Leica D-LUX 5 vs Olympus E-620
The Leica D-LUX 5 and the Olympus E-620 are two digital cameras that were officially introduced, respectively, in September 2010 and February 2009. The D-LUX 5 is a fixed lens compact, while the E-620 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and a Four Thirds (E-620) sensor. The Leica has a resolution of 10 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Olympus E-620? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 5 and the Olympus E-620 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-620 is considerably larger (71 percent) than the Leica D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the E-620 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the E-620 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-620 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the E-620 can take 500 images on a single charge of its BLS-1 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699||ebay.com|
|2.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|5.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||ebay.com|
|6.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|7.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699||ebay.com|
|8.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949||ebay.com|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849||ebay.com|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995||ebay.com|
|11.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849||ebay.com|
|12.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|13.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||ebay.com|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|15.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|16.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Olympus E-620 a Four Thirds sensor. The sensor area in the E-620 is 389 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.2MP, the E-620 offers a higher resolution than the D-LUX 5 (10MP), but the E-620 nevertheless has larger individual pixels (pixel pitch of 4.29μm versus 2.14μm for the D-LUX 5) due to its larger sensor. However, the D-LUX 5 is a somewhat more recent model (by 1 year and 6 months) than the E-620, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Olympus E-620 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-620 for good quality output (200 dots per inch) amounts to 20.2 x 15.1 inches or 51.2 x 38.4 cm, for very good quality (250 dpi) 16.1 x 12.1 inches or 41 x 30.7 cm, and for excellent quality (300 dpi) 13.4 x 10.1 inches or 34.1 x 25.6 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Olympus E-620 are ISO 100 to ISO 3200 (no boost).
In terms of underlying technology, the D-LUX 5 is build around a CCD sensor, while the E-620 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||19.5||10.4||-583||39|
|2.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|7.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|8.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|11.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|12.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|13.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|16.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The D-LUX 5 indeed provides movie recording capabilities, while the E-620 does not. The highest resolution format that the D-LUX 5 can use is 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-620 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The following table reports on some other key feature differences and similarities of the Leica D-LUX 5, the Olympus E-620, and comparable cameras.
|1.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|2.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|5.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|6.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|7.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|8.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|10.||Leica X1||none||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||n|
|11.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|12.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|13.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|14.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|15.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|16.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The D-LUX 5 writes its imaging data to SDXC cards, while the E-620 uses Compact Flash or xD Picture cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Olympus E-620 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|6.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica X1||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|12.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
Both the D-LUX 5 and the E-620 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the D-LUX 5 was followed by the Leica D-LUX 6. Further information on the features and operation of the D-LUX 5 and E-620 can be found, respectively, in the Leica D-LUX 5 Manual (free pdf) or the online Olympus E-620 Manual.
So what is the bottom line? Is there a clear favorite between the Leica D-LUX 5 and the Olympus E-620? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 720/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- Ready to shoot: Comes with a built-in lens, while the E-620 requires a separate lens.
- More compact: Is smaller (110x65mm vs 130x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-620).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 6 months after the E-620).
Arguments in favor of the Olympus E-620:
- More detail: Has more megapixels (12.2 vs 10MP), which boosts linear resolution by 11%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (500 versus 400) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2009).
If the count of relative strengths (bullet points above) is taken as a measure, the E-620 is the clear winner of the contest (13 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Olympus E-620 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the E-620 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699||ebay.com|
|2.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|4.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|5.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599||ebay.com|
|6.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|7.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699||ebay.com|
|8.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949||ebay.com|
|9.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849||ebay.com|
|10.||Leica X1||3/5||..||..||+||..||4/5||Sep 2009||1,995||ebay.com|
|11.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849||ebay.com|
|12.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|13.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599||ebay.com|
|14.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|15.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|16.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Olympus E-620
- Canon 800D vs Leica D-LUX 5
- Canon 80D vs Olympus E-620
- Fujifilm X-H1 vs Leica D-LUX 5
- Fujifilm X-Pro2 vs Olympus E-620
- Leica D-LUX 5 vs Nikon D3400
- Leica D-LUX 5 vs Panasonic S1R
- Leica D-LUX 5 vs Pentax K-1 II
- Leica D-LUX 5 vs Sony RX100 VI
- Nikon D5600 vs Olympus E-620
- Nikon D7000 vs Olympus E-620
- Olympus E-620 vs Sony A900
Specifications: Leica D-LUX 5 vs Olympus E-620
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Olympus E-620|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Four Thirds lenses|
|Launch Date||September 2010||February 2009|
|Launch Price||USD 699||USD 699|
|Sensor Specs||Leica D-LUX 5||Olympus E-620|
|Sensor Format||1/1.7" Sensor||Four Thirds Sensor|
|Sensor Size||7.85 x 5.89 mm||17.3 x 13.0 mm|
|Sensor Area||46.2365 mm2||224.9 mm2|
|Sensor Diagonal||9.8 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||12.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||4032 x 3024 pixels|
|Pixel Pitch||2.14 μm||4.29 μm|
|Pixel Density||21.59 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||no Video|
|ISO Setting||80 - 3,200 ISO||100 - 3,200 ISO|
|ISO Boost||80 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||10.3|
|DXO Low Light (ISO)||..||536|
|Screen Specs||Leica D-LUX 5||Olympus E-620|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||460k dots||230k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica D-LUX 5||Olympus E-620|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||4 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|Connectivity Specs||Leica D-LUX 5||Olympus E-620|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Olympus E-620|
|Battery Life (CIPA)||400 shots per charge||500 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
130 x 94 x 60 mm
(5.1 x 3.7 x 2.4 in)
|Camera Weight||271 g (9.6 oz)||521 g (18.4 oz)|
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