Leica S3 vs Sony A99
The Leica S3 and the Sony Alpha SLT-A99 are two professional cameras that were revealed to the public, respectively, in September 2018 and September 2012. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a medium format (S3) and a full frame (A99) sensor. The Leica has a resolution of 64 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S3 and the Sony Alpha SLT-A99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica S3 and the Sony A99 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 is notably smaller (15 percent) than the Leica S3. Moreover, the A99 is substantially lighter (36 percent) than the S3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995|
|2.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|3.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|4.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|5.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|6.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|7.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900|
|8.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490|
|9.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950|
|10.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995|
|11.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|13.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699|
|14.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|15.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|16.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A99 was launched at a markedly lower price (by 85 percent) than the S3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S3 features a medium format sensor and the Sony A99 a full frame sensor. The sensor area in the A99 is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 64MP, the S3 offers a higher resolution than the A99 (24MP), but the S3 has smaller individual pixels (pixel pitch of 4.59μm versus 5.96μm for the A99). However, the S3 is a much more recent model (by 6 years) than the A99, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S3 for good quality output (200 dots per inch) amounts to 49 x 32.7 inches or 124.5 x 83 cm, for very good quality (250 dpi) 39.2 x 26.1 inches or 99.6 x 66.4 cm, and for excellent quality (300 dpi) 32.7 x 21.8 inches or 83 x 55.3 cm. The corresponding values for the Sony A99 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Leica S3 has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Sony Alpha SLT-A99 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||25.6||14.4||3143||98|
|2.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|3.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|4.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||25.2||14.2||2821||94|
|5.||Leica M10-P||Full Frame||23.8||5952||3992||none||25.1||14.1||2739||93|
|6.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|7.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||25.1||13.7||2763||93|
|8.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||25.1||13.7||2763||93|
|9.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|10.||Leica S2||Medium Format||37.5||7500||5000||none||23.9||12.5||2224||82|
|11.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|13.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||22.0||12.2||408||63|
|14.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|16.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S3 provides a higher video resolution than the A99. It can shoot video footage at 4K/24p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A99 has an electronic viewfinder (2359k dots), while the S3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A99 offers a wider field of view (100%) than the one in the S3 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S3 has a higher magnification (0.87x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica S3 and Sony A99 along with similar information for a selection of comparators.
|1.||Leica S3||optical||Y||3.0 / 922||fixed||n||1/4000s||3.0/s||n||n|
|2.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|3.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|4.||Leica M-E Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||n||n|
|5.||Leica M10-P||optical||n||3.0 / 1037||fixed||Y||1/4000s||5.0/s||n||n|
|6.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|7.||Leica S-E Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|8.||Leica S Typ 007||optical||Y||3.0 / 922||fixed||n||1/4000s||3.5/s||n||n|
|9.||Leica S Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|10.||Leica S2||optical||Y||3.0 / 460||fixed||n||1/4000s||1.5/s||n||n|
|11.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|12.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|13.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0/s||Y||Y|
|14.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|15.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|16.||Sony A850||optical||Y||3.0 / 922||fixed||n||1/8000s||3.0/s||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the A99 and the S3 is in-body image stabilization (IBIS). The A99 reduces the risk of handshake-induced blur with all attached lenses, while the S3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A99 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S3 does not have a selfie-screen.
The S3 writes its imaging data to Compact Flash or SDXC cards, while the A99 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The S3 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A99 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S3 and Sony Alpha SLT-A99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica S3||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|2.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|3.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|4.||Leica M-E Typ 240||Y||mono / -||-||-||-||2.0||-||-||-|
|5.||Leica M10-P||Y||- / -||-||-||-||-||Y||-||-|
|6.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|7.||Leica S-E Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Leica S Typ 007||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|9.||Leica S Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Leica S2||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|12.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony A850||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the S3 offers wifi support, while the A99 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that both cameras feature internal geolocalization sensors and can record GPS coordinates in their EXIF data.
The S3 is a recent model that features in the current product line-up of Leica. In contrast, the A99 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A99 was succeeded by the Sony A99 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So how do things add up? Which of the two cameras – the Leica S3 or the Sony A99 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Leica S3:
- More detail: Offers more megapixels (64 vs 24MP) with a 63% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.71x).
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 6 years of technical progress since the A99 launch.
Arguments in favor of the Sony Alpha SLT-A99:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (147x111mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 448g or 36 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the S3 comes out slightly ahead of the A99 (14 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S3 and the Sony A99 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S3 or the A99 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica S3||..||..||..||..||..||..||Sep 2018||18,995|
|2.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|3.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|4.||Leica M-E Typ 240||..||..||..||..||..||..||Jun 2019||3,999|
|5.||Leica M10-P||..||..||3/5||..||..||4/5||Aug 2018||7,995|
|6.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|7.||Leica S-E Typ 006||..||..||..||..||..||..||Sep 2014||16,900|
|8.||Leica S Typ 007||4/5||..||..||..||..||..||Sep 2014||24,490|
|9.||Leica S Typ 006||..||..||..||..||..||..||Sep 2012||21,950|
|10.||Leica S2||..||..||..||..||..||..||Sep 2008||22,995|
|11.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|12.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|13.||Sony RX10 IV||5/5||+||..||84/100||4.5/5||5/5||Sep 2017||1,699|
|14.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|15.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|16.||Sony A850||3/5||..||..||75/100||..||4.5/5||Aug 2009||1,999|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica S3 vs Sony A99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S3||Sony A99|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Leica S mount lenses||Sony A mount lenses|
|Launch Date||September 2018||September 2012|
|Launch Price||USD 18,995||USD 2,799|
|Sensor Specs||Leica S3||Sony A99|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||45.0 x 30.0 mm||35.8 x 23.8 mm|
|Sensor Area||1350 mm2||852.04 mm2|
|Sensor Diagonal||54.1 mm||43 mm|
|Sensor Resolution||64 Megapixels||24 Megapixels|
|Image Resolution||9800 x 6533 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.59 μm||5.96 μm|
|Pixel Density||4.74 MP/cm2||2.82 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/60p Video|
|ISO Setting||100 - 50,000 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 25,600 ISO|
|Image Processor||Maestro II||BIONZ X|
|DXO Sensor Quality (score)||..||89|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1555|
|Screen Specs||Leica S3||Sony A99|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Leica S3||Sony A99|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Leica S3||Sony A99|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||GPS built-in||GPS built-in|
|Body Specs||Leica S3||Sony A99|
|Environmental Sealing||Weathersealed body||Weathersealed body|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
147 x 111 x 78 mm
(5.8 x 4.4 x 3.1 in)
|Camera Weight||1260 g (44.4 oz)||812 g (28.6 oz)|
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