Leica M8 vs Sony A7R III
The Leica M8 and the Sony Alpha A7R III are two enthusiast cameras that were announced, respectively, in September 2006 and October 2017. The M8 is a rangefinder-focusing mirrorless, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (M8) and a full frame (A7R III) sensor. The Leica has a resolution of 10.4 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M8 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica M8 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The M8 can be obtained in two different colors (black, silver), while the A7R III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (10 percent) than the Leica M8. Moreover, the A7R III is markedly heavier (10 percent) than the M8. It is noteworthy in this context that the A7R III is splash and dust-proof, while the M8 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M8) and the Sony FE Lens Catalog (A7R III).
The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica M8||139 mm||80 mm||37 mm||591 g||..||n||Sep 2006||5,499|
|2.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|3.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|4.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|5.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|6.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|7.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|8.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|9.||Nikon D3000||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599|
|10.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749|
|11.||Nikon D40X||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729|
|12.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|13.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|14.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|15.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7R III was launched at a markedly lower price (by 42 percent) than the M8, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica M8 features an APS-H sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 77 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the M8 (10.4MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 6.84μm for the M8). Yet, the A7R III is a much more recent model (by 11 years and 1 month) than the M8, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Leica M8 are 19.7 x 13.2 inches or 50 x 33.4 cm for good quality, 15.7 x 10.5 inches or 40 x 26.7 cm for very good quality, and 13.1 x 8.8 inches or 33.3 x 22.3 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the M8, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica M8 has a native sensitivity range from ISO 160 to ISO 2500. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the M8 (overall score 41 points higher). The advantage is based on 4.9 bits higher color depth, 3.4 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|5.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|6.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||24.8||13.7||2478||90|
|7.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|8.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|13.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|14.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|15.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7R III indeed provides for movie recording, while the M8 does not. The highest resolution format that the A7R III can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the M8 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Leica M8 and Sony A7R III in connection with corresponding information for a sample of similar cameras.
|1.||Leica M8||optical||n||2.5 / 230||fixed||n||1/8000s||2.0||n||n|
|2.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|3.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|6.||Leica M Typ 262||optical||n||3.0 / 921||fixed||n||1/4000s||3.0||n||n|
|7.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0||n||n|
|8.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0||n||Y|
|9.||Nikon D3000||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0||Y||n|
|11.||Nikon D40X||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|13.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
|14.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7R III has a touchscreen, while the M8 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M8 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the M8 only has one slot. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the M8 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M8 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica M8||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|6.||Leica M Typ 262||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Nikon D3000||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D40X||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M8 does not provide wifi capability.
Studio photographers will appreciate that the Sony A7R III (unlike the M8) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M8 and the A7R III have been discontinued, but can regularly be found used on eBay. The M8 was replaced by the Leica M9, while the A7R III was followed by the Sony A7R IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Leica M8 or the Sony A7R III – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica M8:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Advantages of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 10.4MP), which boosts linear resolution by 102%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (41 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More modern: Reflects 11 years and 1 month of technical progress since the M8 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (28 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M8 or the A7R III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica M8||..||..||..||+ +||..||..||Sep 2006||5,499|
|2.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|3.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|4.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|5.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|6.||Leica M Typ 262||..||..||..||..||..||..||Nov 2015||5,195|
|7.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|8.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|9.||Nikon D3000||..||+||..||72/100||4/5||4.5/5||Jul 2009||599|
|10.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749|
|11.||Nikon D40X||..||79/100||..||+ +||4/5||4/5||Mar 2007||729|
|12.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|13.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|14.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|15.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|16.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Leica M8
- Canon G7 X vs Leica M8
- Canon M vs Sony A7R III
- Canon T8i vs Sony A7R III
- Leica M Typ 262 vs Leica M8
- Leica M8 vs Leica S Typ 007
- Leica M8 vs Olympus E-450
- Leica M8 vs Olympus E-M5 II
- Olympus E-M5 vs Sony A7R III
- Panasonic L1 vs Sony A7R III
- Sony A1 vs Sony A7R III
- Sony A7R III vs Sony NEX-5N
Specifications: Leica M8 vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M8||Sony A7R III|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Sony E mount lenses|
|Launch Date||September 2006||October 2017|
|Launch Price||USD 5,499||USD 3,199|
|Sensor Specs||Leica M8||Sony A7R III|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||27.0 x 18.0 mm||35.9 x 24.0 mm|
|Sensor Area||486 mm2||861.6 mm2|
|Sensor Diagonal||32.4 mm||43.2 mm|
|Sensor Resolution||10.4 Megapixels||42.2 Megapixels|
|Image Resolution||3936 x 2630 pixels||7952 x 5304 pixels|
|Pixel Pitch||6.84 μm||4.52 μm|
|Pixel Density||2.13 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||160 - 2,500 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|DXO Sensor Quality (score)||59||100|
|DXO Color Depth (bits)||21.1||26.0|
|DXO Dynamic Range (EV)||11.3||14.7|
|DXO Low Light (ISO)||663||3523|
|Screen Specs||Leica M8||Sony A7R III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica M8||Sony A7R III|
|Focus System||Manual Focus||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||2 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Leica M8||Sony A7R III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica M8||Sony A7R III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
139 x 80 x 37 mm
(5.5 x 3.1 x 1.5 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||591 g (20.8 oz)||650 g (22.9 oz)|
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