Nikon D3S vs Panasonic LX7
The Nikon D3S and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in October 2009 and July 2012. The D3S is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on a full frame (D3S) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3S and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Nikon D3S and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the D3S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (70 percent) than the Nikon D3S. It is worth mentioning in this context that the D3S is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D3S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3S and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D3S gets 4200 shots out of its Nikon EN-EL4a battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack. As can be seen in the images above, the D3S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | 5,199 | ebay.com | |
2. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
3. | Canon 1D Mark III | 156 mm | 157 mm | 80 mm | 1155 g | 2200 | Y | Feb 2007 | 4,499 | ebay.com | |
4. | Canon 1D Mark IV | 156 mm | 157 mm | 80 mm | 1230 g | 1500 | Y | Oct 2009 | 4,999 | ebay.com | |
5. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
6. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
7. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
8. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
10. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
11. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
12. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
13. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
14. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
15. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
16. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
17. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX7 was launched at a lower price than the D3S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3S features a full frame sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the D3S has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.1MP, the D3S offers a higher resolution than the LX7 (10MP), but the D3S nevertheless has larger individual pixels (pixel pitch of 8.43μm versus 2.05μm for the LX7) due to its larger sensor. However, the LX7 is a much more recent model (by 2 years and 9 months) than the D3S, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D3S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3S for good quality output (200 dots per inch) amounts to 21.3 x 14.2 inches or 54.1 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.2 x 28.8 cm, and for excellent quality (300 dpi) 14.2 x 9.4 inches or 36 x 24 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D3S has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-102400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D3S provides substantially higher image quality than the LX7, with an overall score that is 32 points higher. This advantage is based on 2.8 bits higher color depth, 0.3 EV in additional dynamic range, and 4.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
2. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
3. | Canon 1D Mark III | APS-H | 10.1 | 3888 | 2592 | none | 22.7 | 11.7 | 1078 | 71 | |
4. | Canon 1D Mark IV | APS-H | 16.0 | 4896 | 3264 | 1080/30p | 22.8 | 12.0 | 1320 | 74 | |
5. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
6. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
7. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
8. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
9. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
10. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
11. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
12. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
13. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
14. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
15. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
16. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
17. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX7 provides a better video resolution than the D3S. It can shoot movie footage at 1080/60p, while the Nikon is limited to 720/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D3S has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Nikon D3S, the Panasonic LX7, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
2. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
3. | Canon 1D Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 10.0/s | n | n | |
4. | Canon 1D Mark IV | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 10.0/s | n | n | |
5. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
6. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
7. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
9. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
10. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
11. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
12. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
13. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
14. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
15. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
16. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
17. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D3S, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D3S and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D3S writes its imaging data to Compact Flash cards, while the LX7 uses SDXC cards. The D3S features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX7 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3S and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 1D Mark III | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Canon 1D Mark IV | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
5. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
10. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
11. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
12. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
13. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Nikon D3S (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D3S and the LX7 have been discontinued, but can regularly be found used on ebay. The D3S was replaced by the Nikon D4, while the LX7 was followed by the Panasonic LX10. Further information on the features and operation of the D3S and LX7 can be found, respectively, in the Nikon D3S Manual (free pdf) or the online Panasonic LX7 Manual.
Review summary
So how do things add up? Which of the two cameras – the Nikon D3S or the Panasonic LX7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D3S:
- More detail: Offers more megapixels (12.1 vs 10MP) with a 12% higher linear resolution.
- Better image quality: Scores substantially higher (32 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (4.5 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (4200 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Reasons to prefer the Panasonic Lumix DMC-LX7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- Ready to shoot: Comes with an integrated lens, while the D3S requires a separate lens.
- More compact: Is smaller (111x68mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D3S).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 9 months of technical progress since the D3S launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D3S is the clear winner of the match-up (14 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3S and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D3S or the LX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | 5,199 | ebay.com | |
2. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
3. | Canon 1D Mark III | .. | .. | .. | .. | .. | .. | Feb 2007 | 4,499 | ebay.com | |
4. | Canon 1D Mark IV | 5/5 | .. | .. | 89/100 | .. | .. | Oct 2009 | 4,999 | ebay.com | |
5. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
6. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
7. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
8. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
10. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
11. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
12. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
13. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
14. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
15. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
16. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
17. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Nikon D3S
- Canon SX530 vs Panasonic LX7
- Contax N Digital vs Panasonic LX7
- Fujifilm GFX 100 vs Panasonic LX7
- Nikon D3S vs Nikon P7800
- Nikon D3S vs Sony A77
- Nikon D3S vs Sony A7R III
- Nikon D3S vs Sony H300
- Nikon D3S vs Sony NEX-3N
- Panasonic G110 vs Panasonic LX7
- Panasonic LX15 vs Panasonic LX7
- Panasonic LX7 vs Sony H200
Specifications: Nikon D3S vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D3S | Panasonic LX7 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Nikon F mount lenses | 24-90mm f/1.4-2.3 |
Launch Date | October 2009 | July 2012 |
Launch Price | USD 5,199 | USD 499 |
Sensor Specs | Nikon D3S | Panasonic LX7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | 1/1.7" Sensor |
Sensor Size | 36.0 x 23.9 mm | 7.44 x 5.58 mm |
Sensor Area | 860.4 mm2 | 41.5152 mm2 |
Sensor Diagonal | 43.2 mm | 9.3 mm |
Crop Factor | 1.0x | 4.65x |
Sensor Resolution | 12.1 Megapixels | 10 Megapixels |
Image Resolution | 4256 x 2832 pixels | 3648 x 2736 pixels |
Pixel Pitch | 8.43 μm | 2.05 μm |
Pixel Density | 1.40 MP/cm2 | 24.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 720/24p Video | 1080/60p Video |
ISO Setting | 200 - 12,800 ISO | 80 - 6,400 ISO |
ISO Boost | 100 - 102,400 ISO | 80 - 12,800 ISO |
Image Processor | EXPEED | Venus |
DXO Sensor Quality (score) | 82 | 50 |
DXO Color Depth (bits) | 23.5 | 20.7 |
DXO Dynamic Range (EV) | 12.0 | 11.7 |
DXO Low Light (ISO) | 3253 | 147 |
Screen Specs | Nikon D3S | Panasonic LX7 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 920k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Nikon D3S | Panasonic LX7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 11 shutter flaps/s | 11 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Nikon D3S | Panasonic LX7 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D3S | Panasonic LX7 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL4a | Panasonic DMW-BCJ13 |
Battery Life (CIPA) | 4200 shots per charge | 330 shots per charge |
Body Dimensions |
160 x 157 x 88 mm (6.3 x 6.2 x 3.5 in) |
111 x 68 x 46 mm (4.4 x 2.7 x 1.8 in) |
Camera Weight | 1240 g (43.7 oz) | 298 g (10.5 oz) |
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