Leica D-LUX 5 vs Sony A68
The Leica D-LUX 5 and the Sony Alpha SLT-A68 are two digital cameras that were revealed to the public, respectively, in September 2010 and November 2015. The D-LUX 5 is a fixed lens compact, while the A68 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and an APS-C (A68) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 5 and the Sony A68 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (108 percent) than the Leica D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the A68 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|2.||Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|5.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|6.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|7.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|8.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|11.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|12.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|13.||Pentax K-S1||121 mm||93 mm||70 mm||558 g||410||n||Aug 2014||749|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|15.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|16.||Sony A58||129 mm||95 mm||78 mm||492 g||690||n||Feb 2013||599|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 698 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.5. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the A68 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the A68 offers a higher resolution than the D-LUX 5 (10MP), but the A68 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the A68 is a much more recent model (by 5 years and 1 month) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|7.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|8.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|11.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A68 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 1080/60i, while the Leica is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The table below summarizes some of the other core capabilities of the Leica D-LUX 5 and Sony A68 in connection with corresponding information for a sample of similar cameras.
|1.||Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|7.||Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|8.||Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
|11.||Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
|14.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y|
One feature that is present on the A68, but is missing on the D-LUX 5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The D-LUX 5 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|7.||Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|8.||Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
|14.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-|
It is notable that the A68 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX 5 does not feature such a mic input.
Both the D-LUX 5 and the A68 have been discontinued, but can regularly be found used on eBay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the A68 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is there a clear favorite between the Leica D-LUX 5 and the Sony A68? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- Ready to shoot: Comes with a built-in lens, while the A68 requires a separate lens.
- More compact: Is smaller (110x65mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A68).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60i vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (540 versus 400) out of a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 1 month of technical progress since the D-LUX 5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A68 is the clear winner of the contest (15 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the A68 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 5||..||..||..||4.5/5||4/5||Sep 2010||699|
|2.||Sony A68||3/5||..||..||4/5||4/5||Nov 2015||699|
|3.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G7 X||4/5||+ +||77/100||4.5/5||4.5/5||Sep 2014||699|
|5.||Fujifilm X20||4/5||+ +||77/100||4.5/5||5/5||Jan 2013||599|
|6.||Fujifilm X10||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|7.||Leica D-LUX 6||..||..||..||4/5||4/5||Sep 2012||699|
|8.||Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|9.||Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|10.||Leica X1||3/5||..||+||..||4/5||Sep 2009||1,995|
|11.||Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|12.||Panasonic LX5||4/5||+||73/100||4.5/5||4.5/5||Jul 2010||499|
|13.||Pentax K-S1||4/5||..||..||4.5/5||4/5||Aug 2014||749|
|14.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|15.||Sony A77 II||4/5||..||80/100||4.5/5||5/5||May 2014||1,199|
|16.||Sony A58||3/5||..||..||4.5/5||4.5/5||Feb 2013||599|
|17.||Sony A77||5/5||91/100||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
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Specifications: Leica D-LUX 5 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Sony A68|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Sony A mount lenses|
|Launch Date||September 2010||November 2015|
|Launch Price||USD 699||USD 699|
|Sensor Specs||Leica D-LUX 5||Sony A68|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.85 x 5.89 mm||23.5 x 15.6 mm|
|Sensor Area||46.2365 mm2||366.6 mm2|
|Sensor Diagonal||9.8 mm||28.2 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.14 μm||3.91 μm|
|Pixel Density||21.59 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||1080/60i Video|
|ISO Setting||80 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.5|
|DXO Low Light (ISO)||..||701|
|Screen Specs||Leica D-LUX 5||Sony A68|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 5||Sony A68|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||2.5 shutter flaps/s||8 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 5||Sony A68|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Sony A68|
|Battery Life (CIPA)||400 shots per charge||540 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||271 g (9.6 oz)||610 g (21.5 oz)|
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