon D5600 or the Panasonic FZ2000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D5600:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More compact: Is smaller (124x97mm vs 138x102mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (970 versus 350) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
Arguments in favor of the Panasonic Lumix DMC-FZ2000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D5600 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
If the count of relative strengths (bullet points above) is taken as a measure, the D5600 emerges as the winner of the contest (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5600 and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D5600 or the FZ2000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|2.||Panasonic FZ2000||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|6.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|7.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|8.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|9.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|10.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|11.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|12.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|13.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|14.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|15.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|16.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 750D vs Panasonic FZ2000
- Canon G15 vs Panasonic FZ2000
- Canon R vs Panasonic FZ2000
- Canon SX540 vs Panasonic FZ2000
- Nikon D3 vs Panasonic FZ2000
- Nikon D5600 vs Nikon Z5
- Nikon D5600 vs Panasonic FZ1000
- Nikon D5600 vs Panasonic G95
- Nikon D5600 vs Panasonic GF2
- Nikon D5600 vs Sigma fp
- Nikon D5600 vs Sony RX0 II
- Panasonic FZ2000 vs Sony H300
Specifications: Nikon D5600 vs Panasonic FZ2000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5600||Panasonic FZ2000|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-480mm f/2.8-4.5|
|Launch Date||November 2016||September 2016|
|Launch Price||USD 699||USD 1,199|
|Sensor Specs||Nikon D5600||Panasonic FZ2000|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.91 μm||2.41 μm|
|Pixel Density||6.55 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||84||..|
|DXO Color Depth (bits)||24.1||..|
|DXO Dynamic Range (EV)||14.0||..|
|DXO Low Light (ISO)||1306||..|
|Screen Specs||Nikon D5600||Panasonic FZ2000|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Nikon D5600||Panasonic FZ2000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D5600||Panasonic FZ2000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D5600||Panasonic FZ2000|
|Battery Life (CIPA)||970 shots per charge||350 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||465 g (16.4 oz)||915 g (32.3 oz)|
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