Leica M-E Typ 240 vs Nikon D6
The Leica M-E (Typ 240) and the Nikon D6 are two digital cameras that were announced, respectively, in June 2019 and February 2020. The M-E Typ 240 is a rangefinder-style mirrorless camera, while the D6 is a DSLR. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M-E (Typ 240) and the Nikon D6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica M-E Typ 240 and the Nikon D6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D6 is considerably larger (135 percent) than the Leica M-E Typ 240. Moreover, the D6 is substantially heavier (87 percent) than the M-E Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M-E Typ 240) and the Nikon Lens Catalog (D6).
As can be seen in the images above, the D6 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|2.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|3.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|4.||Leica M10-R||139 mm||80 mm||39 mm||660 g||210||Y||Jul 2020||8,295|
|5.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|6.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|7.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|8.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|9.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|10.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|11.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|12.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|13.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|14.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|15.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|16.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|17.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M-E Typ 240 was launched at a markedly lower price (by 38 percent) than the D6, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Leica M-E Typ 240 offers a higher resolution of 23.7 megapixels, compared with 20.7 MP of the Nikon D6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 6.01μm versus 6.44μm for the D6). Moreover, it should be noted that the D6 is a somewhat more recent model (by 7 months) than the M-E Typ 240, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Leica M-E Typ 240 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M-E Typ 240 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inches or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inches or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inches or 50.4 x 33.7 cm. The corresponding values for the Nikon D6 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Leica M-E (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Nikon D6 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|2.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|3.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|4.||Leica M10-R||Full Frame||40.9||7864||5200||none||..||..||..||..|
|5.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|6.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|7.||Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..|
|8.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|9.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|10.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|11.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|12.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|13.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|14.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|15.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|16.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|17.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D6 provides a better video resolution than the M-E Typ 240. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. The M-E Typ 240 and the D6 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D6 has a higher magnification than the one of the M-E Typ 240 (0.72x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica M-E Typ 240, the Nikon D6, and comparable cameras.
|1.||Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|3.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|6.||Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|9.||Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n|
|10.||Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|11.||Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|17.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D6 has a touchscreen, while the M-E Typ 240 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M-E Typ 240 writes its imaging data to SDXC cards, while the D6 uses CFexpress or XQD cards. The D6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M-E Typ 240 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M-E (Typ 240) and Nikon D6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
|3.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|6.||Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|9.||Leica M Typ 262||Y||-||-||-||-||-||2.0||-||-||-|
|10.||Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|11.||Leica M Typ 240||Y||stereo||mono||-||-||-||2.0||-||-||-|
|17.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the D6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M-E Typ 240 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D6 (unlike the M-E Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M-E Typ 240 and the D6 are recent models that are part of the current product line-up. The D6 replaced the earlier Nikon D5, while the M-E Typ 240 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica M-E Typ 240 and the Nikon D6? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica M-E (Typ 240):
- More detail: Offers more megapixels (23.7 vs 20.7MP) with a 7% higher linear resolution.
- More compact: Is smaller (139x80mm vs 160x163mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 590g or 46 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2019).
Arguments in favor of the Nikon D6:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.68x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the D6 is the clear winner of the contest (18 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M-E Typ 240 or the D6 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|2.||Nikon D6||..||..||..||4.5/5||4.5/5||Feb 2020||6,499|
|3.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|4.||Leica M10-R||4.5/5||..||..||..||4/5||Jul 2020||8,295|
|5.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|6.||Leica V-LUX 5||..||..||..||4/5||4/5||Jul 2019||1,249|
|7.||Leica M10-P||..||..||..||..||4/5||Aug 2018||7,995|
|8.||Leica M10||4.5/5||..||..||4/5||4.5/5||Jan 2017||6,595|
|9.||Leica M Typ 262||..||..||..||..||..||Nov 2015||5,195|
|10.||Leica Q Typ 116||5/5||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|11.||Leica M Typ 240||4/5||..||..||4/5||..||Sep 2012||6,950|
|12.||Nikon D780||5/5||..||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|13.||Nikon D5||..||..||89/100||4.5/5||5/5||Jan 2016||6,499|
|14.||Nikon D4S||5/5||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|15.||Nikon D4||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|16.||Nikon D3X||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|17.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica M-E Typ 240 vs Nikon D6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M-E Typ 240||Nikon D6|
|Camera Type||Rangefinder camera||Digital single lens reflex|
|Camera Lens||Leica M mount lenses||Nikon F mount lenses|
|Launch Date||June 2019||February 2020|
|Launch Price||USD 3,999||USD 6,499|
|Sensor Specs||Leica M-E Typ 240||Nikon D6|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.8 x 23.9 mm||35.9 x 23.9 mm|
|Sensor Area||855.62 mm2||858.01 mm2|
|Sensor Diagonal||43 mm||43.1 mm|
|Sensor Resolution||23.7 Megapixels||20.7 Megapixels|
|Image Resolution||5952 x 3976 pixels||5568 x 3712 pixels|
|Pixel Pitch||6.01 μm||6.44 μm|
|Pixel Density||2.77 MP/cm2||2.41 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 6,400 ISO||50 - 3,280,000 ISO|
|Screen Specs||Leica M-E Typ 240||Nikon D6|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2359k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica M-E Typ 240||Nikon D6|
|Focus System||Manual Focus||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica M-E Typ 240||Nikon D6|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica M-E Typ 240||Nikon D6|
|Environmental Sealing||Weathersealed body||Weathersealed body|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
160 x 163 x 92 mm
(6.3 x 6.4 x 3.6 in)
|Camera Weight||680 g (24.0 oz)||1270 g (44.8 oz)|
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