Fujifilm X30 versus Panasonic LX100
The Fujifilm X30 and the Panasonic Lumix DMC-LX100 are two digital cameras that were officially introduced, respectively, in August 2014 and September 2014. Both the X30 and the LX100 are fixed lens compact cameras that are based on a 2/3 (X30) and a Four Thirds sensor. The Fujifilm has a resolution of 12 megapixel, whereas the Panasonic provides 12.7 MP.
The physical size and weight of the Fujifilm X30 and the Panasonic LX100 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the X30 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is notably smaller (11 percent) than the Fujifilm X30. Moreover, the LX100 is slightly lighter (7 percent) than the X30. In this context, it is worth noting that neither the X30 nor the LX100 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X30 (⇒ rgt)||4.7 in||2.8 in||2.4 in||14.9 oz||470||no||2014||599||latest||check|
|Panasonic LX100 (⇒ lft)||4.5 in||2.6 in||2.2 in||13.9 oz||300||no||2014||899||latest||check|
|Canon G9 X (⇒ lft | rgt)||3.9 in||2.3 in||1.2 in||7.4 oz||220||no||2015||529||discont.||check|
|Canon XC10 (⇒ lft | rgt)||4.9 in||4.0 in||4.8 in||36.7 oz||..||no||2015||2,499||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||4.6 in||2.9 in||2.6 in||19.5 oz||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||4.1 in||2.4 in||1.6 in||10.7 oz||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||4.3 in||3.0 in||1.6 in||12.6 oz||360||no||2013||549||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||5.0 in||2.9 in||2.0 in||15.5 oz||330||no||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||5.0 in||2.9 in||2.1 in||15.7 oz||330||no||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||4.6 in||2.8 in||2.2 in||12.5 oz||270||no||2013||599||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||4.6 in||2.6 in||1.5 in||11.6 oz||350||no||2013||699||latest||check|
|Fujifilm X10 (⇒ lft | rgt)||4.6 in||2.8 in||2.2 in||12.3 oz||270||no||2011||599||discont.||check|
|Panasonic FZ1000 (⇒ lft | rgt)||5.4 in||3.9 in||5.2 in||29.3 oz||360||no||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||3.9 in||2.4 in||1.4 in||7.4 oz||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||3.9 in||2.2 in||1.2 in||7.2 oz||230||no||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.5 oz||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X30 was launched at a markedly lower price (by 33 percent) than the LX100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X30 features a 2/3 sensor and the Panasonic LX100 a Four Thirds sensor. The sensor area in the LX100 is 288 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 12.7MP, the LX100 offers a higher resolution than the X30 (12MP), but the LX100 nevertheless has larger individual pixels (pixel pitch of 4.21μm versus 2.20μm for the X30) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X30 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X30 (⇒ rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Panasonic LX100 (⇒ lft)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Fujifilm X100T (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X100S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X10 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX100 provides a better video resolution than the X30. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a higher resolution than the one in the X30 (2764k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm X30 and Panasonic LX100 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Fujifilm X30 (⇒ rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||no|
|Panasonic LX100 (⇒ lft)||2764||no||3.0||921||fixed||no||4000||11.0||7||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||no|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||no|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||no|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||no|
|Fujifilm X100T (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||6.0||9||no|
|Fujifilm X100S (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||9||no|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X10 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||10.0||9||no|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||no|
Both the X30 and the LX100 have zoom lenses build in. The X30 has a 28-112mm f/2.0-2.8 optic and the LX100 offers a 24-75mm f/1.7-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Fujifilm, but less tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
Both the X30 and the LX100 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X30 replaced the earlier Fujifilm X20, while the LX100 does not have a direct predecessor.
So how do things add up? Is there a clear favorite between the Fujifilm X30 and the Fujifilm X30? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X30:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (470 versus 300) on a single battery charge.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
Arguments in favor of the Panasonic Lumix DMC-LX100:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has a higher resolution electronic viewfinder (2764k vs 2360k dots).
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/2.0).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (115x66mm vs 119x72mm) and will fit more readily into a bag.
If the number of relative strengths (bullet points above) is taken as a guide, the LX100 emerges as the winner of the match-up (7 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X30 or the LX100. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X30 (⇒ rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Panasonic LX100 (⇒ lft)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||Rec||81/100 Silver||4.5/5||4.5/5||5/5||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||4/5||5/5||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X10 (⇒ lft | rgt)||-||76/100 Silver||4/5||3.5/5||4.5/5||2011||599||discont.||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
If you would like to see a different side-by-side camera review, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.
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