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Nikon D500 vs Panasonic LX7

The Nikon D500 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in January 2016 and July 2012. The D500 is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (D500) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Nikon D500
versus
Panasonic LX7
Nikon D500   Panasonic LX7
Digital single lens reflex Fixed lens compact camera
Nikon F mount lenses 24-90mm f/1.4-2.3
20.7 MP, APS-C Sensor 10 MP, 1/1.7" Sensor
4K/30p Video 1080/60p Video
ISO 100-51,200 (50 - 1,640,000) ISO 80-6,400 (80 - 12,800)
Optical viewfinder Viewfinder optional
3.2 LCD, 2359k dots 3.0 LCD, 920k dots
Tilting touchscreen Fixed screen (not touch-sensitive)
10 shutter flaps per second 11 shutter flaps per second
Weathersealed bodynot weather sealed
1240 shots per battery charge330 shots per battery charge
147 x 115 x 81 mm, 860 g 111 x 68 x 46 mm, 298 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon D500 and the Panasonic LX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the D500 is only available in black.

Size Nikon D500 vs Panasonic LX7
Compare D500 versus LX7 top
Comparison D500 or LX7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (55 percent) than the Nikon D500. It is worth mentioning in this context that the D500 is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D500 gets 1240 shots out of its EN-EL15 battery, while the LX7 can take 330 images on a single charge of its DMW-BCJ13 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Nikon D500 147 mm 115 mm 81 mm 860 g 1240 Y Jan 2016 1,999 i
2.
 
Panasonic LX7 111 mm 68 mm 46 mm 298 g 330 n Jul 2012 499i
3.
 
Canon G16 109 mm 76 mm 40 mm 356 g 360 n Aug 2013 549 i
4.
 
Fujifilm X10 117 mm 70 mm 57 mm 350 g 270 n Sep 2011 599i
5.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
6.
 
Nikon D5600 124 mm 97 mm 70 mm 465 g 970 n Nov 2016 699 i
7.
 
Nikon D3400 124 mm 98 mm 76 mm 445 g 1200 n Aug 2016 499i
8.
 
Nikon D5500 124 mm 97 mm 70 mm 470 g 820 n Jan 2015 899i
9.
 
Nikon D7200 136 mm 107 mm 76 mm 765 g 1110 Y Mar 2015 1,199i
10.
 
Nikon D750 141 mm 113 mm 78 mm 750 g 1230 Y Sep 2014 2,299i
11.
 
Nikon D7100 136 mm 107 mm 76 mm 765 g 950 Y Feb 2013 1,199i
12.
 
Nikon D610 141 mm 113 mm 82 mm 850 g 900 Y Oct 2013 1,999 i
13.
 
Nikon D600 141 mm 113 mm 82 mm 850 g 900 Y Sep 2012 2,099i
14.
 
Nikon D300S 147 mm 115 mm 81 mm 938 g 950 Y Jul 2009 1,799i
15.
 
Panasonic GF5 108 mm 67 mm 37 mm 267 g 360 n Apr 2012 499i
16.
 
Panasonic GF3 108 mm 67 mm 32 mm 264 g 300 n Jun 2011 549i
17.
 
Panasonic LX5 110 mm 65 mm 43 mm 271 g 400 n Jul 2010 499i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the D500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D500 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the D500 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Nikon D500 and Panasonic LX7 sensor measures

With 20.7MP, the D500 offers a higher resolution than the LX7 (10MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the D500 is a much more recent model (by 3 years and 5 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

D500 versus LX7 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D500 provides substantially higher image quality than the LX7, with an overall score that is 33 points higher. This advantage is based on 3.3 bits higher color depth, 2.3 EV in additional dynamic range, and 3.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Nikon D500 APS-C 20.7 5568 37124K/30p24.014.0132483
2.
 
Panasonic LX7 1/1.7 10.0 3648 27361080/60p20.711.714750
3.
 
Canon G16 1/1.7 12.0 4000 30001080/60p21.011.723054
4.
 
Fujifilm X10 2/3 12.0 4000 30001080/30p20.511.324550
5.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
6.
 
Nikon D5600 APS-C 24.0 6000 40001080/60p24.114.0130684
7.
 
Nikon D3400 APS-C 24.0 6000 40001080/60p24.813.9119286
8.
 
Nikon D5500 APS-C 24.0 6000 40001080/60p24.114.0143884
9.
 
Nikon D7200 APS-C 24.0 6000 40001080/60p24.514.6133387
10.
 
Nikon D750 Full Frame 24.2 6016 40161080/60p24.814.5295693
11.
 
Nikon D7100 APS-C 24.0 6000 40001080/60p24.213.7125683
12.
 
Nikon D610 Full Frame 24.2 6016 40161080/30p25.114.4292594
13.
 
Nikon D600 Full Frame 24.2 6016 40161080/30p25.114.2298094
14.
 
Nikon D300S APS-C 12.2 4288 2848720/24p22.512.278770
15.
 
Panasonic GF5 Four Thirds 12.0 4000 30001080/60i21.411.661861
16.
 
Panasonic GF3 Four Thirds 12.0 4000 30001080/60i20.610.045849
17.
 
Panasonic LX5 1/1.7 10.0 3648 2736720/60p19.610.813241

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D500 provides a higher video resolution than the LX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Nikon D500 and Panasonic LX7 along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Nikon D500optical Y3.2 / 2359 tilting Y 1/8000s 10.0 n n
2.
 
Panasonic LX7optional n3.0 / 920 fixed n 1/4000s 11.0 Y Y
3.
 
Canon G16optical n3.0 / 922 fixed n 1/4000s 2.2 Y Y
4.
 
Fujifilm X10optical n2.8 / 460 fixed n 1/4000s 10.0 Y Y
5.
 
Nikon D7500optical Y3.2 / 922 tilting Y 1/8000s 8.0 Y n
6.
 
Nikon D5600optical n3.2 / 1037 swivel Y 1/4000s 5.0 Y n
7.
 
Nikon D3400optical n3.0 / 921 fixed n 1/4000s 5.0 Y n
8.
 
Nikon D5500optical n3.2 / 1037 swivel Y 1/4000s 5.0 Y n
9.
 
Nikon D7200optical Y3.2 / 1229 fixed n 1/8000s 6.0 Y n
10.
 
Nikon D750optical Y3.2 / 1229 tilting n 1/4000s 6.0 Y n
11.
 
Nikon D7100optical Y3.2 / 1229 fixed n 1/8000s 6.0 Y n
12.
 
Nikon D610optical Y3.2 / 921 fixed n 1/4000s 6.0 Y n
13.
 
Nikon D600optical Y3.0 / 921 fixed n 1/4000s 5.5 Y n
14.
 
Nikon D300Soptical Y3.0 / 920 fixed n 1/8000s 7.0 Y n
15.
 
Panasonic GF5none n3.0 / 920 fixed Y 1/4000s 4.0 Y n
16.
 
Panasonic GF3none n3.0 / 460 fixed Y 1/4000s 3.2 Y n
17.
 
Panasonic LX5optional n3.0 / 460 fixed n 1/4000s 2.5 Y Y

One feature that is present on the D500, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Nikon D500 and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D500 writes its imaging data to SDXC or XQD cards, while the LX7 uses SDXC cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX7 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Nikon D500Ystereo / monoYYmini3.0YYY
2.
 
Panasonic LX7Ystereo / mono--mini2.0---
3.
 
Canon G16Ystereo / mono--mini2.0Y--
4.
 
Fujifilm X10Ystereo / mono--mini2.0---
5.
 
Nikon D7500Ystereo / monoYYmini2.0Y-Y
6.
 
Nikon D5600Ystereo / monoY-mini2.0YYY
7.
 
Nikon D3400Ymono / mono--mini2.0--Y
8.
 
Nikon D5500Ystereo / monoY-mini2.0Y--
9.
 
Nikon D7200Ystereo / monoYYmini2.0YY-
10.
 
Nikon D750Ystereo / monoYYmini2.0Y--
11.
 
Nikon D7100Ystereo / monoYYmini2.0---
12.
 
Nikon D610Ymono / monoYYmini2.0---
13.
 
Nikon D600Ymono / monoYYmini2.0---
14.
 
Nikon D300SYstereo / monoY-mini2.0---
15.
 
Panasonic GF5-stereo / mono--mini2.0---
16.
 
Panasonic GF3-stereo / mono--mini2.0---
17.
 
Panasonic LX5Ymono / mono--mini2.0---

It is notable that the D500 has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Nikon D500 (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The D500 is a recent model that features in the current product line-up of Nikon. In contrast, the LX7 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.

Review summary

So what is the bottom line? Which of the two cameras – the Nikon D500 or the Panasonic LX7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Nikon D500:

  • More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Scores substantially higher (33 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (3.3 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (3.2 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • More flexible: Can take a variety of interchangeable lenses, including specialty optics.
  • Longer lasting: Can take more shots (1240 versus 330) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
  • More modern: Reflects 3 years and 5 months of technical progress since the LX7 launch.

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Advantages of the Panasonic Lumix DMC-LX7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Ready to shoot: Comes with an integrated lens, while the D500 requires a separate lens.
  • More compact: Is smaller (111x68mm vs 147x115mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the D500).
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been around for much longer (launched in July 2012).

If the number of relative strengths (bullet points above) is taken as a guide, the D500 is the clear winner of the match-up (27 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

D500 27:09 LX7

How about other alternatives? Do the specifications of the Nikon D500 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D500 or the LX7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Nikon D5005/5+ +4.7/591/1004.5/55/5 Jan 2016 1,999 i
2.
 
Panasonic LX73/5+ +..75/1004/54.5/5 Jul 2012 499i
3.
 
Canon G164/5+....4.5/54.5/5 Aug 2013 549 i
4.
 
Fujifilm X10......76/1004/54.5/5 Sep 2011 599i
5.
 
Nikon D75004.5/5+ +4.5/586/1005/54.5/5 Apr 2017 1,299 i
6.
 
Nikon D56004/5..4/579/1004.5/54/5 Nov 2016 699 i
7.
 
Nikon D34004/5+4/576/1004/54.5/5 Aug 2016 499i
8.
 
Nikon D55005/5+..79/1004.5/54.5/5 Jan 2015 899i
9.
 
Nikon D72004/5+ +..84/1004.5/54.5/5 Mar 2015 1,199i
10.
 
Nikon D7505/5+ +4/590/1004.5/54.5/5 Sep 2014 2,299i
11.
 
Nikon D71005/5+ +..85/1004.5/54.5/5 Feb 2013 1,199i
12.
 
Nikon D6104/5+ +..87/1004.5/54.5/5 Oct 2013 1,999 i
13.
 
Nikon D6004/5+ +..87/1005/54.5/5 Sep 2012 2,099i
14.
 
Nikon D300S5/5+ +..82/1004/54.5/5 Jul 2009 1,799i
15.
 
Panasonic GF53/5......4.5/54.5/5 Apr 2012 499i
16.
 
Panasonic GF33/582/100..71/1004.5/54/5 Jun 2011 549i
17.
 
Panasonic LX54/5+..73/1004.5/54.5/5 Jul 2010 499i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Nikon D500:
Check Amazon price
Panasonic LX7:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Nikon D500 vs Panasonic LX7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Nikon D500 Panasonic LX7
    Camera Type Digital single lens reflex Fixed lens compact camera
    Camera Lens Nikon F mount lenses 24-90mm f/1.4-2.3
    Launch Date January 2016 July 2012
    Launch Price USD 1,999 USD 499
    Sensor Specs Nikon D500 Panasonic LX7
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor 1/1.7" Sensor
    Sensor Size 23.5 x 15.7 mm 7.44 x 5.58 mm
    Sensor Area 368.95 mm2 41.5152 mm2
    Sensor Diagonal 28.3 mm 9.3 mm
    Crop Factor 1.5x 4.65x
    Sensor Resolution 20.7 Megapixels 10 Megapixels
    Image Resolution 5568 x 3712 pixels 3648 x 2736 pixels
    Pixel Pitch 4.22 μm 2.05 μm
    Pixel Density 5.60 MP/cm2 24.04 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video 1080/60p Video
    ISO Setting 100 - 51,200 ISO 80 - 6,400 ISO
    ISO Boost 50 - 1,640,000 ISO 80 - 12,800 ISO
    Image Processor EXPEED 5 Venus
    DXO Sensor Quality (score) 83 50
    DXO Color Depth (bits) 24.0 20.7
    DXO Dynamic Range (EV) 14.0 11.7
    DXO Low Light (ISO) 1324 147
    Screen Specs Nikon D500 Panasonic LX7
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.67x
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2359k dots 920k dots
    LCD Attachment Tilting screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Nikon D500 Panasonic LX7
    Focus System Phase-detect AF Contrast-detect AF
    Continuous Shooting 10 shutter flaps/s 11 shutter flaps/s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash no On-Board Flash Built-in Flash
    Storage Medium SDXC or XQD cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support UHS-II no
    Connectivity Specs Nikon D500 Panasonic LX7
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port mini HDMI mini HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in no Wifi
    Near-Field Communication NFC built-in no NFC
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Nikon D500 Panasonic LX7
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type EN-EL15 DMW-BCJ13
    Battery Life (CIPA)1240 shots per charge330 shots per charge
    Body Dimensions 147 x 115 x 81 mm
    (5.8 x 4.5 x 3.2 in)
    111 x 68 x 46 mm
    (4.4 x 2.7 x 1.8 in)
    Camera Weight 860 g (30.3 oz) 298 g (10.5 oz)

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    You are here Home  »  CAM-parator  »  Nikon D500 vs Panasonic LX7

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